Null TSUKIOKA YOSHITOSHI (1839-1892)
Japan, late Edo period /Meiji period

36 - …
Description

TSUKIOKA YOSHITOSHI (1839-1892) Japan, late Edo period /Meiji period 36 - 37,5 x 24,5 - 25 cm Four ôban tate-e, colored woodblock print. 1) Series: ''Wakan hyaku monogatari ''(One hundred ghost stories of China and Japan). Sheet no. 22: Ōya Tarō Mitsukune Watching Skeletons. Signature: Ikkaisai Yoshitoshi ga. Publisher: Daikin. Date: Japan, 1865, 9th month. 2) Series: ''Ikkai Zuihitsu '' (Essays by Yoshitoshi). The old hag Adagashira attacking a pregnant woman to get the unborn child's blood. Signed: Ikkaisai Yoshitoshi hitsu. Verleger: Masadaya . Date: c. 1872. 3) Series: '' Tsuki Hyakushi '' (One Hundred Aspects of the Moon). Sheet: No. 14, Tsunenobu. Signed: Yoshitoshi with artist's seal Yoshitoshi no in. Publisher: Akiyama Buemon. Date. c. 1886. 4) Series: '' Tsuki Hyakushi '' (One Hundred Aspects of the Moon). No. 94, Mizuki Tatsunosuke (1673-1745), the famed "onnagata" writing a poem. Date: Meiji 1868-1912. Minor wear, partly slightly stained, some backed, slightly trimmed, mounted in passepartout

1291 

TSUKIOKA YOSHITOSHI (1839-1892) Japan, late Edo period /Meiji period 36 - 37,5 x 24,5 - 25 cm Four ôban tate-e, colored woodblock print. 1) Series: ''Wakan hyaku monogatari ''(One hundred ghost stories of China and Japan). Sheet no. 22: Ōya Tarō Mitsukune Watching Skeletons. Signature: Ikkaisai Yoshitoshi ga. Publisher: Daikin. Date: Japan, 1865, 9th month. 2) Series: ''Ikkai Zuihitsu '' (Essays by Yoshitoshi). The old hag Adagashira attacking a pregnant woman to get the unborn child's blood. Signed: Ikkaisai Yoshitoshi hitsu. Verleger: Masadaya . Date: c. 1872. 3) Series: '' Tsuki Hyakushi '' (One Hundred Aspects of the Moon). Sheet: No. 14, Tsunenobu. Signed: Yoshitoshi with artist's seal Yoshitoshi no in. Publisher: Akiyama Buemon. Date. c. 1886. 4) Series: '' Tsuki Hyakushi '' (One Hundred Aspects of the Moon). No. 94, Mizuki Tatsunosuke (1673-1745), the famed "onnagata" writing a poem. Date: Meiji 1868-1912. Minor wear, partly slightly stained, some backed, slightly trimmed, mounted in passepartout

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