Null [Audio Video Performance] Stereo Headphones, an occasional magazine of the …

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[Audio Video Performance] Stereo Headphones, an occasional magazine of the new poetries No.1 (in fine reproduction), 2/3, 4, 5, 6, 7, 8/10 (all published). Suffolk (England), 1969 - 1982. Complete set of one of the key journals of sound poetry, visual and concrete poetry, edited and published by Nicholas Zurbrugg. Printed in a limited edition of 500. Original wrappers, size varies from 21.5 x 14.5 cm to 26 x 20 cm. No.8/9 with the record. Comprises: (1) No.1, Spring 1969, 24 pp. Vintage photocopied version, with contributions by Stephen Bann, Thomas A. Clark, Dick Higgins, Robert Lax, Jiri Valoch, Charles Verey, et al. (2) No.2/3, Spring 1970, 32 pp. The new french poetries - the death of concrete, with Ben Vautier, Julien Blaine, Jean-François Bory, Henri Chopin, Pierre Garnier, Jochen Gerz, Jean Claude-Moineau et al. (3) No.4, Spring 1971, 40 pp. The poetry of sound / the sound of poetry, with David Brier, Henri Chopin, Bob Cobbing, Raoul Hausmann, Bernard Heidsieck, Paul de Vree et al. (4) No.5, Winter 1972, 42 pp. The new visual & photo poetries of Japan, Tokyo Manifesto for Spatialism 1968, with Kitasono Katue, Takeshi Koike, Yutaka Ishii, Shoji Yoshizawa et al. Other contributions by Amirkhanian, Lax, Nannucci et al. (5) No.6, Summer 1974, 70 pp. With collage on front cover. 'The treated text, with Ian Hamilton Finlay, Houdéard, Ed Ruscha, Ben Vautier, Vigo, Lawrence Weiner et al. (6) No.7, Spring 1976, 54 pp. with Kitasono Katué, Lourdes Castro, Bryon Gysin et al. (7) No.8/9/10, 1982, 80 pp. with a 45 RPM record. The record features 'Canal Street Readings'. Contributions by Samuel Beckett, David Briers, William Burroughs, Lourdes Castro, Henri Chopin, Bernard Heidsieck et al. Condition of the set is very good/ near fine, some yellowing to covers, top corners of No.5 and No.8/9/10 with bump, contents are fine. (total 7)

6323

[Audio Video Performance] Stereo Headphones, an occasional magazine of the new poetries No.1 (in fine reproduction), 2/3, 4, 5, 6, 7, 8/10 (all published). Suffolk (England), 1969 - 1982. Complete set of one of the key journals of sound poetry, visual and concrete poetry, edited and published by Nicholas Zurbrugg. Printed in a limited edition of 500. Original wrappers, size varies from 21.5 x 14.5 cm to 26 x 20 cm. No.8/9 with the record. Comprises: (1) No.1, Spring 1969, 24 pp. Vintage photocopied version, with contributions by Stephen Bann, Thomas A. Clark, Dick Higgins, Robert Lax, Jiri Valoch, Charles Verey, et al. (2) No.2/3, Spring 1970, 32 pp. The new french poetries - the death of concrete, with Ben Vautier, Julien Blaine, Jean-François Bory, Henri Chopin, Pierre Garnier, Jochen Gerz, Jean Claude-Moineau et al. (3) No.4, Spring 1971, 40 pp. The poetry of sound / the sound of poetry, with David Brier, Henri Chopin, Bob Cobbing, Raoul Hausmann, Bernard Heidsieck, Paul de Vree et al. (4) No.5, Winter 1972, 42 pp. The new visual & photo poetries of Japan, Tokyo Manifesto for Spatialism 1968, with Kitasono Katue, Takeshi Koike, Yutaka Ishii, Shoji Yoshizawa et al. Other contributions by Amirkhanian, Lax, Nannucci et al. (5) No.6, Summer 1974, 70 pp. With collage on front cover. 'The treated text, with Ian Hamilton Finlay, Houdéard, Ed Ruscha, Ben Vautier, Vigo, Lawrence Weiner et al. (6) No.7, Spring 1976, 54 pp. with Kitasono Katué, Lourdes Castro, Bryon Gysin et al. (7) No.8/9/10, 1982, 80 pp. with a 45 RPM record. The record features 'Canal Street Readings'. Contributions by Samuel Beckett, David Briers, William Burroughs, Lourdes Castro, Henri Chopin, Bernard Heidsieck et al. Condition of the set is very good/ near fine, some yellowing to covers, top corners of No.5 and No.8/9/10 with bump, contents are fine. (total 7)

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Estim. 300 - 600 EUR

SISTEMA DE SOM Móvel da marca Pioneer modelo "Audio Component System"com porta e tampo em vidro. Gira-discos Technics SL - DD 20 Direct Drive. Yamaha CDX-470 Natural Sound Compact DiscvPlayer. Pioneer SA-970 Stereo Integrated Amplifier. Dim.Aprox.Móvel: 92x47,5x44,5cm. # Não testado.

Estim. 1 800 - 2 000 EUR

ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7. Dampness and damage to the frame. Signed, justified, and titled on the back. Measurements: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse backgrounds gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself with black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is compl It presents humidity and damages in the frame.

Starting price 150 GBP

Milton Berle and Elizabeth Hansen Signed Performing Arts Magazine May 1980 Issue Performing Arts Signed Magazine May 1980 Issue. Autographed by Milton Berle and Elizabeth Hansen. 8x11 inches

Estim. 1 300 - 1 500 EUR

PUCCINI Giacomo (1858 - 1924) PUCCINI Giacomo (1858 - 1924) OPERA - PUCCINI Giacomo (1858 - 1924) - Curious photographic portrait with autograph dedication signed Curious photographic portrait of Giacomo Puccini, with his autograph dedication to the publicist Luciano Ramo. Cardboard in format (29.5 x 21.3 cm), on which is applied a photographic portrait of the Maestro, cut out and coloured, On the photo a beautiful dedication by Puccini. "To Luciano Ramo, friendly remembrance of Giacomo Puccini, Viareggio 1922", An unusual composition, in which a strange portrait, certainly photographic, but it is not clear whether from life or from an effigy of the Maestro, has been cut out and pasted on. Very nice, extensive, signature. Luciano Ramo (1886-1959) was a publicist and illustrator who was quite well-known at the time. He edited the covers of various magazines, collaborated on numerous newspapers and was also actively involved in the organization and staging of opera, operetta and revue performances. In 1956, he published a 'Storia del varietà' (History of Variety) for Garzanti, which was a good success. - This item is under temporary import. If the item is delivered within the United Kingdom, it will be subject to a 5% Value Added Tax (VAT) on the hammer price.

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