SEGUNDO MATILLA MARINA (Madrid, 1862 - Teià, Barcelona, 1937).

"Marina".

Oil o…
Description

SEGUNDO MATILLA MARINA (Madrid, 1862 - Teià, Barcelona, 1937). "Marina". Oil on canvas. Signed in the lower right corner. Measurements: 60 x 100 cm; 76 x 116 cm (frame). Although he was born in Madrid, Matilla was formed and developed his career in Barcelona. He studied at the School of Fine Arts in Barcelona, under the direction of Antonio Caba. He participated in numerous exhibitions, such as the International Exhibition of Barcelona in 1891, 1894, 1896 and 1898 (honorable mention in 1891), the Art Exhibitions of the same city in 1918 and 1919, and in the Paris Salon of 1897. That same year he obtained an honorable mention at the National Exhibition of Fine Arts in Madrid. Among his individual exhibitions were those held at the Salón Vilches in Madrid (1915) and, in Barcelona, at the Sala Parés (1914) and the Pallarés Galleries (1942), the latter a posthumous tribute. Several of his works exhibited there were bought by the Museum of Modern Art in Madrid, and many others were exported to America. He achieved great public and critical success thanks to his landscapes of the Empordà, Camprodón, Port de la Selva and Cadaqués. A painter endowed with astonishing skill, a marked personality full of sensitivity, with a mastery of drawing and painting technique and an overflowing capacity for work, Segundo Matilla was an excellent painter who cultivated absolutely all genres, being a great landscape painter and sailor, painting portraits of great quality, especially of people from the world of show business, and his flower paintings and still lifes were also highly appreciated. His paintings of bullfighting themes, painted with great spontaneity and full of movement, demonstrate his great fondness for the art of Cúchares. He always painted in a totally intelligible way and without reflexive complications of any kind, ignoring absolutely all the artistic currents of his time. His work can be found in various museums, such as the aforementioned Museum of Contemporary Art in Madrid, the Prado Museum, the Pablo Gargallo Museum in Zaragoza and the National Art Museum of Catalonia, as well as in important international private collections.

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SEGUNDO MATILLA MARINA (Madrid, 1862 - Teià, Barcelona, 1937). "Marina". Oil on canvas. Signed in the lower right corner. Measurements: 60 x 100 cm; 76 x 116 cm (frame). Although he was born in Madrid, Matilla was formed and developed his career in Barcelona. He studied at the School of Fine Arts in Barcelona, under the direction of Antonio Caba. He participated in numerous exhibitions, such as the International Exhibition of Barcelona in 1891, 1894, 1896 and 1898 (honorable mention in 1891), the Art Exhibitions of the same city in 1918 and 1919, and in the Paris Salon of 1897. That same year he obtained an honorable mention at the National Exhibition of Fine Arts in Madrid. Among his individual exhibitions were those held at the Salón Vilches in Madrid (1915) and, in Barcelona, at the Sala Parés (1914) and the Pallarés Galleries (1942), the latter a posthumous tribute. Several of his works exhibited there were bought by the Museum of Modern Art in Madrid, and many others were exported to America. He achieved great public and critical success thanks to his landscapes of the Empordà, Camprodón, Port de la Selva and Cadaqués. A painter endowed with astonishing skill, a marked personality full of sensitivity, with a mastery of drawing and painting technique and an overflowing capacity for work, Segundo Matilla was an excellent painter who cultivated absolutely all genres, being a great landscape painter and sailor, painting portraits of great quality, especially of people from the world of show business, and his flower paintings and still lifes were also highly appreciated. His paintings of bullfighting themes, painted with great spontaneity and full of movement, demonstrate his great fondness for the art of Cúchares. He always painted in a totally intelligible way and without reflexive complications of any kind, ignoring absolutely all the artistic currents of his time. His work can be found in various museums, such as the aforementioned Museum of Contemporary Art in Madrid, the Prado Museum, the Pablo Gargallo Museum in Zaragoza and the National Art Museum of Catalonia, as well as in important international private collections.

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FRANCESC SERRA CASTELLET (Barcelona, 1912 - Tossa, Girona, 1976). "Female nude". Oil on tablex. Presents sketch on the back. Signed in the lower right corner. Measurements: 60 x 83 cm; 74 x 97 cm (frame). Painter and draftsman, Francesc Serra spent his youth in Granollers, Barcelona. Although he passed fleetingly through the School of La Lonja in Barcelona, he is basically a self-taught author. He had his first exhibition in 1932, at the Sala Parés in Barcelona, and participated in the Salones de Primavera between 1934 and 1936. In 1936 and 1937 he was a special guest of the Carnegie Institute of Pittsburgh, United States. He continued to hold individual exhibitions in Barcelona, mainly at the Sala Gaspar. A great admirer of Degas, he was especially influenced by his favorite theme, the feminine. Sporadically he also tackled other themes, such as the urban landscape, of which the series of Paris, presented in 1951, is worth mentioning. Likewise, with his portraits of the lead mine he approached the sensitive realism of Ingres. He won several awards, including the Sant Jordi of Barcelona (1953) and the first medals at the National Exhibitions of Madrid (1957) and Barcelona (1960). He collected several unpublished drawings under the title "Dibujos de Serra" (1973), with a prologue by Santos Torroella. Determined defender of realism in art and of traditional figuration against the avant-garde, he published the essay "La aventura del arte contemporáneo" (1953), with a prologue by Rafael Benet. He is represented in the Museums of Modern Art of Madrid and Barcelona and in the Museums of Fine Arts of l'Empordà and Sabadell.