Null Aymeric de PANAT (1885-1965)
Ganguise lake (Aude)
Pastel on paper
24 x 29 …

Description

Aymeric de PANAT (1885-1965) Ganguise lake (Aude) Pastel on paper 24 x 29 cm

139

Aymeric de PANAT (1885-1965) Ganguise lake (Aude) Pastel on paper 24 x 29 cm

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Estim. 8 000 - 10 000 EUR

Alexandre IACOVLEFF (1887-1938) Ouled-Gopo (Fort-Lamy) Arab woman Pastel on paper pasted on cardboard. Signed in Latin, localized and titled lower right AIacovleff/ Fort Lamy/ Femme arabe/ Ouled Gopo. On verso, handwritten label in black ink Mr Raynaud/ 52 av de Saxe/ 125 bis. 65.8 x 49.7 cm During the Croisière Noire, the shores of Lake Chad became impassable due to heavy flooding. The explorers circumnavigated the great lake to the capital Fort-Lamy, where the expedition stopped for a few days to overhaul the autochenilles and celebrate Christmas. During this stopover, Alexandre Iacovleff devotes no fewer than twelve portraits to the inhabitants of Fort-Lamy. The women have a particular grace, "with their high waists, long muscles, languid gait and almond-shaped eyes" (G.M. Haardt, L. Audouin-Dubreuil, La Croisière Noire, Editions Plon, 1927). Here, the large blue loincloth, skilfully tied over the shoulder, emphasizes the elegance and allure of this beautiful Ouled-Gopo woman with her fine face. This magnificent portrait was presented as number 125 (as evidenced by the number on the reverse of the work) under the name Femme arabe Ouled-Gopo (Fort-Lamy) in the catalog for the exhibition Alexandre Iacovleff, Peintre attaché à l'expédition Citroën Centre Afrique, Dessins et Peintures from May 7 to 23, 1926, at Jean Charpentier's hotel. A certificate of authenticity from Mme Caroline Haardt de La Baume, expert in the work of Alexandre Iacovleff, will be given to the buyer. This lot will be included in the Alexandre Iacovleff catalog raisonné currently in preparation.

Estim. 100 - 300 EUR

Pastel signed "Pré du Lac" dim. 32 x 50 cm.

Estim. 200 - 300 EUR

VICTOR-FERDINAND BOURGEOIS (1870-1957) The shores of Lake Geneva as seen from Chexbres (Canton of Vaud, Switzerland) Pastel on paper Signed lower left Titled on back of frame Pastel on paper, signed lower left, tilted on the reverse of the framing 49 x 61 cm - 19 1/4 x 24 in. Provenance Private collection, France

Estim. 180 - 270 EUR

Max Ackermann, "Dämmerung" abstract composition reminiscent of a pastel, colour silkscreen on light card, signed and dated "Max Ackermann (19)72" in pencil below the image on the right and numbered "130/150" on the left, slight traces of creasing, was never framed, image dimensions approx. 35 x 45 cm, sheet dimensions approx. 49 x 65 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1887 Berlin to 1975 Unterlengenhardt/Black Forest), pioneer of abstract art in Germany, childhood in Ilmenau/Thuringia, from 1903 trained as a porcelain modeller in a porcelain factory in Ilmenau, 1906-07 studied with Henry van de Velde at the Weimar art school on a grand ducal scholarship, Hans Olde, Ludwig von Hofmann and Sascha Schneider, 1908-09 studies at the Dresden Academy under Richard Müller and Gotthardt Kuehl, 1909-10 studies at the Munich Academy under Franz von Stuck, from 1912 studies at the Stuttgart Academy and pupil of Adolf Hölzel, 1915-17 military service in the First World War, from 1920s onwards, freelance work. World War I, freelance work in Stuttgart from the 1920s and foundation of a "training workshop for new art" in 1921, study trip to Paris in 1926, member of the Reich Association of German Visual Artists, maintained numerous contacts with important artists, including Piet Mondrian, Adolf Loos, Wassily Kandinsky and George Grosz, foundation of the seminar for "Absolute Painting" at the Stuttgart Adult Education Centre in 1930, 1936-45 ostracised as "degenerate", banned from teaching and exhibiting and some of his works confiscated, relocated to Hornstaad on Lake Constance and spent time painting in Hemmenhofen, his studio in Stuttgart destroyed in 1943, lecturer at the Stuttgart Adult Education Centre from 1946, awarded the title of professor and moved to Stuttgart in 1957, guest of honour at the German Academy in Rome Villa Massimo in 1964, received numerous honours, including the Ströher Prize in 1950. including the Ströher Prize for non-objective art in 1950 and the Federal Cross of Merit in 1972, worked in Stuttgart, Lake Constance and Bad Liebenzell, source: Vollmer, AKL, "Franz von Stuck und seine Schüler", matriculation of the Munich Academy, Dressler and Internet.

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