Null NORMAND (Charles). Nouveau parallèle des ordres d'architecture des Grecs, d…
Description

NORMAND (Charles). Nouveau parallèle des ordres d'architecture des Grecs, des Romains, et des auteurs modernes... Paris, Imprimerie Firmin Didot, 1819. In-folio, 29 x 45 cm, 2 ff., 39 pp. frontispiece and 64 plates, contemporary binding in midnight blue half calf, gilt roulette framing the boards, spine decorated with faux-nerfs and gilt motifs. First edition. The illustration, drawn and engraved by the author, comprises a title-frontispiece and 64 plates (including an unnumbered plate "Parallèle des ordres antiques"). A good copy, with full margins, in an elegant contemporary binding. Label of Auvray, marchand d'estampes et cartes géographiques quai Malaquais à Paris, on the flyleaf with the handwritten words "Louise". Scattered foxing. Some scuffing to boards, corners very slightly corroded.

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NORMAND (Charles). Nouveau parallèle des ordres d'architecture des Grecs, des Romains, et des auteurs modernes... Paris, Imprimerie Firmin Didot, 1819. In-folio, 29 x 45 cm, 2 ff., 39 pp. frontispiece and 64 plates, contemporary binding in midnight blue half calf, gilt roulette framing the boards, spine decorated with faux-nerfs and gilt motifs. First edition. The illustration, drawn and engraved by the author, comprises a title-frontispiece and 64 plates (including an unnumbered plate "Parallèle des ordres antiques"). A good copy, with full margins, in an elegant contemporary binding. Label of Auvray, marchand d'estampes et cartes géographiques quai Malaquais à Paris, on the flyleaf with the handwritten words "Louise". Scattered foxing. Some scuffing to boards, corners very slightly corroded.

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CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. “Segmented table”. A large boatformed dining table with chromed steel and aluminum base, white laminated top with black vinyl edge. Produced at Vitra 2007, with label. In good vintage condition with minor retouches on top. Measurements: 72 x 300 x 130 cm. The design story of the Eames Tables goes back to the 1940s, when Charles and Ray Eames developed the first versions of what later became the table base. Suited for a variety of chairs and tables, these early designs already reflect the couple's characteristic method of thinking in systems. The bases used today for the Eames Tables were created in the 1960s in conjunction with the development of the Soft Pad Chairs. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. “Segmented table”. A large circular dining table with chromed and black lacquered steel and aluminium frame, on four-star base, solid dark stained oak top with black vinyl edge. In good vintage condition with minor retouches on top. Measurements: H. 72 cm. Diam. 170 cm. The design story of the Eames Tables goes back to the 1940s, when Charles and Ray Eames developed the first versions of what later became the table base. Suited for a variety of chairs and tables, these early designs already reflect the couple's characteristic method of thinking in systems. The bases used today for the Eames Tables were created in the 1960s in conjunction with the development of the Soft Pad Chairs. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.