[Counterculture] [Japanese underground] Kanesaka, K., Takumi Nakahira, Jun Morin…
Description

[Counterculture] [Japanese underground] Kanesaka, K., Takumi Nakahira, Jun Morinaga and Masahisa Fukase, eds. Underground Generation Tokyo, Novel Shobo, n.d. 1st ed. Unpaginated (approx. 200 p.). Num. b/w plates and photographs by a.o. Daido Moriyama, Eiko Hosoe, Tadanori Yokoo, Fukase, Shuji Terayama and Shinoyama. Printed metallic foil stiff wrs. w. red, black and gold. Sm. 4to. Covers sl. worn, internally fine. An important Japanese photobook influenced by Provoke.

2096 

[Counterculture] [Japanese underground] Kanesaka, K., Takumi Nakahira, Jun Morinaga and Masahisa Fukase, eds. Underground Generation Tokyo, Novel Shobo, n.d. 1st ed. Unpaginated (approx. 200 p.). Num. b/w plates and photographs by a.o. Daido Moriyama, Eiko Hosoe, Tadanori Yokoo, Fukase, Shuji Terayama and Shinoyama. Printed metallic foil stiff wrs. w. red, black and gold. Sm. 4to. Covers sl. worn, internally fine. An important Japanese photobook influenced by Provoke.

Auction is over for this lot. See the results

You may also like

[Japan] [Japan] Extensive documentation including - I. Jippensha, A pied sur le Tokaido, Picquier, 1992. - D. Ogrizek, "Le Japon, un portrait en couleur, Odé, 1960. - E. Guimet, Promenades japonaise, drawings after nature by Regamey, publisher's binding, Charpentier, 1878. - C. Shimizu, Women of Japan, Imprimerie nationale 1997. - Une histoire du Japon à travers son art, Robert Laffont, 1965. - G. Fahr Becker, L'estampe japonaise, Taschen, 2007. - C. Shimiza, Le Japon du XIXe siècle, la redécouverte, AGEP, 1990. - C. Shimizu, L. Frédéric, L'art des estampes japonaise, Editions de Crémille, 1990. - J. Hillier, Les maîtres de l'estampe japonaise, Phaidon, 1954. - Le Japonisme," éditions Réunion des musées nationaux, exhibition catalog 1988. - M. Novak and Z. Cerna, Japanese Tales, GrÜnd, Bratislava 1970. - Donald Richie, L'art des fleurs au Japon hier et aujourd'hui, Bibliothèque des arts, 1967. - J. A. Michener, Estampes japonaises, Office du livre de Fribourg, 1964. - Various works. - Edmond de Goncourt, Outamaro, le peintre des maisons vertes, Roissart, Grenoble, full leather binding, illustrations hors texte, quarto, 1978. - La collection Tokugawa, Le Japon des Shogun, Musées des beaux arts de Montréal, 1989. - Sotheby's catalog, Huguette Beres collection, November 27, 2002 - S. E Lee, Hiroshige, carnets d'esquisse, Phébus, 2001 - M. Grivel, Hiroshige, Les albums du cabinet d'estampes de la BN, Albin Michel, 1984. - W. Boller, Hokusai, Editions Clairefontaine, Lausanne, 1955. - M. Ouspenski, Hiroshige, Cent vues d'Edo, Parkstone, 1997. - M. Forrer, Hokusai, Bibliothèque de l'image, 1996. - Hiroshige, Tokaido, Editions du Chêne, 1960, in a Japanese-style canvas slipcase. - Le Japon éternel by Kawase Hasui, Langlaude, 2011. - E. H and P. Jude, Mathurin Méheut, voyage d'un peintre breton au Japon, Ouest France, 2004. - Hokusai, " Les cents vues du mont Fuji ", Hazan , three volumes in facsimile bound in Japanese style, 2008 presentation by N. Delay - Portier et Poncetton, La femme dans l'art japonais, Librairie des arts décoratifs, Calavas, 1934. - Lafacadio Herna, Le Japon Inconnu, études psychologiques, Paris, Albin Michel, no date. - Fumiko Takebayashi, Contes japonais, Paris, Fasquelle, 193 - K. Yamata, Vies de Geishas, Paris, Gallimard, 1934 - Franz Toussaint, Les pins chantent, ornements de Vergély, René Kieffer éditeur, 193 - Céda Akinari, Contes de pluie et de lune, Paris, Gallimard, circa 1940 - M-H Lelong, Spiritualité du Japon, Julliard, La Croix du Sud, 1961 - Judith Gauthier, Le paravent de soie et d'or, Paris, Charpentier et Fasquelle, 1904 - I. Morris, La vie de cour dans l'ancien Japon, Paris, Gallimard, 1964 - P. Loti, Japoneries d'automne, Paris, Levy 1890 - Okakura Kakuzo, Le livre du thé, Paris, Delpeuch, 1927 - M. Dubard, Le japon pittoresque, Paris, Plon et Cie, 1879 - Kikou Yamata, Masako, Stock, 1942. Numbered edition 102 - Soulié de Morant, Le trésor des loyaux samouraïs, Piazza, 1927 - Régamey, Le Japon Pratique, Hetzel, circa 1890 Le chrysanthème solidaire, edition of the Smith manuscript Lesouef japonais 96, Paris, 1984, BN département des manuscrit - G. Atken, M. Delafond, La collection d'estampes japonaises de Claude Monet, Maison de Monet Giverny, 1987 - Utamaro, L'almanach des maisons vertes, Picquier, 2008 and miscellaneous - Japanese prints and drawings from the Vever Collection, Sotheby Parle Bernet, 1976 (3 volumes in quarto in slipcase. - Highly important Japanese prints from the Henri Vever collection: final part, Sothebys, identically bound sale catalog, 30/10/1997. - G.A. Audsley and James L. Bowes, La céramique japonaise, édition française, publiée sous la direction de M. A. RAcinet. In two volumes, Paris, Firmin Didot, 1880. Modern buff binding with corners.

Daikoku and Ebisu symbolizing Fortune and Prosperity Carved ivory group with integral terrace bearing ancient handwritten inscriptions in ink below, and titled Ichi-shū 一 周 engraved within a red lacquer cartouche. Japan, Meiji era (1868-1912), circa 1900. D H total : 15 cm Gross weight: 410 g Slightly missing and damaged Daikoku is holding his mallet and must have been carrying a keg or bag (missing), Ebisu is holding a soroban - the Japanese abacus - in his hand to count his fortune. Object made entirely or partly of ivory from the proboscidean elephantidae SPP (Elephas Maximus, Loxodonta Africana or Loxodonta Cyclotis) classified in Appendix I/A Cites/EU. In accordance with current EU regulations (Regulation (EU) no. 2021/2280 of 16/12/21), the object will be delivered to the buyer with its Intra-Community Certificate no. FR2407600312-K issued by the DREAL de Normandie on 20/03/2024, together with the appraisal report drawn up by Mr. Pierre Grignon Dumoulin, approved ivory expert, Compiègne. Re-exportation outside the EU prohibited, except to state cultural institutions upon justification. Handwritten inventory as of December 31, 1915, p. 131 "Les 2 avares fabriquant et comptant de la monnaie. Antique Japanese ivory. Height 15 cm. One is crouching, holding a mallet in his left hand and a purse in his right. In front of him is a small stool holding an open book and a small box. On his head, a headdress stretches from back to front. The other man, standing, holds a mold with squared-off, protruding designs in his left hand, while his right hand, index finger and thumb turned down, holds a small rectangular basket on top of a rectangular box. The squatting man's legs are bare. The other is wearing leggings. The ears of the 2 men are disproportionately elongated in a pear shape. 120 francs. Bought n°39 at 48 incl fs 800. Buscail July 1, 1911."