Null OTTOMAN PRAYER BOOK DALA'IL AL-KHAYRAT D'AL-JAZULI
Manuscript on paper, 70 …
Description

OTTOMAN PRAYER BOOK DALA'IL AL-KHAYRAT D'AL-JAZULI Manuscript on paper, 70 leaves, 13 lines of text per page in naskhi script in black and red ink, punctuated with gold rosettes, in a wide gold frame with blue and red fillets. Cartouches illuminated with polychrome foliage scrolls on a gold background, intended to give the titles of each section, left empty. Frontispiece illuminated with a polychrome cartouche decorated with foliage scrolls punctuated with rosettes. At the heart of the work, an illuminated double-page spread of illustrations of the Kaaba in Mecca and the mosque in Medina, framed by floral spandrels on a red background. Second frontispiece after the miniatures. Prayer added on the last three leaves. Bound in brown leather with gilded decoration of a poly-lobed medallion with double pendant and four spandrels, trimmed with palmettes. Inner boards covered with speckled paper. (Some running, wear, tears and old restorations on pages, some pages shorter). Turkey, Ottoman art, 19th century. AN OTTOMAN PRAYER BOOK, DALA'IL AL-KHAYRAT, TURKEY, 19TH CENTURY. DIM. (binding) : 16,5 X 11 CM (6 1/2 X 4 5/16 IN.)

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OTTOMAN PRAYER BOOK DALA'IL AL-KHAYRAT D'AL-JAZULI Manuscript on paper, 70 leaves, 13 lines of text per page in naskhi script in black and red ink, punctuated with gold rosettes, in a wide gold frame with blue and red fillets. Cartouches illuminated with polychrome foliage scrolls on a gold background, intended to give the titles of each section, left empty. Frontispiece illuminated with a polychrome cartouche decorated with foliage scrolls punctuated with rosettes. At the heart of the work, an illuminated double-page spread of illustrations of the Kaaba in Mecca and the mosque in Medina, framed by floral spandrels on a red background. Second frontispiece after the miniatures. Prayer added on the last three leaves. Bound in brown leather with gilded decoration of a poly-lobed medallion with double pendant and four spandrels, trimmed with palmettes. Inner boards covered with speckled paper. (Some running, wear, tears and old restorations on pages, some pages shorter). Turkey, Ottoman art, 19th century. AN OTTOMAN PRAYER BOOK, DALA'IL AL-KHAYRAT, TURKEY, 19TH CENTURY. DIM. (binding) : 16,5 X 11 CM (6 1/2 X 4 5/16 IN.)

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LOT NOT PRESENTED LIVE. PRIOR REGISTRATION REQUIRED TO BID WITH A €2,000 DEPOSIT PLEASE CONTACT US BY EMAIL: [email protected] Dala'il al-khayrat signed by Ahmed Resmi Ink, polychrome pigments and gold on paper; Turkey, Istanbul, dated 1164 AH / 1750-51 AD H. 15.6 cm - W. 10.6 cm - D. 1.4 cm AR The Daila'il al-Khayrat is a text of prayers dedicated to the Prophet Muhammad, compiled by al-Jazuli in the first half of the 15th century, which became one of the most widely distributed texts in the world of Sunni Islam. This high-quality manuscript is signed by Ahmad Rasmi (Ahmed Resmi), a pupil of Katib-zade, and dated 1164 A.H. (1750-51). Born in Istanbul, Ahmed Resmi was a judge from Rumelia. He studied under Katib-zade Mustafa Efendi, and is listed as a copyist of Korans and Dala'il al-Khayrat. When his son-in-law was appointed Judge of Damascus, he accompanied him there and settled there permanently (Şevket Rado, Türk hattatları, Istanbul, 1983, p. 176). The manuscript opens with a folio decorated with a polychrome and gold mandorla, followed on the verso by a richly illuminated frontispiece of floral motifs abounding in semi-mandorolas, framed by Greek friezes. The text is spread over 9 lines within gilded framing fillets, with several illuminated frontispieces introducing the various prayers, elaborate marginal vignettes and various marginal annotations. Finally, it features two beautiful polychrome miniatures depicting views of Mecca and Medina, in the tradition of the Daila'il al-Khayrat. The handsome brown leather binding is deeply embossed with mandorla decoration, with gilded decoration on the backgrounds forming rinceaux and tchi clouds in negative, enhanced with red. It comes with its own pouch, also richly embossed and gilded. (Damage to the pouch) We would like to thank Will Kwiatkowski for his help in identifying and describing these Ottoman manuscripts.