Null [Literature] Hermans, W.F. Fjodor Klondyke. De Leproos van Molokaï Thriller…

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[Literature] Hermans, W.F. Fjodor Klondyke. De Leproos van Molokaï Thriller serie no. 2. Amst., De Motor, 1945. 159 p. Sl. bend bottom left, but overall a clean and good copy.

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[Literature] Hermans, W.F. Fjodor Klondyke. De Leproos van Molokaï Thriller serie no. 2. Amst., De Motor, 1945. 159 p. Sl. bend bottom left, but overall a clean and good copy.

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Estim. 20 - 40 EUR

Set of 12 studies on Balzac: Martin Kanes, Balzac's Comedy of words. Princeton University Press, 1975.full cloth. Madeleine Fargeaud, Balzac et la recherche de l'Absolu. Paris, Hachette, 1968. Paperback. E. J. Oliver, Balzac the European. London and New York, Sheed and Ward, 1959. Full cloth. Annette Rosa and Isabelle Tournier, Balzac. Paris, Armand Colin 1992. paperback. E. Preston, Recherches sur la technique de Balzac Les Presses françaises, 1927. Paperback. Samuel Rogers, Balzac and the Novel. University of Wisconsin Press, 1953. Full cloth. Judith Lyon-Caen, La Lecture et la vie - Les usages du roman au temps de Balzac. Paris, Tallandier, 2006. Paperback. Edmond Biré, Honoré de Balzac. Paris, Honoré Champion, 1897. Paperback. Mary F. Sandars, Honoré de Balzac, his life and writings. London, John Murray, 1904. Full cloth. [Collective] Balzac and the nineteenth century : studies in French literature presented to Herbert J. Hunt by pupils, colleagues and friends / edited by D. G. Charlton, J. Gaudon and Anthony R. Pugh. Leicester University Press, 1972. Full cloth. Georges Hourdin, Balzac romancier des passions. Temps Présent, 1950. Jean-Louis Bory, Pour Balzac et quelques autres - Musique 1. Julliard, 1960, paperback. Lot of 12 studies (13 volumes) on Balzac: Nicole Felkay, Balzac et ses éditeurs 1822-1837. Essai sur la librairie romantique. Promodis, 1987. Paperback Léon-François Hoffmann, Répertoire géographique de La Comédie humaine. José Corti, 1965-1968. 2 paperback volumes. Claude Lachet, Thématique et Technique du Lys dans la Vallée de Balzac. Nouvelles éditions Debresse, 1978. Paperback. [Collective] Balzac: Illusions perdues. L'œuvre capitale dans l'œuvre. C.R.I.N., 1988. Collected by Françoise VAN Rossum-Guyon. Paperback. Stefan Zweig, Balzac, sein Weltbild aus den Werken - Volume11 of Aus der Gedankenwelt grosser Geister. Bd.11. R Lutz, 1908, paperback, poor condition. André Allemand, Honoré de Balzac - Création et passion. Plon, 1963. Paperback. Agnès Guglielmetti, Fire and light in Balzac's La Peau de chagrin. Les réseaux symboliques du vocabulaire des sensations. Paris, Lettres Modernes, 1978. Paperback. Pierre Bayard, Balzac et le troc de l'imaginaire - Lecture de La Peau de chagrin. Lettres modernes Minard, 1978. Paperback. Michel Lichtlé, Balzac, le texte et la loi. Presses Universitaires de Paris Sorbonne, 2012. Paperback. [Collective] Balzac voyageur - Parcours, déplacements, mutations. Textes réunis et présentés par Nicole Mozet et Paule Petitier. Published by Université François Rabelais, Tours, 2004. Paperback. Gabriel Faure, Pèlerinages dauphinois. Grenoble, Éditions J. Rey, 1925. Paperback. René Jouanne, Alençon sur les pas de Balzac. In: Le Pays Bas-Normand, 1970, N° 4. Paperback. Lot of 10 studies on Balzac: Aline Mura-Brunel, Silence du roman - Balzac et le romanesque contemporain. Amsterdam, Rodopi, 2004. Kristina Wingard, Les problèmes des couples mariés dans La Comédie humaine d'Honoré de Balzac. Uppsala, 1978. Thesis. Patrick Berthier, Balzac et l'imprimerie. Imprimerie nationale, 1999. Pierre Danger, L'éros balzacien - structures du désir dans la Comédie Humaine. José Corti, 1989. Sophie de Korwin-Piotrowska, Balzac et le monde slave - Madame Hanska et l'oeuvre balzacienne. Paris, Champion, 1933. Claude-Marie Senninger, Honoré de Balzac par Théophile Gautier. Paris, Nizet, 1980. [Lucienne Frappier-Mazur, Genèses du Roman - Balzac et Sand. Amsterdam, Rodopi, 2004. Linzy Erika Dickinson, Theatre in Balzac's La Comédie humaine. Amsterdam, Rodopi, 2000. H.U. Forest, L'esthétique du roman balzacien. Paris, PUF, 1950. [Maison Balzac], "Souscrivez à la comédie humaine". 2001. Paperback set.

Estim. 4 000 - 6 000 EUR

Dinh Van Paris Large Pi Necklace Pendant In Hammered 24Kt Gold This piece of jewelry is an exceptional and very sophisticated design, created in Paris France by the jewelry designer Jean Dinh Van, back in the 1991. This is the larger forty mm Pi pendant-necklace, carefully crafted in solid yellow gold of 24 karats (.999/.999 Au) with a delicate hammered finish. The Pi figure is suspended in an adjustable silk cord. The design of this piece was originally inspired by an 11th century Mayan gold disc, found in the Yucatan peninsula, and is actually exhibited at the Museo Nacional De Antropologia in Mexico. This gold disc blends perfectly with the geometric motif so dear to the Maison of Dinh Van. Weight: 20.75 grams, (13.31 Dwt.). Size: 20 Inches (50.8 Cm) and can be adjusted longer or shorter. Measurements: Diameter of 40 mm (1.5748031 Inches). Hallmarks: Stamped with French marks; the maker's mark DVD associated to the workshop of Dinh Van, the mark of the eagle for the assay of the gold, the mark .999/.999 for the finesse of 24kt fine gold and signed in full, "DINH VAN 24KT .999". Literature: Serenice Geoffroy-Schneiter, Dinh Van Paris, Assouline New York 2015. for this piece illustrated. Very good conditions. Upon Request, Auction House may provide an appraisal. This will carry an additional cost. Appraisals are made by our in house GIA certified Gemologist.

Starting price 10 EUR

[LITERATURE] VAN DER MEERSCH (Maxence). Corps et Ames. Published by Editions du Livre, undated. Two in-8 volumes, stapled, in unbleached slipcase and slipcase. Limited edition of 3,000 copies on large Vellum from the Serrières paper mills. Good condition.

Estim. 3 000 - 4 000 EUR

Attributed to José de Risueño y su Obrador (Granada, 1665-1732), Granada Baroque School of the 17th century Oil on canvas representing Saint Domingo de Guzmán receiving the Virgin with the Child God. Measurements: 62 x 52 cm, framed measurements: 72 x 60 cm. One of the most prominent Spanish painters and sculptors of the Granada Baroque. Trained in the workshop of his father Manuel Risueño with the sculptors Diego and José de Mora and with the painter Juan de Sevilla, all of them disciples of Alonso Cano. With abundant artistic production of a religious nature, in his work we can see the influence of Cano's models, his taste for naturalism and the use of Van Dyck's Flemish prints. Among his paintings, the religious scenes stand out with examples such as The Coronation of Saint Rosalía and The Mystical Betrothal of Saint Catherine (Granada Cathedral), The Virgin of the Rosary (private collection, Almería) and Saint Thomas of Aquinas (acquired in 1911 by the Prado Museum). He collaborated with Palomino in the execution of The Triumph of the Eucharist and Saint Bruno from the dome of the Tabernacle of the Granada Charterhouse (in situ). He also made portraits, highlighting among them that of his protector, Archbishop Dr. Martín Azcargorta (archiepiscopal palace, Granada). In his sculptural works he cultivated the same themes as in painting, using diverse materials: clay, wood and stone, to make altarpieces, doorways and church facades, most of them in his hometown. Provenance: private collection, Barcelona. Reference literature: Orozco Díaz, Emilio, «Some unknown works by Risueño and de Mora (data and comments for the study of a forgotten theme of Granada imagery)», Spanish Art Archive, xliv, no. 175, Madrid, 1971, pp. 233-257; Sánchez-Mesa Martín, Domingo, José Risueño, sculptor and painter from Granada (1665-1732), Granada, University, 1972.

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