Null [1960s] Festival de Fort Boyard 1967. Torino, Edizione Il Punto, 1970 Softc…
Description

[1960s] Festival de Fort Boyard 1967. Torino, Edizione Il Punto, 1970 Softcover, 17 x 12.5 cm, 36 pp. printed in black, blue and red. Text in French and Italian. Edition of 1000 of which this is No. 402. Rare catalogue for an experimental poetry festival at an abandoned Napoleonic fortress off the Atlantic coast, which never actually took place. Organized by Henri Chopin, Serge Béguier, Antonio Berni, Gianni Bertini and Julien Blaine, with supposed contributions and performances by Brion Gysin, Dom Sylvester Houédard, Gil Wolman, Furnival et al. The catalogue features works by the organizers and various posters listing the programm (these were also printed and pasted around the streets of Paris), including one announcing the prolongation of the event due to its success. Moderate toning to wrapper, mint interior.

6018 

[1960s] Festival de Fort Boyard 1967. Torino, Edizione Il Punto, 1970 Softcover, 17 x 12.5 cm, 36 pp. printed in black, blue and red. Text in French and Italian. Edition of 1000 of which this is No. 402. Rare catalogue for an experimental poetry festival at an abandoned Napoleonic fortress off the Atlantic coast, which never actually took place. Organized by Henri Chopin, Serge Béguier, Antonio Berni, Gianni Bertini and Julien Blaine, with supposed contributions and performances by Brion Gysin, Dom Sylvester Houédard, Gil Wolman, Furnival et al. The catalogue features works by the organizers and various posters listing the programm (these were also printed and pasted around the streets of Paris), including one announcing the prolongation of the event due to its success. Moderate toning to wrapper, mint interior.

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Mila Doleželová, Mädchenportrait young perky blonde woman with a red hat and black veil, resting her chin in her left hand, in which a cigarette is glowing, impasto painting, oil on paper?, around 1960, signed "Doleželová" in pencil lower right, partially stained, framed behind glass and mat, mat opening approx. 21.5 x 20 cm. Artist information: actually Bohumila Josefa Doleželová, also Miloslava Dolezelova, Czech painter, fresco painter, illustrator, stamp designer and graphic artist (1922 [Prostějov [Engl.: Prostějov] to 1993 Telč [Telč]/Vysočina), from 1937 apprenticeship as a milliner in Prostějov and Olomouc, then worked in Prostějov and Pilsen, 1945-46 studied at the Academy of Graphic Arts in Prague, 1946-50 studied at the Academy of Fine Arts Prague under Wladimir Pukl, 1950-54 assistant to Wladimir Pukl in Prague, then freelance artist, 1957 moved with her future husband Jiří Mareš (1932 Brno - 1984 Telč) to an abandoned brickworks in Jihlávka [Engl.Klein Iglau] and the start of her ethnographic research into the life of the Roma in eastern Slovakia, from 1961 working in Klatovec (Engl.Klatowetz) near Javořice, 1966 sale of a large part of her art to a Mexican businessman, from 1967 member of the Association of Fine Artists of the Highlands, 1967 sale of a series of paintings to America and exhibition invitations to Miami/Florida (1967), Chicago (1969) and Mexico (1971), 1972 purchase of a house in Telč, from then on working here and turning to religious themes, source: text on the artist couple by Ales Filip, Czech Wikipedia and information from the town of Telč.