John Armleder *1948 John Armleder *1948
FS 56, Ohne Titel, 1983/84
Zweiteilige M…

Description

John Armleder *1948

John Armleder *1948 FS 56, Ohne Titel, 1983/84 Zweiteilige Möbel-Skulptur, verschiedene Materialien 186 x 216 x 30 cm

161

John Armleder *1948

Auction is over for this lot. See the results

You may also like

Estim. 100 - 150 CHF

Joan MIRO (1893-1983), 'Ohne Titel' / ' Without title', aus: 'Derriere Le Miroir', 1970

Estim. 340 - 500 CHF

Armleder, John

Estim. 1 800 - 2 000 CHF

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012). "Pied el lettres, 1976. Etching and aquatint on paper, copy 46/50. Signed and justified in pencil. Measurements: 40 x 50 cm (print); 56 x 76 cm (paper); 77,50 x 97 cm (frame). Co-founder of "Dau al Set" in 1948, Tàpies begins to exhibit in the Salones de Octubre in Barcelona, as well as in the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Layetanas Galleries, he travels to Paris in 1950, with a scholarship from the French Institute. In 1953 he had a solo exhibition at Martha Jackson's New York gallery. From then on, his exhibitions, both collective and individual, were held all over the world, in outstanding galleries and museums such as the Guggenheim in New York or the Museum of Modern Art in Paris. Since the seventies, anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). Self-taught, Tàpies has created his own style within the avant-garde art of the 20th century, combining tradition and innovation in an abstract style but full of symbolism, giving great relevance to the material substrate of the work. It is worth noting the marked spiritual sense given by the artist to his work, where the material support transcends its state to signify a profound analysis of the human condition. Tàpies' work has been highly valued internationally, being exhibited in the most prestigious museums in the world. Throughout his career he has received numerous awards and distinctions, including the Praemium Imperiale of Japan, the National Culture Award, the Grand Prize for Painting in France, the Wolf Foundation of the Arts (1981), the Gold Medal of the Generalitat de Catalunya (1983), the Prince of Asturias Award for the Arts (1990), the Picasso Medal of Unesco (1993) and the Velázquez Award for Plastic Arts (2003). A great defender of Catalan culture, of which he is deeply imbued, Tàpies is a great admirer of the mystical writer Ramón Llull, as well as the Catalan Romanesque and Gaudí's architecture. At the same time, he appreciates Eastern art and philosophy, which, like his own work, blur the boundary between matter and spirit, between man and nature. Influenced by Buddhism, he shows in his paintings how pain, both physical and spiritual, is inherent to life. Antoni Tàpies is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

Estim. 100 000 - 150 000 CHF

Philippe HIQUILY Marathon runner Corten steel Signed with initials and numbered lower right "P.H, EA 3/4". Provenance: Artist's family Exhibitions : Vitry-sur-Seine, "L'art dans la ville, 100 oeuvres", 1988, reproduced in black and white on p. 84 (a similar copy in a different size) Bibliography: J-L. Epivent, Profil Architecture Evolutive n°54, "Philippe Hiquily, les chiquenaudes du destin", January-February 1983, reproduced in color p. 39 (one similar copy) Chen Y.-F., "Hiquily, érotisme, mouvement et humour en sculptures", September 1984, reproduced in black and white on p. 170 (a similar copy) F. Jonquet, "Hiquily", Édition du Cercle d'Art, Paris, 1992, reproduced in color p. 126 (a similar copy) Service Municipal de la Culture, "Une ville et ses oeuvres, l'art monumental à Vitry", Vitry-sur-Seine, 2000, reproduced in color p. 47 (a similar copy) "Philippe Hiquily - Catalogue Raisonné 1948-2011, Volume 1", Editions Loft, Paris, 2012, reproduced in color as n°367, p. 269 (a similar copy) The authenticity of this work has been confirmed by the Comité Hiquily. A certificate may be issued by the Comité Hiquily at the expense of the purchaser. Corten steel; signed with the initials and numbered lower right 620 x 390 x 340 cm Philippe HIQUILY The authenticity of this work has been confirmed by the Comité Hiquily. A certificate may be issued by the Comité Hiquily at the expense of the purchaser. Corten steel; signed with the initials and numbered lower right 620 x 390 x 340 cm

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]