Null [Women Artists] Fe-Mail Art (1) The Monthly: An Irregular Periodical Vol.2 …

Description

[Women Artists] Fe-Mail Art (1) The Monthly: An Irregular Periodical Vol.2 No.1, 1981. San Francisco, Lloyd Productions, 1981. A 'woman's rag devoted to fe-mail art, edited by Ginny Lloyd. Stapled, 27.5 x 21.5 cm, 30 pp. Contributions by Anna Banana, Irene Dogmatic, Pat Tavenner et al. Essay by Bill Gaglione on 'Fe-Mail Art'. With original collage by Ginny Lloyd. (2) Anna Banana/Gaglione, Stampworks. Rubber Vol.1 No.11 Nov. 1978. Amsterdam, Stempelplaats, 1978. Stapled booklet, 23.5 x 15 cm, 8 pp. Rare issue of the monthly bulletin of rubber stamp works edited and published by Aart van Barneveld and his gallery/workshop Stempelplaats (1978- 1981). (3) Leavenworth Jackson, Art. Amsterdam, Stempelplaats, 1980. Stapled, 23.5 x 16 cm, 8 pp. (4) Leavenworth Jackson, promotional order sheet for rubber stamps, 28 x 21 cm, folded for mailing. (total 4)

6265

[Women Artists] Fe-Mail Art (1) The Monthly: An Irregular Periodical Vol.2 No.1, 1981. San Francisco, Lloyd Productions, 1981. A 'woman's rag devoted to fe-mail art, edited by Ginny Lloyd. Stapled, 27.5 x 21.5 cm, 30 pp. Contributions by Anna Banana, Irene Dogmatic, Pat Tavenner et al. Essay by Bill Gaglione on 'Fe-Mail Art'. With original collage by Ginny Lloyd. (2) Anna Banana/Gaglione, Stampworks. Rubber Vol.1 No.11 Nov. 1978. Amsterdam, Stempelplaats, 1978. Stapled booklet, 23.5 x 15 cm, 8 pp. Rare issue of the monthly bulletin of rubber stamp works edited and published by Aart van Barneveld and his gallery/workshop Stempelplaats (1978- 1981). (3) Leavenworth Jackson, Art. Amsterdam, Stempelplaats, 1980. Stapled, 23.5 x 16 cm, 8 pp. (4) Leavenworth Jackson, promotional order sheet for rubber stamps, 28 x 21 cm, folded for mailing. (total 4)

Auction is over for this lot. See the results

You may also like

Estim. 2 000 - 2 500 EUR

MARIA ACHA-KUTSCHER ( Lima, Peru, 1968). Untitled. 2019. Series "Womankind". Pigmented inks on Hahnemühle Photo Rag Baryta paper, 315 gr. With label from Taller Digigráfico de Madrid. Sizes: 41,5 x 30 cm; 62 x 50 cm (frame). As the artist herself explained in an interview in "Elemmental" about this series: "Womankind is an intertextual work, full of quotations from works of art, photography, film, literature and the memory of political struggle. In all the photographic collages of this project, women occupy a central place, not as objects of contemplation, but as protagonists of their own history. It is therefore crucial that the images are plausible, in order to construct a large archive of fictional documents". By combining archival images and collage, Acha-Kutscher claims an autonomous place for women, a place that was stolen from them. María Acha-Kutscher is a Peruvian feminist visual artist based in Spain. She is co-director with Tomás Ruiz-Rivas of the experimental project Antimuseo. She studied at the Faculty of Fine Arts of the Pontificia Universidad Católica del Perú. After finishing her studies in 1991 she moved to Mexico City, where she worked as an art director in advertising agencies. This experience as a designer has been crucial for the realisation of her artistic-militant work. In 2001 she moved to Madrid and became involved in the alternative contemporary art scene through her partner Tomás Ruiz-Rivas. Her work vindicates and makes feminism visible. Since 2010, Acha-Kutscher has focused on three long-term projects: Womankind, Indignadas and Herstorymuseum. Womankind consists of several series of digital photographic collages, created from archival images, from the internet, magazines, books and photographs taken by the artist. Among her most recognised series is Indignadas, which belongs to the project for the recovery of women's historical memory, Mujeres Trabajando para Mujeres" (Women Working for Women). Her latest project is Herstorymuseum, an imaginary museum that, through its collection and a curatorial programme, develops a rhizomatic and non-hierarchical narrative of women creators of the 20th century. Its collections are made up of images based on a visual language close to the pictogram, in which only two spots of colour are used. The exhibitions are held in public spaces, art centres, galleries and also on its website. The exhibitions establish relationships between different women artists and works, thus developing a different narrative from the official art history.16 Herstorymuseum is a member of the International Association of Women's Museums (IAWM). Acha-Kutscher has shown her work at Museo Nacional Centro de Arte Reina Sofía (MNCARS), Centro de Arte Dos de Mayo (CA2M), Centro Gallego de Arte Contemporáneo (CGAC), La Virreina Centre de la Imatge, The Fed Galleries @ KCAD (USA), M.A.C.L.A. (USA), Haifa Museum of Art (USA), Haifa Museum of Art (USA) and the Museum of Contemporary Art (USA).), Haifa Museum of Art (Israel), International Museum of Woman-IMOW, Galería - Centro Cultural de la Universidad de Lima (Peru), Centro Cultural Inca Garcilaso (Peru), Centro de la Imagen (Mexico), Foto Museo Cuatro Caminos (Mexico) Fototeca Nuevo León (Mexico), among others. In Spain at CentroCentro, Museo de la Universidad de Alicante-MUA, Centro de Arte Contemporáneo Caja de Burgos, Museo de Arte Moderno y Contemporáneo de Santander and Cantabria-MAS, among others. He has also participated in contemporary art fairs such as Zona Marco (Mexico City). And in Madrid in the fairs ARCO, Estampa, Madrid Photo, ArteSantander, Munich Contemplo, in his country of origin Peru in the fairs Art Lima and Lima Photo.

Current bid 10 EUR

Lot of 4 watches, including 3 women's gold-plated (1 LIP) and 1 men's "Spirit of Saint Louis" (wear)

Estim. 30 - 100 EUR

Original Signed Photo HARRIET TANNIN (1929-2009) - 13.5" x 11" PORTRAIT OF ARTIST ROLPH SCARLETT. Provenance from a collector in RI. Portrait of Rolph Scarlet. Harriet Tannin, photographer, painter, sculptor, political activist, writer and lecturer was born April 26, 1929. She is best known for her modernist, pioneer work with woven photography and her non-objective oil paintings. She is considered the first woman artist in America to weave modern art photography, thus making her the leader in this unique medium. Tannin holds a BA from New York University, 1951 and a Masters of Fine Art, State University of NY, New Paltz, 1975. She studied photography with the internationally famous photographer Ansel Adams and painting with a modern master, Rolph Scarlett. Scarlett was the first American artist to exhibit abstract art works next to Kandinsky's art in the original Guggenheim museum, The Museum of Non-Objective Art in New York City. Each of these talented artists had a profound effect on Tannin's work, it was this synthesis of styles and her allegiance to political activism that led to the creation of her "woven wonders." Tannin remembers: "I was participating in a group exhibit and was approached by one of the artists who derided most of the participating women artists in the exhibit. He callously went on to expand on his theory that women were inferior in art as well as most other areas. Irritated, I told him, what, it should be like when boys played stickball on the streets and the girls sat on the curb watching while weaving pot holders? Tongue in cheek, I added, In those days, women knew their place. The idea struck me all at once, and immediately upon returning to my studio I started to cut my photographs into strips and to weave them just the way I made potholders on the street for fun when I was a child. I did, and was delighted with the results and the liberating experience these works imparted."These cutting edge woven photographs can be viewed as seminal artistic/political statements that capture the essence of childhood, feminist independence and mastery over the medium of modern art photography. This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

Estim. 40 - 60 EUR

Two volumes of German art and decoration illustrated monthly magazines for the promotion of German art and formal language, [...], vol. XIII and XIV, ed. Alexander Koch, Darmstadt 1903-1904, format Lex. 8°, 358 pp. and pp. 359-696, including numerous b/w and colour illustrations in the text as well as art supplements, including photo documentation of the works of Henry van de Velde, Richard Riemerschmid and Peter Behrens, publisher's covers, normal signs of age and study.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]