Null David Chyträus (1531-1600): Historia of the Augspurg Confession, Frankfurt,…
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David Chyträus (1531-1600): Historia of the Augspurg Confession, Frankfurt, by Georg Raben1580, 381 sheets, embossed leather binding, endpaper and text partly with hand annotations, slightly browned, partially stained, good condition; first extensive collection of writings on the Augsburg Confession (1530) as an interpretation of the Wittenberg Reformation

5079 

David Chyträus (1531-1600): Historia of the Augspurg Confession, Frankfurt, by Georg Raben1580, 381 sheets, embossed leather binding, endpaper and text partly with hand annotations, slightly browned, partially stained, good condition; first extensive collection of writings on the Augsburg Confession (1530) as an interpretation of the Wittenberg Reformation

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Livius, Titus(Titi Livii ... Libri Omnes, Quotquot ad nostram aetatem pervenerunt.) Zweiter Bd. (von 2). 4 Tle. in 1 Bd. Mit zwei großen und einer kleinen Holzschnitt-Druckermarke, einer breiten Holzschnitt-Titelbordüre und einigen Holzschnitt-Initialen. Frankfurt am Main, Feyerabend, 1578. 119 S., 82 Bll., 104 S., 93 (recte 94) S., 1 Bl. Folio. Pgt. d. Zt. mit späterem RSchild und Schließbändern (Rücken erneuert, etwas bestoßen und fleckig). Livius, Titus (Titi Livii ... Libri Omnes, Quotquot ad nostram aetatem pervenerunt.) Zweiter Bd. (von 2). 4 Tle. in 1 Bd. Mit zwei großen und einer kleinen Holzschnitt-Druckermarke, einer breiten Holzschnitt-Titelbordüre und einigen Holzschnitt-Initialen. Frankfurt am Main, Feyerabend, 1578. 119 S., 82 Bll., 104 S., 93 (recte 94) S., 1 Bl. Folio. Pgt. d. Zt. mit späterem RSchild und Schließbändern (Rücken erneuert, etwas bestoßen und fleckig). VD16 L 2100. Ebert I, 12097. - Teil 1, 2 und 4 je mit eigenem Titelbl. - Enthält: I:In Titi Livii Patavini Romanae Historiae Principis Libros Omnes Qui Extant ... Castigationes & Scholia. II: Caroli Sigonii Scholia, Quibus Titi Livii Patavini Historiae, Et Earum Epitomae, Partim Emendantur, Partim Etiam Explanatur. III: Duo Tarquini Lucius ac aruns, prisci Tarquinii Filii... IV: In Titi Livii Patavini Historiarum Ab Urbe Condita Libros, Qui Quidem Extant, Omnes ... per Vilhelmum Godelevaeum. - Vorsätze erneuert. Erstes Titelbl. mit zeitgen. hs. Besitzeintrag und kl. Loch. Papierbedingt gebräunt, teils stärker. Etwas fleckig und teils leicht feuchtigkeitsrandig. Letztes Bl. hinterlegt. With two large and one small woodcut printer's marks, a broad woodcut title border and some woodcut initials. 2nd vol. (of 2). 4 pts. in 1 vol. Cont. vellum with later spine label and closing bands (spine renewed, somewhat bumped and spotted). - Parts 1, 2 and 4 each with their own title page. - Contains: see above. - Endpapers renewed. First title-page with contemporary ownership inscription and small hole. Paper browned, partly stronger. Somewhat stained and partly slightly dampstained. Last leaf backed. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Willy Müller-Lückendorf, Alte Mühle in Lückendorf View of the old mill on the Prescherberg in Lückendorf near Oybin in Saxony, in the light of the waning day, on a spring evening with the moon rising, the foothills of the Brandberg on the right, the high forest in the background on the left, with this intimate landscape portrait, Müller-Lückendorf shows his attachment to his Saxon homeland - his studio house is 100 metres away from the old mill house depicted, predominantly glazed painting in restrained colours in the style of the romantic landscape painting of Caspar David Friedrich, oil on canvas, incised signature "W. Müller-Lückendorf" and dated "1933", according to the author of the catalogue raisonné and son of the artist, Knut Müller, the painting was created in 1935, on the reverse signed, dated and titled "Vorfrühlingsabend mit altem Mühlhaus in Lückendorf" in pencil by the artist, on old label probably old auction or gallery label with numbering and information on the work, also in the upper left corner annotated by another hand as a gift from 1945, minor pressure marks on the left and right edge of the picture due to the stretcher, somewhat in need of cleaning, we would like to thank Mr Knut Müller for kind written information, framed, folded dimensions approx. 33 x 46,5 cm. Artist information: actually Willy Müller, called himself "Müller-Lückendorf" after his place of residence, German pattern draughtsman, landscape painter and painter. Pattern draughtsman, landscape painter and draughtsman (1905 Olbersdorf to 1969 Lückendorf), resident in Lückendorf from 1911, artistically supported by the Russian stage painter Pjotr Andrejew, Paul Otto Croeber and the Zittau art teacher Adolf Schorisch, 1919-22 apprenticeship as a weaver and pattern draughtsman at the Higher Weaving School in Zittau, then worked as a weaver in the mechanical weaving mill, 1924-32 pattern draughtsman for the Vereinigte Deutsche Textilwerke Wagner und Moras in Ebersbach, with the support of the textile industrialist Otto Moras 1925-27 studied at the Dresden School of Arts and Crafts under Alexander Baranowsky, influenced by Caspar David Friedrich, Franz Lenk and Otto Dix, from 1932 freelance landscape painter, 1940-48 military service and captivity, exhibited in Neusalza-Spremberg, Zittau, Dresden, Leipzig, Berlin, Karlsruhe, Darmstadt, Frankfurt a. M. and 1937-43 participation in the Great German Art Exhibition at the Haus der Kunst in Munich, active in Lückendorf near Oybin, source: Vollmer, homepage of the artist, Saur and Internet.