Null ELISEO MEIFRÈN ROIG (Barcelona, 1859 – 1940).

“Boats on the shore.”

Oil o…
Description

ELISEO MEIFRÈN ROIG (Barcelona, 1859 – 1940). “Boats on the shore.” Oil on canvas. Signed in the lower right corner. The frame has small tears in the lower margin. Presents restoration. Measurements: 50.5 x 60 cm; 67 x 77 cm (frame). A disciple of Antonio Caba at the La Lonja School in Barcelona, after completing his studies he spent time in Paris, where he coincided with the public beginning of Impressionism and learned about “à plen air” painting. He returned to Barcelona in 1879 and, that same year, obtained the gold medal at the Valencia Regional Exhibition. The following year he made his individual debut at the Parés room in Barcelona, where he will continue to exhibit regularly since then. He was part of the modernist group, and frequented Els Quatre Gats. Although he also dedicated himself to portraiture, Meifrèn was eminently a landscape and marinist. He was one of the discoverers of the pictorial possibilities of Cadaqués, and also used to paint Majorcan landscapes (he was director of the School of Fine Arts of Palma). He made various trips in search of new landscapes, especially to France but also to the Canary Islands, Belgium, Italy and the United States. He held exhibitions in Barcelona, Madrid (1881), Chicago (1893), Paris (1899), Brussels (1910), Santiago de Chile (1910), Buenos Aires (1910), Amsterdam (1912) and San Francisco (1915), among many other cities around the world. His style started from the detailed realism that dominated the Catalan school at the end of the 19th century, gradually evolving towards impressionism, a language that would not be completely evident in his work until his final years. Throughout his career he obtained many awards, including the first medals at the National Exhibition of Fine Arts in Madrid (1906) and in Barcelona (1896), the Nonell prize from Barcelona (1935), the bronze medal at the Paris Universal Exhibition (1888) and the grand prizes at the International Expositions of Buenos Aires (1910) and San Diego (1916). In 1952, the Barcelona City Council dedicated a retrospective exhibition to him, held in the Palacio de la Virreina. He is represented in the Prado Museum, the National Art Museum of Catalonia, the Contemporary Art Museum of Barcelona and the Thyssen-Bornemisza, among many others.

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ELISEO MEIFRÈN ROIG (Barcelona, 1859 – 1940). “Boats on the shore.” Oil on canvas. Signed in the lower right corner. The frame has small tears in the lower margin. Presents restoration. Measurements: 50.5 x 60 cm; 67 x 77 cm (frame). A disciple of Antonio Caba at the La Lonja School in Barcelona, after completing his studies he spent time in Paris, where he coincided with the public beginning of Impressionism and learned about “à plen air” painting. He returned to Barcelona in 1879 and, that same year, obtained the gold medal at the Valencia Regional Exhibition. The following year he made his individual debut at the Parés room in Barcelona, where he will continue to exhibit regularly since then. He was part of the modernist group, and frequented Els Quatre Gats. Although he also dedicated himself to portraiture, Meifrèn was eminently a landscape and marinist. He was one of the discoverers of the pictorial possibilities of Cadaqués, and also used to paint Majorcan landscapes (he was director of the School of Fine Arts of Palma). He made various trips in search of new landscapes, especially to France but also to the Canary Islands, Belgium, Italy and the United States. He held exhibitions in Barcelona, Madrid (1881), Chicago (1893), Paris (1899), Brussels (1910), Santiago de Chile (1910), Buenos Aires (1910), Amsterdam (1912) and San Francisco (1915), among many other cities around the world. His style started from the detailed realism that dominated the Catalan school at the end of the 19th century, gradually evolving towards impressionism, a language that would not be completely evident in his work until his final years. Throughout his career he obtained many awards, including the first medals at the National Exhibition of Fine Arts in Madrid (1906) and in Barcelona (1896), the Nonell prize from Barcelona (1935), the bronze medal at the Paris Universal Exhibition (1888) and the grand prizes at the International Expositions of Buenos Aires (1910) and San Diego (1916). In 1952, the Barcelona City Council dedicated a retrospective exhibition to him, held in the Palacio de la Virreina. He is represented in the Prado Museum, the National Art Museum of Catalonia, the Contemporary Art Museum of Barcelona and the Thyssen-Bornemisza, among many others.

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ELISEO MEIFRÈN ROIG (Barcelona, 1859 - 1940). "Landscape. Oil on canvas. Signed in the lower left corner. Measurements: 70 x 36 cm; 84 x 50 cm (frame). Eliseo Meifrèn offers us a clearly impressionist work, with a purely chromatic and luminous treatment of the landscape, which leaves aside the meticulous description of the natural model to capture an impression of nature, a purely visual and totally plastic image, in which the loose, impastoed and precise brushstroke configures forms, spaces and volumes based on juxtaposing colors. The forms are blurred and become pure expressive stain; the light, worked and thought, acquires a renewed prominence, and nature takes on a new atmospheric dimension, which goes beyond the pure reproduction of reality. A painter of landscapes and seascapes, Eliseo Meifrèn is considered to be one of the first introducers of the impressionist movement in Catalonia. He began his artistic training at the School of Fine Arts in Barcelona, where he was a disciple of Antonio Caba and Ramón Martí Alsina, with whom he began to create romantic landscapes of academic style. After finishing his studies, in 1878, he moved to Paris in order to broaden his artistic knowledge, and there he got to know first hand the painting "à plen air", which would influence him powerfully in his Parisian landscapes of those years. Likewise, in Paris he coincided with the public beginning of impressionism. A year later he made a trip to Italy, during which he visited Naples, Florence, Venice and Rome; there he made contact with the circle of Catalan artists formed by Ramón Tusquets, Arcadio Mas i Fondevila, Enrique Serra, Antonio Fabrés and Joan Llimona, among others. That same year, 1879, he participated in the Regional Exhibition of Valencia, and won a gold medal. Once back in Barcelona, in 1880 he made his individual debut in the Sala Parés in Barcelona, where he would continue to exhibit regularly from then on. During these years he was part of the modernist group, and frequented Els Quatre Gats. In 1883 he returned to Paris, where he made numerous drawings and watercolors with views of the city and its cafés, which earned him a warm welcome from French critics and the French public. At the end of the eighties he returned to Barcelona and continued to show his work at the Sala Parés, as well as at the Centro de Acuarelistas. Also, in 1888 he was a member of the jury of the Universal Exhibition held in Barcelona. In 1890 he returned for the third time to the French capital, where he participated in the Salon des Beaux-Arts and in the Salon des Indépendants of 1892, together with Ramon Casas and Santiago Rusiñol, artists with whom he had formed the Sitges pictorial group a year earlier. In the following years Meifrèn would send his works to numerous official exhibitions and competitions, among them the National Exhibitions of Madrid and Barcelona, and was awarded the third medal at the Paris Universal of 1889 and 1899, silver medal at the Brussels Universal of 1910, grand prize at the Buenos Aires Universal of the same year, medal of honor at the San Francisco International of 1915 and grand prize at the San Diego International of the following year. He also won the Nonell Prize of Barcelona in 1935. In 1952, the Barcelona City Council dedicated a retrospective exhibition to him, held at the Palacio de la Virreina. He is currently represented in the Prado Museum, the National Art Museum of Catalonia, the MACBA in Barcelona and the Thyssen-Bornemisza, among many others.