Null [Counterculture] [Underground press] Squatting newspapers, Kraakrant + Laat…

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[Counterculture] [Underground press] Squatting newspapers, Kraakrant + Laatste waarschuwing (1) Kraakrant. Approx. 60 var. issues, 1970s & 1980s. (2) Laatste waarschuwing. 20 var. issues, 1980s. -and 11 var. others. Some duplicates. (total approx. 91)

2153

[Counterculture] [Underground press] Squatting newspapers, Kraakrant + Laatste waarschuwing (1) Kraakrant. Approx. 60 var. issues, 1970s & 1980s. (2) Laatste waarschuwing. 20 var. issues, 1980s. -and 11 var. others. Some duplicates. (total approx. 91)

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Estim. 120 - 300 EUR

Reunion of 4 19th century works on curious Paris, in 5 bound volumes: 1. TOURNEUX (Maurice): Paris in the 18th century. Les promenades à la mode. Etching by Ad. Lalauze. Paris, Librairie des Bibliophiles, 1888. One volume. 10.5 by 17.5 cm. 1 engraved frontispiece-(4)-XV-(1)-112-(3) pages. Contemporary glaucous half-maroquin (it's a color) with corners, ornate ribbed spine, cover boards preserved, gilt head. Binding signed Pierson. "Printed in a very small number. Collective edition of light pieces relating to Parisian mores in the 18th century. 2. BRAZIER (Nicolas): Histoire des petits théâtres de Paris depuis leur origine. Nouvelle édition, corrigée et augmentée de plusieurs chroniques. Paris, Allardin, 1838, 2 volumes in 1 volume. 8.5 by 14.2 cm. XVI-303-(1); (4)-264 pages. Contemporary half-brown basane. Some rubbing, scattered foxing. Pp. [247] to 264 of vol. 2: Catalogue of plays performed by Brazier in Paris, from 1803 to 1838, with the names of his collaborators. 2nd edition (E.O.: 1837). Laporte, Biblio. contemporaine II-6. "2nd edition more sought-after than the 1st, it is augmented by some rather naughty adventures." (Laporte). 3. PRIVAT D'ANGLEMONT (Alexandre): 1) Paris anecdote. Paris, A. Delahays, s.d., 243 pp. ; 2) Paris inconnu. Preceded by a study of his life by M. Alfred Delvau. Paris, Adolphe Delahays,1875, (4)-315 pp. + 1 portrait h.t. ; 2 works in 1 volume. 12 by 15.5 cm. Contemporary light blue half-percaline with corners, cover boards preserved for the second volume. Very good condition for both volumes. Privat d'Anglemont, a Bohemian journalist, "devoted many articles to the Paris of small trades and rare industries [...], which appeared in newspapers, particularly Le Siècle, and were collected in two volumes: Paris anecdote (1854) and Paris inconnu (1861) [...]. Privat d'Anglemont explored Paris by night with the same spirit of adventure, the same appetite for discovery that one might feel for more distant lands." (Jean-Pierre A. Bernard, Les deux Paris, les représentations de Paris dans la seconde moitié du XIXe siècle, pp. 200-201). 4. VEUILLOT (Louis): Les odeurs de Paris. Paris, Palmé, 1867. One volume. 13.5 by 22.5 cm. in-8 of XVI-498 pp. + 1 f. n.ch. (prospectus for 2 books). Contemporary brown half-chagrin, 5-rib spine. Very minor rubbing, some discreet foxing. First edition. P. Lacombe, no. 1144; Van Tieghem, p. 4071. "Genuine first edition (and only edition in this format) of this famous work which, as we still remember, caused such a stir in Paris when it first appeared. The first two books, devoted to the press, and the third, devoted to Parisian entertainment (theaters, cafés-concerts, etc.), provoked the strongest complaints in the world and in the newspapers because of the violence they contained [...]. Louis Veuillot often painted his characters under assumed names. We find Passionnard d'Auvergne (Jules Vallès), Eliassin Lupus (Albert Wolff), Amanda Pigeonnier (Marie Colombier), Passe-Partout (Adrien Marx), Lilia (George Sand) [...]." A compendium of erudite, reactionary nastiness...

Estim. 180 - 300 EUR

L'ARISTARQUE Français, political, historical and literary journal. 1815-1816. 272 issues in two volumes. 21 by 34 cm. Contemporary half basane. Boards rubbed, one spine missing. Very good condition inside. Founded in 1799 under the title L'Aristarque Français, journal universel, by Jean-Louis VOIDET (1769-1839). War commissioner, then journalist-publisher, several times convicted of press offenses. The newspaper ceased publication in 1816, only to be revived in 1820 under the title L'Aristarque français, journal du soir. We offer here the complete issue of this newspaper, which appeared under its second title, from N°1 (May 1, 1815) to N°272 (January 27, 1816). The NL is mistaken in saying that it stopped at no. 262. The issues of the journal bear the Royal Stamp of the Seine. The newspaper describes the troubles of the second Restoration in its early days, and includes, for example, the report of Marshal NEY's trial before the Chambre des Pairs, following the Hundred Days...

Estim. 2 000 - 3 000 EUR

19th century school after Ary Scheffer (1795 - 1858) Full-length portrait of Gilbert du Motier, Marquis de La Fayette (1757-1834) Oil on canvas 51.5 x 40 cm Provenance : - An apartment in Isle Saint Louis - Paris Ary Scheffer's painting is in the Collection of the U.S. House of Representatives on Capitol Hill. Another bust portrait is in the National Portrait Gallery, Washington. "The artist Ary Scheffer offered this portrait to the House of Representatives in honor of General Lafayette's American tour from 1824 to 1825. And it wasn't just a beautiful gift, it was a real surprise. In January 1825, the House of Representatives displayed its new work of art in the Capitol Rotunda. Newspapers described the portrait as "as large as life, and... the best portrait we have ever seen. Its fidelity to the venerable original is, indeed, most admirable". The portrait remained in the rotunda during Lafayette's 13-month stay in the United States. Artists from all over the country wanted to paint his portrait. Those who couldn't get the busy general to sit still made copies of the Chamber portrait instead. Easels and pallets of paint cluttered the rotunda. Kentucky native Matthew Jouett was one of these artists. The Kentucky state legislature asked him to paint Lafayette for the Capitol. Jouett arrived in Washington, but too late. The general had already left town, but had left behind a message saying he had a solution. Jouett could paint a copy of the House portrait, and when Lafayette's tour arrived in Kentucky, he would give the young man an hour's time with him to "correct" his version. Lafayette knew how useful the Chamber portrait was. Its availability, combined with the fact that he knew it was his favorite image, made it extremely popular. Lafayette gave it an even wider audience by distributing engravings of the portrait wherever he went. Local printers made pirated copies for every imaginable souvenir. The portrait was even used on coins. All the engravers who supplied American banks had Lafayette's images available to their customers, and the portrait was used by banks in 27 states. Half a century after his revolutionary fervor brought him to America, Lafayette returned to become the first foreign dignitary to address the country's Congress and appear on the country's currency." (https://history.house.gov/Blog/Detail/15032391921) During this trip to the United States in 1824/1825, La Fayette was welcomed on several occasions by the CINCINNATI Society. Bibliography: - August Levasseur (trans. Alan R. Hoffman), Lafayette in America in 1824 and 1825 (Manchester, NH: Lafayette Press, 2006). - Marc H. Miller, "Lafayette's Farewell Tour and American Art", in Lafayette, Hero of Two Worlds (Hanover, NH: University Press of New England, 1989).

Estim. 400 - 600 EUR

Steve Jobs Original Press Photograph Original satin-finish 10 x 8 press photo of Steve Jobs in a handsome half-length pose, showing the NeXT CEO at the Stamford Center for the Arts in the summer of 1992, with the lower border annotated in black felt tip by an editorial hand, “Jobs, Steven.” The front bears a few editorial marks in red ink, and the reverse bears an affixed information sheet from The Advocate newspaper of Stamford, Connecticut, which dates the photo to June 30, 1992, with the caption: “Steven Jobs after a presentation to an area company that has just placed a major order for his new computer NEXT.” The image is credited to staff photographer John Voorhees. In fine condition.

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