Null Not Vital *1948
9, 2009
Mischtechnik auf Papier
unten rechts signiert und d…

Description

Not Vital 1948 9, 2009 Mischtechnik auf Papier unten rechts signiert und datiert Not Vital 09 unten links bezeichnet 9 43.2 x 35.5 cm This lot is also subject to 8.1% VAT on the hammer price.

174

Not Vital 1948 9, 2009 Mischtechnik auf Papier unten rechts signiert und datiert Not Vital 09 unten links bezeichnet 9 43.2 x 35.5 cm This lot is also subject to 8.1% VAT on the hammer price.

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Estim. 20 - 40 CHF

Lot of 8 books: Lécuyer & Cadilhac, Demeures inspirées et sites romanesques. SNEP, 1949. Full leatherette. Contains 4 chapters on Balzac: la maison de Baleac, Balzac chez Lucien de Rubempré, Le lys dans la vallée & La véritable Eugénie Grandet. The first is by Lécuyer, the others by Cadilhac. Sur les pas de Balzac, paroles de préfets. Revue de l'Académie du Centre, 1999. Pitt-Rivers, Balzac et l'art. Chêne, 1993. Gaillard, Paris au temps de Balzac. Prestige, 2001. Oster & Goulemot, La vie pariseinne. Sand/Conti, 1989. Loisel, La Comédie humaine vendômoise au temps de Balzac. Auguste Borget, painter and traveler around the world. Ukraine and France in the 19th century. Paris-Munich, 1987. Cordonnier, Causeries du samedi - II. 1964. [Balzac et les femmes] Lot de 9 volumes dont : R Barbiera, Il salotto della contessa Maffei (Milano, Treves, 1895, half-percaline). LJ Arrigon, Balzac et la Contessa (P, Portiques, sd, dispatch with recipient's name cut out). S de Korwin-Piotrowska, L'étrangère - Eveline Hanska de Balzac (P, Colin, 1938). H Rebell, Les inspiratrices de Balzac (P, Dujarric, sd, demi-percaline). M Bouteron, La véritable image de madame Hanska (P, images du temps, 1929, sur rives). J. Helm-Floyd, Les femmes dans la vie de Balzac (P, Plon, 1926, full percaline). A Arrault, Madame de Berny, Balzac's first love (Tours, Arrault, 1948). A Arrault, Madame Hanska le dernier amour de Balzac (Tours, Arrault, 1949). E Dufour-Kowalski, Balzac et Madame Hanska - Réminiscences d'un Roman d'Amour (P, Panthéon, 1994). Good set in good condition. [Balzac et ses amis] Lot of 9 works: Mme Emile de Girardin, La Canne de Balzac. Paris, Calmann-Lévy, 1885. Eldon Kaye, Charles Lassailly. Paris, Minard, Genève Droz, 1962. Parménie & Bonnier de la Chapelle, Histoire d'un éditeur et de ses auteurs - P.J. Hetzel. Paris, Albin Michel, 1953. Ségu, Henri de Latouche, un romantique républicain. Paris, Les Belles Lettres, 1931. Ségu, Henri de Latouche, un journaliste dilettante. Paris, Les Belles Lettres, 1931. Mon cher George - Balzac et Sand, histoire d'une amitié. Paris, Gallimard, 2010. Zulma Carraud, Les Goûters de la Grand'mère. Paris, Hachette, 1869. In-12, pink library, spines partly split. Georges d'Heilly, Madame de Girardin. Paris, Bachelin-Deflorenne, 1868. In-16, on laid paper. Jouin, Jean Gigoux. Paris, bureaux de l'Artiste, 1895. In-4, partly uncropped.

Estim. 7 000 - 7 500 CHF

HELEN LEVITT (New York, 1913-2009). "NYC. Masked children on stop", New York, 1940. Gelatin silver, later print. Signed, dated and inscribed "N.Y.C." in pencil (on reverse). Provenance: From the private collection of Schroeder New Jersey. Measurements: 19.4 x 27.7 cm (image); 28 x 34.8 cm (paper). Helen Levitt is considered one of the most relevant photographers of the 20th century and one of the forerunners of today's independent cinema. She belongs to the so-called New York school, which defended a direct and aseptic street photography. She was a student of Walker Evans and Cartier-Bresson, Ben Shanhn and the circle of the Photo League of New York, from whom she learned that search for the instant. Her way of capturing gestures, bodies in movement, the language of the street, have turned her work almost into an anthropological study. In 1939 Helen Levitt's photos were already published in magazines such as Fortune, US Camera, Minicam and PM. Her best known work is in black and white and in the documentary genre, putting her lens on the streets and the inhabitants of the city, especially the children. Proof of this is the exhibition "Helen Lewitt: Photographs of Children" that MoMA in New York dedicated to her in 1943. During her trip to Mexico in 1941 she also portrayed street children. In the 1970s, Levitt photographed the streets of New York with color slides and implemented it into her own language as another resource. It should be noted that he always had a vocation for filmmaking: it was in the 1940s when he made his first documentary film projects, under the orders of the Spanish film director Luis Buñuel, who was exiled in the United States because of the Spanish Civil War. In 1948 he directed the film "In the Street" and "The Quiet One".

Starting price 200 EUR

Mario AVATI (1921 - 2009) Lot de cinq manières noires de la série "Zèbres" comprenant : -SOUVENIRS, SOUVENIRS Gravure à la manière noire sur papier signé en bas au centre, titré et numéroté 13/15 en bas à gauche 28,8 x 37,2 cm -LE ZEBRE QUI PASSAIT PAR LA Gravure à la manière noire sur papier signé en bas au centre, titré et numéroté 13/15 en bas à gauche 28,8 x 37,6 cm -LA PARABOLE DE LA LUNE BLEUE Gravure à la manière noire sur papier signé en bas au centre, titré et numéroté 13/15 en bas à gauche 28,5 x 37,2 cm -MARATHON A MANHATTAN Gravure à la manière noire sur papier signé en bas au centre, titré et numéroté 13/15 en bas à gauche 27,8 x 38,6 cm -L'ECHAPEE BELLE Gravure à la manière noire sur papier signé en bas au centre, titré et numéroté 9/11 en bas à gauche 28,8 x 37,6 cm

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