[Audio Video Performance] Body Art and Performance by artists (1) Lea Vergine, I…
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[Audio Video Performance] Body Art and Performance by artists (1) Lea Vergine, Il Corpo come linguaggio/ Body Art & Art Corporel. Milan, Giampaolo Prearo Editore, 1974. Softcover, printed wrapper, 17 x 23 cm, 320 pp. Significant publication on performance art, text in Italian and English. Wear to margins of wrapper, interior in good condition. (2) Performance by artists. Edited by AA Bronson and Peggy Gale. Toronto, Art Metropole, 1978. Softcover, 26.5 x 20.5 cm, 320 pp. Text English, with essays by Peter Frank, RoseLee Goldberg, Dick Higgins and others. Featured artists include Vito Acconci, Marina Abramovic, Laurie Anderson, Ben d`Armagnac, Joseph Beuys, Daniel Buren, COUM, General Idea, Reindeer Werk, Clive Robertson, Ulrike Rosenbach et al. Contains a bibliography of over 100 entries of books, magazines, catalogues on performance by artists. Some wear to spine, otherwise crisp. (total 2)

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[Audio Video Performance] Body Art and Performance by artist

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A SCROLL PAINTING OF MANZAI PERFORMERS, AFTER HANABUSA ITCHO, c. 1900s A SCROLL PAINTING OF MANZAI PERFORMERS, AFTER HANABUSA ITCHO, c. 1900s Japan, late 19th to early 20th century Ink and watercolors on paper. Mounted as a hanging scroll on a paper frame. Depicting two manzai dancers performing their whimsical dance, one holding a fan, while the other hunched, senile boke beats his tsuzumi hand drum. Inscriptions: Signed ‘Hokusoo Itcho hitsu’ 北窓翁一蝶筆 with seal. Image SIZE 124.5 x 51.5 cm, SIZE incl. mounting 197 x 61 cm Condition: Old wear, browning of paper, water stains, soiling, and creasing. The frame with wear and water stains. Manzai is a traditional style of comedy in Japanese culture involving two performers, one being a ‘straight’ man (tsukkomi) and a ‘funny’ man (boke). Their performances were originally for the New Year festival with the earliest mention of manzai performers dating to the Heian period. While their performances were traditional, poets like Takarai Kikaku mocked them. In a Haiku, Kikaku wrote, ‘The New Year Dancers / Never miss a single step / Millet for the crane.’ While other poets like Yosa Buson wrote, ‘Yes, New Year’s dancers / Pounding good and properly / The dirt in Kyoto.’ The latter can be said of the dancers depicted on the present lot. Hanabusa Itcho (1652-1724) was a Japanese painter born in Osaka, calligrapher, and haiku poet. He originally trained in the Kano style, under Kano Yasunobu, but ultimately rejected that style and became a literati (bunjin).