Null Julius Bissier 1893-1965
A. 8. Dez. 62, 1962
Ei-Öl-Tempera auf feiner Leinw…

Description

Julius Bissier 1893-1965 A. 8. Dez. 62, 1962 Ei-Öl-Tempera auf feiner Leinwand unten in der Mitte bezeichnet und signiert A.8.Dez.62 J. Bissier 20 x 30.5 cm

145

Julius Bissier 1893-1965 A. 8. Dez. 62, 1962 Ei-Öl-Tempera auf feiner Leinwand unten in der Mitte bezeichnet und signiert A.8.Dez.62 J. Bissier 20 x 30.5 cm

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Otto Nebel, Abstract Composition Published in the commemorative publication "Sturm und Vollendung. Ein Lebensbild von Otto Nebel" by Arcade-Presse in Zurich in 1971, total edition of 150 copies, colour linocut on Japanese paper, signed "Nebel" by hand below the image, colour-fresh copy, slight trace of creasing visible, matted and framed behind glass, image dimensions approx. 11.5 x 8 cm. Artist information: German painter, graphic artist, poet and actor (1892 Berlin - 1973 Bern), acting lessons with Friedrich Kayssler and Rudolf Blümner at the Leasingtheater in Berlin, soldier in WW1, 1918 painted during the war. In 1918, while a prisoner of war in an English camp, he wrote an expressionist anti-war poem, returned to Berlin in 1919 and became friends with Georg Muche, Paul Klee and Wassily Kandinsky, socialised with Herwarth Walden, founding member of the group "Der Kater" in 1923, 1933 classification of his work as "degenerate art" and emigration to Switzerland, 1936-51 support from the Guggenheim Foundation, 1962 important trip to Greece and the Middle East for his work, 1965 awarded the Order of Merit of the Federal Republic of Germany, source: Thieme-Becker, Vollmer and Wikipedia.

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Peter Phillips, Poster Olympia München 1972 Athletes approaching the viewer, colour silkscreen and embossing on light cardboard, signed and dated "Peter Phillips (19)71" in pencil on the lower right and numbered "135/200" on the left, typographic inscription "Olympische Spiele München 1972" below the image, printer's mark "(c) edition Olympia 1972 GmbH 1971 Matthieu AG Zürich", minor creases, sheet dimensions approx. 105 x 70 cm. Artist information: British Pop artist and filmmaker (born 1939 in Birmingham), 1953-55 attended the Mosely Rood Secondary School of Art, 1955-59 studied at the Birmingham College of Art, 1959 travelled to Italy and Paris, 1959-62 studied at the Royal College of Art in London, 1962-69 taught at the Country College of Art and the Birmingham College of Art, 1963 participation in the Biennale in Paris, 1964 participation in the Pop Art exhibitions in Berlin, The Hague and Vienna, lived in New York from 1964-66, 1965 first solo exhibition in the USA, 1968-69 visiting professor at the Hochschule der Bildenden Künste in Hamburg, 1972 exhibition at the Tate Gallery/London, lives and works in Mallorca, source: Wikipedia.

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André BARELIER (1934 - 2021) Telephone booth Numbered 1/8 Bronze with brown patina Signed Height: 100 cm; Width: 71 cm; Depth: 64 cm Born in Plan-de-Cuques in 1934, sculptor and draughtsman André Barelier studied at the Ecole des Beaux-Arts de Marseille from 1948 to 1958, while working for a sculptor. In 1961, he was awarded the special prize in the monumental art competition, and went on to win the first Grand Prix de Rome. Between 1962 and 1965, he stayed at the Villa Médicis and met Balthus, who was to play a decisive role in the development of his drawings and sculptures. He also discovered Giacometti, who was to influence his thinking on the subject and the space that surrounds it. In 1967, he held his first solo exhibition at the Galerie Visconti in Paris. In 1968, he was appointed professor at the Ecole des Beaux-Arts in Paris. Numerous exhibitions of his work followed, both in France and abroad, including the 1981 Balthus-Barelier-Rouan exhibition in Ratilly.

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Marguerite LAVRILLIER-COSSACEANU (1893 - 1980) Female torso, 1945-1946 Numbered 2/8 (on the front of the right thigh) Green-brown patina bronze proof Posthumous lost-wax casting Coubertin Signed "Margaret Cossaceanu". Foundry stamp and date (on back of right thigh): 1993 Height: 114 cm; Width: 36 cm; Depth: 32 cm "Her science and great spontaneous gifts place her at the forefront of young modern statuary", wrote Antoine Bourdelle in 1928, of the woman who was his pupil at the Grande Chaumière academy from 1922 onwards, along with Germaine Richier and Alberto Giacometti, and then his collaborator until his death in 1929. At the same time, she became a pupil and practitioner of her Paris-based compatriot, Constantin Brancusi. Born in Bucharest to a mother who taught French and a father who was an engineer, the young woman had already made a name for herself at the fine arts school in her native city, first in the studio of the Symbolist sculptor Dimitrie Paciuera (1873-1932), then in Rome. It was in the Eternal City that she met the man who was to become her husband, André Lavrillier (1885-1958), who won the Grand Prix de Rome for medal engraving in 1914. Acclaimed by commissions and exhibitions, Marguerite Lavrillier-Cossaceanu's work is represented by some thirty works in public collections in France (Musée de la Marine, Musée d'Orsay, Musée de la Monnaie, Cité de la Musique, etc.) and abroad. This is one of the most important models in the work of Marguerite Lavrillier-Cossaceanu (1893-1980). It would appear that the plaster model of this Torso was exhibited at the 1946 Salon d'Automne (no. 812), and again at the 1962 Salon d'Automne (no. 414). The bronze proof acquired in 1955 (AMS 390), kept by the Musée d'Art Moderne de la Ville de Paris, was cast by Susse in 1949. It was shown at the Salon d'Automne in 1949 (no. 851) and at the exhibition organized by Galerie Bernheim-Jeune in 1952. Finally, the work appeared at the Biennale Formes Humaines held at the Musée Rodin in 1968.

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