Null [Women Artists] Hanne Darboven. El Lissitzky. Art and Pangeometry, 1973 El …

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[Women Artists] Hanne Darboven. El Lissitzky. Art and Pangeometry, 1973 El Lissitzky (Kunst und Pangeometrie). Bruxelles/Hamburg, Daled/ Yves Gevaert and Hossmann, 1974. Softcover, 31.2 x 23 cm, 84 pp. First edition of 1000 copies. Features diagrams printed in black, red, blue and green. Published on occasion of an exhibition at the Palais des Beaux Arts Brussels. Light toning to cover, near mint copy. (2) Added is an invitation for the Hanne Darboven exhibition at Lilian & Michel Durand-Dessert Paris, 1979. Folded sheet, 29.5 x 21 cm, printed blue on white, featuring Darboven's iconic handwriting. Moderate handing wear. (total 2)

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[Women Artists] Hanne Darboven. El Lissitzky. Art and Pangeometry, 1973 El Lissitzky (Kunst und Pangeometrie). Bruxelles/Hamburg, Daled/ Yves Gevaert and Hossmann, 1974. Softcover, 31.2 x 23 cm, 84 pp. First edition of 1000 copies. Features diagrams printed in black, red, blue and green. Published on occasion of an exhibition at the Palais des Beaux Arts Brussels. Light toning to cover, near mint copy. (2) Added is an invitation for the Hanne Darboven exhibition at Lilian & Michel Durand-Dessert Paris, 1979. Folded sheet, 29.5 x 21 cm, printed blue on white, featuring Darboven's iconic handwriting. Moderate handing wear. (total 2)

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Estim. 9 000 - 10 000 EUR

CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.

Estim. 2 000 - 2 500 EUR

MARIA ACHA-KUTSCHER ( Lima, Peru, 1968). Untitled. 2019. Series "Womankind". Pigmented inks on Hahnemühle Photo Rag Baryta paper, 315 gr. With label from Taller Digigráfico de Madrid. Sizes: 41,5 x 30 cm; 62 x 50 cm (frame). As the artist herself explained in an interview in "Elemmental" about this series: "Womankind is an intertextual work, full of quotations from works of art, photography, film, literature and the memory of political struggle. In all the photographic collages of this project, women occupy a central place, not as objects of contemplation, but as protagonists of their own history. It is therefore crucial that the images are plausible, in order to construct a large archive of fictional documents". By combining archival images and collage, Acha-Kutscher claims an autonomous place for women, a place that was stolen from them. María Acha-Kutscher is a Peruvian feminist visual artist based in Spain. She is co-director with Tomás Ruiz-Rivas of the experimental project Antimuseo. She studied at the Faculty of Fine Arts of the Pontificia Universidad Católica del Perú. After finishing her studies in 1991 she moved to Mexico City, where she worked as an art director in advertising agencies. This experience as a designer has been crucial for the realisation of her artistic-militant work. In 2001 she moved to Madrid and became involved in the alternative contemporary art scene through her partner Tomás Ruiz-Rivas. Her work vindicates and makes feminism visible. Since 2010, Acha-Kutscher has focused on three long-term projects: Womankind, Indignadas and Herstorymuseum. Womankind consists of several series of digital photographic collages, created from archival images, from the internet, magazines, books and photographs taken by the artist. Among her most recognised series is Indignadas, which belongs to the project for the recovery of women's historical memory, Mujeres Trabajando para Mujeres" (Women Working for Women). Her latest project is Herstorymuseum, an imaginary museum that, through its collection and a curatorial programme, develops a rhizomatic and non-hierarchical narrative of women creators of the 20th century. Its collections are made up of images based on a visual language close to the pictogram, in which only two spots of colour are used. The exhibitions are held in public spaces, art centres, galleries and also on its website. The exhibitions establish relationships between different women artists and works, thus developing a different narrative from the official art history.16 Herstorymuseum is a member of the International Association of Women's Museums (IAWM). Acha-Kutscher has shown her work at Museo Nacional Centro de Arte Reina Sofía (MNCARS), Centro de Arte Dos de Mayo (CA2M), Centro Gallego de Arte Contemporáneo (CGAC), La Virreina Centre de la Imatge, The Fed Galleries @ KCAD (USA), M.A.C.L.A. (USA), Haifa Museum of Art (USA), Haifa Museum of Art (USA) and the Museum of Contemporary Art (USA).), Haifa Museum of Art (Israel), International Museum of Woman-IMOW, Galería - Centro Cultural de la Universidad de Lima (Peru), Centro Cultural Inca Garcilaso (Peru), Centro de la Imagen (Mexico), Foto Museo Cuatro Caminos (Mexico) Fototeca Nuevo León (Mexico), among others. In Spain at CentroCentro, Museo de la Universidad de Alicante-MUA, Centro de Arte Contemporáneo Caja de Burgos, Museo de Arte Moderno y Contemporáneo de Santander and Cantabria-MAS, among others. He has also participated in contemporary art fairs such as Zona Marco (Mexico City). And in Madrid in the fairs ARCO, Estampa, Madrid Photo, ArteSantander, Munich Contemplo, in his country of origin Peru in the fairs Art Lima and Lima Photo.

Estim. 80 - 120 EUR

EL BEKAY Khalid (b. 1966) - Collage on cardboard featuring Arabic calligraphy, custom-framed. Signed lower right and dated 2000. BAZART certificate of authenticity on back. Collage size: 41.5 x 20.5 cm. A contemporary Moroccan artist, Khalid El Bekay graduated from the Institut Supérieur des Beaux-Arts de Tétouan in 1990 and from the Faculté des Beaux-Arts de Barcelone. He lives and works between Casablanca and Barcelona.

Estim. 30 - 100 EUR

Original Signed Photo HARRIET TANNIN (1929-2009) - 13.5" x 11" PORTRAIT OF ARTIST ROLPH SCARLETT. Provenance from a collector in RI. Portrait of Rolph Scarlet. Harriet Tannin, photographer, painter, sculptor, political activist, writer and lecturer was born April 26, 1929. She is best known for her modernist, pioneer work with woven photography and her non-objective oil paintings. She is considered the first woman artist in America to weave modern art photography, thus making her the leader in this unique medium. Tannin holds a BA from New York University, 1951 and a Masters of Fine Art, State University of NY, New Paltz, 1975. She studied photography with the internationally famous photographer Ansel Adams and painting with a modern master, Rolph Scarlett. Scarlett was the first American artist to exhibit abstract art works next to Kandinsky's art in the original Guggenheim museum, The Museum of Non-Objective Art in New York City. Each of these talented artists had a profound effect on Tannin's work, it was this synthesis of styles and her allegiance to political activism that led to the creation of her "woven wonders." Tannin remembers: "I was participating in a group exhibit and was approached by one of the artists who derided most of the participating women artists in the exhibit. He callously went on to expand on his theory that women were inferior in art as well as most other areas. Irritated, I told him, what, it should be like when boys played stickball on the streets and the girls sat on the curb watching while weaving pot holders? Tongue in cheek, I added, In those days, women knew their place. The idea struck me all at once, and immediately upon returning to my studio I started to cut my photographs into strips and to weave them just the way I made potholders on the street for fun when I was a child. I did, and was delighted with the results and the liberating experience these works imparted."These cutting edge woven photographs can be viewed as seminal artistic/political statements that capture the essence of childhood, feminist independence and mastery over the medium of modern art photography. This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

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