Null LARGE FLUORITE
Fluorite Minerva No. 1 Mine, Ozark-Mahoning group, Cave-In-R…

Description

LARGE FLUORITE Fluorite Minerva No. 1 Mine, Ozark-Mahoning group, Cave-In-Rock Mining Sub-District, Hardin County, Illinois, USA H_16 W_22 cm

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LARGE FLUORITE Fluorite Minerva No. 1 Mine, Ozark-Mahoning group, Cave-In-Rock Mining Sub-District, Hardin County, Illinois, USA H_16 W_22 cm

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Starting price 200 EUR

Youth. Munich illustrated weekly magazine for art and life. With numerous illustrations and color plates. Munich and Leipzig, Georg Hirths Kunstverlag and Verlag der Münchner "Jugend", 1898. 2 vols. 4°. Illustrated OLwd. (rubbed and bumped, vol. II. somewhat foxed). Jugendstil Jugend. Munich illustrated weekly magazine for art and life. With numerous illustrations and color plates. Munich and Leipzig, Georg Hirths Kunstverlag and Verlag der Münchner "Jugend", 1898. 2 vols. 4°. Illustrated OLwd. (rubbed and bumped, vol. II. somewhat foxed). First edition. - Diesch 2668 - Kirchner 15532 - Vol. I with nos. 1-26, vol. II with nos. 27-52 - Jugend, which was published from its foundation in 1896 until 1940, is considered the most important journal of Art Nouveau, whose name it co-founded. - Vol. I. Inner hinge broken (some pages loose), evenly browned due to paper. Overall in very good condition. 2 vols. Ill. orig. cloth (slightly rubbed a. bumped, vol II. somewhat foxed). - Vol. I with no. 1-26, Vol. II with no. 27-52 - Vol. I. Inner hinge broken (some pages loose), evenly browned due to paper. Overall in very good condition.

Estim. 5 500 - 6 000 EUR

CHOPART watch for TIFFANY & Co. La Strada. Special Edition. In gold with diamonds. Ref. 433 1. No. 47864X Edition No. 4X/6619/8. In 18k white gold. White dial with Roman numerals. Baton hands. Case with two groups of brilliant-cut diamonds at the top and bottom. Original Chopard pin buckle. The strap is not the original one. Quartz movement. It works. Measurements: 18 mm (case width); 36 x 20 mm (total case with crown). In the description of the watches when it says "in running condition" it means that the watch is in working order. Since collector's watches often have delicate and complex mechanisms, the buyer is responsible for any general service, overhaul, battery change, adjustment or repair that may be necessary. We do not guarantee the perfect functioning of any watch. All photographs of our watches are original and have been taken by our photographers, that is to say, we do not work with stock photography and that is why the photographs are considered part of the cataloging.

Estim. 150 - 300 EUR

UTAGAWA KUNISADA I (TOYOKUNI III): A GROUP OF THREE WOODBLOCK PRINTS UTAGAWA KUNISADA I (TOYOKUNI III): A GROUP OF THREE WOODBLOCK PRINTS Utagawa Kunisada I (Toyokuni III) (1786-1864) Japan, 19th century, Edo period (1615-1868) Color woodblock prints on paper. Vertical oban. 1. One sheet of diptych. Signed Toyokuni ga. Titled Sanjuyon no maki: Wakana no jo (Chapter 34: Spring Shoots, part I), number 13 from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection). Mitsuuji laughs as he reads a plain, honest letter sent to him by Beni. SIZE of the sheet 36.7 x 25.7 cm 2. Signed Ichiyosai Tokuni ga with seal. Titled Sukeroku, number 16 from the series Juhachiban no uchi (Eighteen Great Kabuki Plays). SIZE of the sheet 35.7 x 25.8 cm 3. One sheet of diptych. Signed Gototei Kunisada ga. Titled Sawamura Sojuro IV as Hatchotsubute no Kiheiji, from the play Itsukushima Yuki no Mitegura. SIZE of the sheet 37.6 x 25.8 cm Condition: Good condition with wear and slight browning of paper. Creasing, folds, wormholes, stains, trimmed margins, mounting holes, and smudges. One sheet gently mounted on paper and behind a passepartout. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Museum comparison: Compare a closely related diptych, in the collection of the British Museum, museum number 2012,3033.31.1-2. Compare a closely related print of Sukeroku, in the collection of the Victoria and Albert Museum, London, accession number E.7492-1886. Compare a closely related diptych depicting Sawamura Sojuro IV, in the collection of the Museum of Fine Arts Boston, accession number 11.22904-5.

Estim. 150 - 300 EUR

A GROUP OF FOUR WOODBLOCK PRINTS A GROUP OF FOUR WOODBLOCK PRINTS Japan, Edo period (1615-1868) Color woodblock prints on paper. Vertical oban. 1. By Tsukioka Yoshitoshi (1839-1892). One sheet of triptych. Titled Sumidaga Kozui Abe no Tadaaki Meiyo no zu (The Valor of Abe no Tadaaki During the Flooding of the Sumida River). A few samurai gather around a rider on horseback and seem alarmed by something in the distance. The churning waves seem an almost solid mass, giving the raging water a three-dimensional effect. SIZE of the sheet 36.7 x 24.4 cm 2. Depicting two figures in a field talking animatedly, each dressed in voluminous robes. SIZE of the sheet 24.5 x 19 cm 3. Signed Sadanobu ga. Depicting a man on a bridge cradling a small child close to his chest as he looks in the distance with a skeptical look on his face. SIZE of the sheet 37.8 x 25.2 cm 4. Signed Toyokuni ga. Depicting a samurai straining under the weight of a bijin who is dressed in voluminous robes decorated with foliate designs. SIZE of the sheet 36.4 x 24.2 cm Condition: Overall presenting well, with wear, browning of paper, minor creasing, few tears, some losses, staining, and few wormholes. One mounted on paper, two with repairs to the backside. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Museum comparison: Compare a closely related triptych depicting the valor of Abe no Tadaaki, in the collection of the Philadelphia Museum of Art, accession number 1978-129-265a—c.

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