Null Pierre le Faguays, Antelope
c. 1925, cast metal with black patina, reclinin…
Description

Pierre le Faguays, Antelope c. 1925, cast metal with black patina, reclining gazelle in the typically restrained formal language of Art Deco, on a multi-part marble base, this gazelle by Faguays is known from the group "Seduction", in which a female nude caresses the animal's nose, base with small notches, partially very slightly rubbed, h 23 cm overall, l 37 cm. c. 1925, cast metal with black patina, reclining gazelle in the typically restrained formal language of Art Deco, on a multi-part marble base, this gazelle by Faguays is known from the group "Seduction", in which a female nude caresses the animal's nose, base with small notches, partially very slightly rubbed, h 23 cm overall, l 37 cm. Artist information: French sculptor (1892 Nantes - 1962 Paris), also worked under the pseudonyms Fayral, Laurel and Pierre Laurel, met the sculptors Marcel Bouraine and Max Le Verrier while a German prisoner of war, with whom he remained in contact and cooperated throughout his life, studied at the École des Beaux-Arts in Geneva under James Vibert, was an important representative of Art Deco in France. Source: Internet.

3588 

Pierre le Faguays, Antelope c. 1925, cast metal with black patina, reclining gazelle in the typically restrained formal language of Art Deco, on a multi-part marble base, this gazelle by Faguays is known from the group "Seduction", in which a female nude caresses the animal's nose, base with small notches, partially very slightly rubbed, h 23 cm overall, l 37 cm. c. 1925, cast metal with black patina, reclining gazelle in the typically restrained formal language of Art Deco, on a multi-part marble base, this gazelle by Faguays is known from the group "Seduction", in which a female nude caresses the animal's nose, base with small notches, partially very slightly rubbed, h 23 cm overall, l 37 cm. Artist information: French sculptor (1892 Nantes - 1962 Paris), also worked under the pseudonyms Fayral, Laurel and Pierre Laurel, met the sculptors Marcel Bouraine and Max Le Verrier while a German prisoner of war, with whom he remained in contact and cooperated throughout his life, studied at the École des Beaux-Arts in Geneva under James Vibert, was an important representative of Art Deco in France. Source: Internet.

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