Null FRANÇOIS-ÉMILE DÉCORCHEMONT (1880-1971)
Vase fougères en hauteur, the model…
Description

FRANÇOIS-ÉMILE DÉCORCHEMONT (1880-1971) Vase fougères en hauteur, the model created in [1913] and circulated until [1914], reputed to have been made in 7 editions. Piriform vase evoking a coloquinte; the title decoration is in high relief. Proof in polychrome pâte de verre; water green shaded with dark green, the bubbled body evoking morning dew. Two major cracks (stopped) starting under the base, possibly during the creation of the piece, tiny chips around the neck, a small chip at the heel. Marked with the artist's stamp towards the base. Height: 23cm Public collections: Kitazawa Museum of Art, Tokyo - An identical model (color variant) is kept in this institution. Bibliography: Véronique Ayroles - François Décorchemont - Maître de la pâte de verre - Éditions Norma, Paris, 2006. Model referenced as n°46 on page 236, color variants reproduced on pages 89 and 237.

17 

FRANÇOIS-ÉMILE DÉCORCHEMONT (1880-1971) Vase fougères en hauteur, the model created in [1913] and circulated until [1914], reputed to have been made in 7 editions. Piriform vase evoking a coloquinte; the title decoration is in high relief. Proof in polychrome pâte de verre; water green shaded with dark green, the bubbled body evoking morning dew. Two major cracks (stopped) starting under the base, possibly during the creation of the piece, tiny chips around the neck, a small chip at the heel. Marked with the artist's stamp towards the base. Height: 23cm Public collections: Kitazawa Museum of Art, Tokyo - An identical model (color variant) is kept in this institution. Bibliography: Véronique Ayroles - François Décorchemont - Maître de la pâte de verre - Éditions Norma, Paris, 2006. Model referenced as n°46 on page 236, color variants reproduced on pages 89 and 237.

Auction is over for this lot. See the results

You may also like

FRANÇOIS ÉMILE DÉCORCHEMONT (Conches-en-Ouche, France, 1880-1971). Ashtray, ca.1930. In glass paste. With stamp on one side. Measurements: 3.5 x 15 x 10 cm. Décorchemont was born into a family of artists. In 1902, he began experimenting with glass, inspired by the work in pâte de noche of the glass artist Albert Dammouse. In 1903 he made his debut at the Salon des Artistes Français with paintings and some pâte de nuit vases. He received an honorable mention for his vases. After that, he focused entirely on working with pâte de nuit. These first experiments were laborious, but he persevered and exhibited regularly at the Paris Salons, with great success, receiving several prizes and even a travel grant in 1908. On his return he settled in Conches-en-Ouches. He then also began to use the cire-perdue technique, (lost-wax technique) by which he attempted to achieve the brilliance of precious stones in the pâte de nuit.He showed his new work at the Salon des Artistes in 1911 and in 1912 at the Salon d'Automne and immediately received the gold medal. During the 1920s, Décorchemont's designs often became more stylized; he also began to use geometric patterns. Figures were often incorporated into his handles, such as chameleons, snakes, fish and caryatids. Décorchemont's fame rose quickly and he was awarded many honorable positions in the various Paris salons. His works became (and still are) very valuable. He also exhibited at the 1925 Exposition Internationale des Arts Decoratifs in Paris. His work can be seen in several pavilions, such as Jacques Ruhlmann's "Hotel d'un Collectioneur". He participated in important international special exhibitions, in Geneva, USA, Athens, Amsterdam and Barcelona.