[Erotica] [Counterculture] Gandalf, 57 var. Issues Amst., A.L. Dijkhuizen, 1964-…

Description

[Erotica] [Counterculture] Gandalf, 57 var. issues Amst., A.L. Dijkhuizen, 1964-1971. Complete series 1-58 in 57 issues, incl. the rare first 11 issues. Contributors incl. Gerard Reve, Frans Pointl, Simon Carmiggelt, Jan Wolkers, Simon Vinkenoog and Remco Campert, a.o. (total 57)

2174

[Erotica] [Counterculture] Gandalf, 57 var. issues Amst., A.

Auction is over for this lot. See the results

You may also like

Estim. 20 - 40 EUR

Lot of 17 studies on Balzac: Jean Ygaugnin, Paris in Balzac's time and in the "Comédie humaine". La ville et la société. Nizet, 1992, paperback. George B Raser, Guide to Balzac's Paris. Imprimerie de France, 1964, paperback, fold-out map. George B Raser, The heart of Balzac's, Paris. Imprimerie de France, 1970, paperback, plates. G Gougenheim Balzac et JF Oberlin. In mélanges, 1945, I. Etudes Alsatiques, les belles lettres, 1946. Michel Butor, Improvisations sur Balzac. Tome III "scènes de la vie féminine". La Différence, 1998, paperback. [Collectif], Balzac. Paris-Match "Les Géants", 1970, publisher's binding. Philippe Murray, Balzac, le 19e siècle, l'occulte. Tel quel n°39, Autumn 1981, p.5 to 40. J Maurice, Histoire de la Vallée du Lys. Imprimerie centrale de Touraine, 1973, paperback. Maurice Allem, Balzac. Hachette, 1950, paperback. Michel Thibon Cornillot, Balzac-Marx et l'argent. In "Connexions" n°25, 1978. pp.62-103. René-Alexandre Courteix, Balzac et la Révolution française. Aspects idéologiques et politiques. Puf, 1997, roché. Robert Brasillach, Le Paris de Balzac. Preface by Maurice Bardèche. L'inédit, 1984. N°227 on white laid paper, in sheets. Marcel Girard, Tours dans l'œuvre de Balzac. Promenade littéraire. City of Tours, 1999. Booklet. Romain Guignard, Balzac and Issoudun. Issoudun, Gaignault, 1949, paperback. Unesco (collective), Hommage à Balzac. Mercure de France, 1950, paperback. Alain, Reading Balzac. Laboratoires Martinet, 1935, paperback. Lot of 17 studies on Balzac: Stefan Sweig, Three Masters: Balzac, Dickens, Dostoyevsky. Belfond, 1951, paperback. René-Alexandre Courteix, L'Humanitarisme, hypocrisie de la société moderne? -Balzac's premonitory vision. L'Écritoire du Publieur, 2006, paperback. [Collectif] Textes réunis par Andrea Del Lungo et Alexandre Péraud, Envers balzaciens. La Licorne, 2001, paperback. Philippe Bertault, Balzac. Hatier, 1962, paperback. Eugène Poitou, M. de Balzac, étude morale et littéraire. From Revue des Deux Mondes, vol. 6 N° 4 (December 15, 1856) pp. 713-767. [Collective] Avec Balzac - Pour le centenaire de sa mort. Librairie Armand Colin, Sté d'Histoire Littéraire de la France, 1950, paperback. [Collective] Analyses & reflections on Balzac Le Chef-d'œuvre inconnu, Gambara, Massimilla Doni. Ellipses, 1993, paperback. Pal Ronai Jegyzetek Honoré de Balzac Fiatalkori Regényeihez. Budapest, 1930, paperback, consignment to Balzac bookseller Georges Courville. Dr Max Ridard, Louis Lambert et la métapsychologie balzacienne. Imprimerie R. Foulon, 1960, paperback, mailing. Alain Henry and Hilde Olrik, Le Texte alternatif - Les antagonismes du récit dans l'Histoire des Treize de Balzac. Copenhagen, Romansk Institut, January 1978. Paperback. Maurice Serval, Autour de Balzac "César Birotteau". Armand Colin, 1931. Paperback. With a letter to Serval. Madeleine Berry, Balzac. Edition universitaires, 1972, paperback. Hubert Gillot, Le Médecin de campagne -Deuxième étude balzacienne. Georges Courville, 1938. Paperback. Georges Ascoli, Balzac romancier - Le Père Goriot. Center de Documentation Universitaire, 1939. "Les Cours de la Sorbonne" Fascicule IV. Typescript paginated 77 to 96. Philippe M. Denizot, Catalogue de la Comédie humaine de Balzac. Art et Poésie de Touraine, 1969. Mimeographed self-published work, limited edition of 300 copies. Pierre-Georges Castex, Nouvelles et Contes de Balzac (Études philosophiques). Center de Documentation Universitaire, 1961. "Les Cours de la Sorbonne". Mimeograph of 92 p. Signed hand-written letter from the author to Dr. Fernand Lotte. Lot of 18 studies on Balzac: Pierre-Antoine Perrod, En marge de La Comédie Humaine. Lyon, Henneuse, 1962. Paperback. Judith Meyer-Petit, Les Mots de Balzac. Éditions Paris Musées / Actes Sud. 1999. paperback. Jacques Borel, Proust et Balzac. José Corti, 1975, paperback. Safei-El-Dine Awad and Dr. Mohamed Ambar, Balzac - Eugénie Grandet - Etudes littéraires. Cairo, Dar El Nahda, 1982. Paperback. [Collectif] Un Roman au Musée: Le Colonel Chabert. Paris Musées, 1997. Paperback. Hermann Sattler, Honoré de Balzacs Roman La Peau de chagrin. Halle, Druck von Ehrhardt Karras, 1912. paperback. Louis Bourreau, Un Roman provinois de Balzac: Pierrette. Montereau, Imprimerie Claverie, 1934. Booklet. [Collective] Issue devoted to Balzac. Revue des Sciences Humaines, N° 57-58 January-June 1950. paperback. Claude Bremond and Thomas Pavel, De Barthes à Balzac - Fictions d'un critique , critiques d'une fiction. Albin Michel, 1998. Paperback. Wolfgang Eitel, Balzac in Deutschland - Untersuchungen zur Rezeption des französicschen Romans in Deutschland 1830-1930. Lang, 1979. paperback. Takao Kashiwagi, La Trilogie des Célibataires d'Honoré de Balzac. Librairie A. G. Nizet, 1983. Paperback. Roger Barny, Études textuelles 3. Les Belles Lettres, 1993. Paperback. [Collective] Under the direction of Jacques-Alain

Estim. 12 000 - 13 000 EUR

ANTONI CLAVÉ I SANMARTÍ (Barcelona, 1913 - Saint Tropez, France, 2005). "Red and black composition", circa 1962. Oil and gouache on lithographed paper mounted on canvas. Attached is a certificate issued by the Antoni Clavé Archives. The work is registered in the Antoni Clavé Archives, Paris. No : 62TMPMT18. Signed in the lower right corner. Size: 57 x 77 cm; 67 x 87 cm (frame). On a dark background the intensity of the red stands out, reaching a contrast of colours, which brings vivacity to the composition and awakens the spectator's gaze. Through the play between red and black, a resource often used by Antoni Clave, the artist deploys a whole set of elements, apparently random, which come together to form a baroque composition. Antoni Clavé is one of the most important figures in Spanish contemporary art. Trained at the San Jordi School of Fine Arts in Barcelona, Clavé initially devoted himself to advertising graphics, illustration and the decorative arts. In 1936 he took an active part in the Civil War, joining the Republican ranks, which led him to go into exile in France at the end of the war. That same year, 1939, he exhibited the drawings he had made on the battlefields. He settled in Paris, where he met Vuillard, Bonnard and Picasso. From this period onwards, Clavé began to develop a work marked by a different, less classical style. During this period his figures gradually lost their precision and form, giving way to the lines and a personal range of colours and textures that were to become the main features of his works from that time onwards. He already enjoyed great international prestige at the time when he began to be recognised in Spain, after his exhibition at the Sala Gaspar in Barcelona in 1956. In the 1960s he paid homage to El Greco, and his painting at this time reveals the influences of that master, as well as those of the Baroque painters. The theme of the knight with his hand on his chest takes on special relevance, a reference that will be repeated in Clavé's future works. This period is characterised by the definitive transition to abstraction. In the 1970s Clavé's work continued to evolve, using various techniques such as collage and inventing new ones such as "papier froissé", the result of a chance use of aerosol on crumpled paper. In 1978, the Musée National d'Art Moderne in Paris, now the Centre Georges Pompidou, devoted a retrospective to him that made him one of the most prestigious artists of his generation. His latest works are characterised by the recreation of textures within abstraction, with a profuse use of papier froissé. He was awarded prizes at the Hallimark in New York in 1948, at the Venice Biennale in 1954 and at the Tokyo International Biennale in 1957. In 1984 the Spanish state recognised his artistic value with the exhibition of more than one hundred of his works in the Spanish pavilion at the Venice Biennale. That same year he was awarded the Gold Medal of the Generalitat de Catalunya. Clavé's work can be found, among many others, in the Bilbao Fine Arts Museum, the Tate Gallery, the Modern Art Museum in Paris and Tokyo, the British Museum and the Reina Sofía Museum in Madrid.

Estim. 42 000 - 70 000 EUR

Waalkes, Otto (*1948 Emden) - "Hommage an Warhol", 2022, original mixed media on canvas, unique, signed "Otto Waalkes" lower right, the famous "Ottifant" motif in 9 different color variations in the style of Andy Warhol, approx. 50 x 50 cm, in frame box, frame dimensions approx. 57 x 56 cm, with certificate from Walentowski Galerien, Werl, Provenance: private collection Southern Germany Otto Waalkes, the East Frisian jack-of-all-trades, is not only a master of the humorous genre, but also a highly talented and established painter whose artworks are as imaginative and bizarre as his stage performances, full of wit and a good dose of self-irony. Waalkes' best-known trademark, the Ottifant, is also his favorite motif. The little elephant figure experiences a wide variety of adventures and often becomes a symbol of human nature, referring to social issues or simple everyday situations. In this case, he even has the great honor of paying tribute to the creative genius Andy Warhol, as always with a loving wink.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]