GROUPAMA STADIUM
VIP Experience - Join the privileged circle of box owners for a…

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GROUPAMA STADIUM VIP Experience - Join the privileged circle of box owners for an evening. For four people, VIP parking, pre-match cocktails, access to lounges, private box, post-match cocktails.

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GROUPAMA STADIUM

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Château de Beaulon The cuvée of the third millennium and private experience at the château A very rare Pineau des Charentes. On the bottle, in its engraved frame, the upward trajectory of Château de Beaulon, a l5th-century vigil that has endured through the generations and made its triumphant entrance in the year 2000. 2000 magnums (150 cl) under antique glass were produced from this precious authenticated cuvée, including this one numbered 665. Magnum (150 cl) and private experience at Château de Beaulon Five centuries of tradition The cult of quality Château de Beaulon's distinctive terroir 95 hectares of a vineyard unique in the Charentes region, based on eleven noble grape varieties carefully selected for their specificity and harmonious complementarity. Ancestral know-how combined with advanced technology, respect for tradition and sustainable development. Château de Beaulon was built in 1480. Monseigneur de Nesmond, bishop and advisor to King Louis XIV, inherited it in the 17th century and handed over the estate, then devoted solely to Cognac, to the bishops of Bordeaux, who gave impetus to the development of the vineyard, extended to include Pineau, by introducing the famous Sauternes grape varieties: 80% Semillon, 20% Sauvignon, then Médoc: 85% Cabernet Franc and Sauvignon, 15% Merlot. Returned to family ownership in 1712, Château de Beaulon, under the rigorous leadership of Christian Thomas for 50 years, has earned a reputation for "Exceptional Quality" both in France and abroad. The jewels of their Appellation d'Origine Contrôlée Appellation d'Origine Contrôlée, Cognac and Pineau are at Château de Beaulon a culture, an art of living in delectation and refinement. We are proud to have been awarded Grands Prix d'Honneur, Médailles and Trophées d'Or for our Cognac and Pineau at the most prestigious national and international competitions. international competitions. Château de Beaulon's third millennium cuvée. Conceived in 1979 especially to celebrate the arrival of the third millennium, this unique, rare cuvée is enriched by the sumptuous magic of twenty long years spent in small cellars. magic of twenty long years spent in small oak barrels in the beneficent half-light of the old "Trotte Laquais" cellar. The cuvée de l'an 2000 was produced exclusively from parcels of Semillon (80%) and Sauvignon Blanc and Gris (20%), and the mutage was carried out according to the original 17th century tradition.

Estim. 5 000 - 6 000 EUR

JOSEP BARTOLÍ (Barcelona, 1910-New York, 1995). "Abstract", ca. 1946. Oil on panel. Signed in the lower margin. Provenance: Estate of Irena Urdang de Tours (art dealer and Holocaust survivor). Measurements: 14 x 9,5 cm; 26,5 x 22 cm (frame). Every plot of Josep Bartolí's life could have been extracted from a gripping novel. His drawings of denunciation would echo his time in concentration camps, from whose death he ended up escaping by jumping off a train. But he also experimented with abstraction, especially while in New York and Mexico. This painting ("Abstract") was probably made in New York in 1946, the year he met Frida Kalho and they fell in love, as evidenced by the love letters they wrote to each other (25 passionate letters from Fridha are preserved). The Mexican painter was in the U.S. city recovering from spinal surgery. Later, they continued their romance in Mexico. Stylistically, "Abstraction" is close to the postulates of abstract expressionism, as the artist frequented the circle of Pollock and Rothko in those years. Painter, draftsman and set designer. A disciple of Salvador Alarma and Tastàs, he collaborated with various publications (La Humanidad, La Opinión, La Esquella de la Torratxa...) as a political cartoonist. At a very young age he began to work as a cartoonist in the press and became involved in trade unionism in Barcelona at the time. Between 1933 and 1934 he presented an exhibition of drawings in Barcelona that was very successful. He was one of the organizers of the Sindicato de Dibujantes de Cataluña and of the UGT. leader in 1936. Towards the end of the Spanish Civil War he went into exile in France. Arrested by the Gestapo, he was sent to the Dachau camp, but on the way he escaped by jumping off the train and, after a long journey, he arrived in Mexico. There he resumed his pictorial activity, came into contact with the environment of Diego Rivera and Frida Kahlo, of whom he was a lover, and participated in the founding of the Prisse gallery. In the United States he was the first cartoonist of Hollyday magazine, standing out as one of the most sought-after cartoonists of the time, he made sets for historical films in Hollywood and was part of the 10th Street group, along with Willem de Kooning, Kline, Pollock and Rothko. In 1973 he received the Mark Rothko Award for Fine Arts.3 Among his illustrated books are Caliban (1971), The black man in America (1975) and Campos de concentración (Mexico, 1943; Madrid, Spain, 2006). This last title, based on texts by the Catalan journalist Molins i Fábrega, collects his extensive documentary series of pen drawings about his experience in the concentration camps.

Estim. 10 000 - 12 000 EUR

GODOFREDO ORTEGA MUÑOZ (San Vicente de Alcántara, Badajoz, 1899 - Madrid, 1982). "Landscape of Lake Maggiore", ca.1920. Oil on cardboard. Provenance: -Private collection, Massimo Uccelli, Italy. Inherited from his grandparents, in turn, received it from the painter while he lived in his house in Via Antonio Rosmini, in Stresa, near Lake Maggiore (Italy). -Private collection, Turin. With certificate of the Ortega Muñoz Foundation. With export permit from Italy and Spain. Measurements: 34 x 43 cm. Ortega Muñoz immortalizes in this painting a wide panoramic view of the idyllic mountainous landscape of the Maggiore Lake, outlined in the background by bluish motañas of snowy summits. Ortega lived in this area of northern Italy, close to the Swiss border, so he portrayed it on numerous occasions, showing a great handling of the shades and lights of this icy region. Ortega, heir to the Vallecas school, often prioritized this type of stark landscapes, realistic but far from academic, a solitary space with which he sought to awaken the viewer's emotions. Ortega Muñoz was one of the great creators of the contemporary Spanish landscape. He started in art when he was still a child, self-taught, and despite his father's advice, in 1919, at the age of twenty, he decided to move to Madrid to devote himself to painting. There he will dedicate himself from the first moment to making copies of the great masters in the Prado Museum and in the old Museum of Modern Art. He continued his self-taught training and began to paint outdoors in the surroundings of the Dehesa de la Villa, accompanied by other young artists such as the Filipino Fernando Amorsolo. A year later he decided to move to Paris, where he met his lifelong friend, the poet Gil Bel. In Paris he also got to know the work of Van Gogh, Gauguin and Cézanne, but at the same time he experienced the formal and ideological crisis that was developing in this interwar period, which would lead him to leave France to travel south, to Italy, where he would find in the masters of the past more authentic values of spirituality, simplicity and purity. Ortega Muñoz will travel through Italy from North to South between 1921 and 1922, and in Lago Maggiore he meets the English painter Edward Rowley Smart, with whom he will spend a short period of apprenticeship. With him Ortega Muñoz comes to the conclusion that, in the face of the apparent unreasonableness of contemporary art, it is necessary to return to nature and return to are the authenticity of spiritual truths and simple emotions. In 1926 he returned to Spain, where he was the protagonist of one of the founding excursions of the Vallecas School. Shortly afterwards, in 1927, he held his first exhibition at the Círculo Mercantil in Zaragoza. Then he leaves Spain again, and this time he travels through Central Europe, passing through Zurich, Brussels and several German cities. In 1928, in Worpswede, he comes into contact with a colony of artists of expressionist language, interested in landscapes and peasant life, as a reaction against the sophisticated artifices and refinements of the avant-garde. Notably influenced by his experience in Worpswede, Ortega Muñoz returns to France in 1928, and between 1930 and 1933 he continues to travel between Central Europe and Northern Italy; he finally arrives in Cairo in 1933, a date at which his skills as a portraitist have provided him with a comfortable lifestyle and important contacts. He exhibits in Alexandria with an enormous success, which will lead him to repeat the experience a year later, presenting an almost anthological exhibition in which his love for nature, the balance between color and mood, and the atmosphere of stillness and sadness characteristic of his language can already be appreciated. In 1935 he returns to Spain and the following year he presents an exhibition at the Círculo de Bellas Artes in Madrid. However, the Civil War forced him to leave Spain; after the war he returned to his hometown, and finally reunited with the silent and lonely expanse of his landscape and with the close reality of that world that he felt as authentically his own.

Estim. 1 000 - 2 000 EUR

CLARA I OREJARENA Original Oil on Canvas 30" x 24" Colombian architect and artist Clara Orejarena was born 1962 in Bucaramanga. She began expressing herself through art at a very young age. Whether she was at school or at home, painting and drawing were always her main concern as what seemed to be a full time hobby. Once it was time to pursue a career, she studied architecture and continued to pursue her artistic talents by spending much of her time in the studio of accomplished artists as Hernandez Prada. The artist learned to view the world differently. She was able to use her new understanding of objects and colors to convey strong feelings of power and emotion as she further understood people's views and tendencies. Clara studied interior design in London until she moved back to Colombia and had the privilege to meet the great artist Nijole Sivickas. She allowed her to study at her atelier where she taught her to sculpt, paint in a more symbolic way, and once again view art in a new way. To this day, she remains as one of the greatest artistic influence. Thanks to Sivickas Clara's art has become much more focused on the propensity of objects and their properties. Mrs. Orejarena also had the privilege to learn new ways to paint from great artist Ad Heeren in Netherlands. She have been developing new ways of animal expression and more intentional application of colors. Her love for nature is reflected in the struggle to show how animals, flowers, water, and all things can make us feel like better and more sensible human beings. She believes that through the manifestation of emotions and feelings animals already have, her paintings can effectively connect with people and their personal emotions. Clara has developed her own Tropical Surrealism. The last and most difficult step in this process is to incorporate underlying ideas and concepts into her paintings. In order to do this, she uses abstract objects and settings. These objects and settings, having been largely influenced by her past experience with abstract sculpting, help her show these concepts and ideas in ways which would not be otherwise possible. Clara Orejarena has participated in many exhibitions and art shows along the South Florida Coast. She has obtained many awards and one of her paintings was exhibited at the Coral Springs Museum of Art in 2010. Colombia, Doral City, and New York in 2024. The provenance of this lot is directly from the artist. We have included quality images to show it's actual condition. Oil on canvas with dimensions 30" x 24". This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

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