Null Westerwald Inkwell Henry van de Velde
Designed in 1902, maker Merkelbach &…

Description

Westerwald Inkwell Henry van de Velde Designed in 1902, maker Merkelbach & Wick Grenzhausen, model number 2058, light beige stoneware body with polychrome running glaze over red-brown engobe, vessel used as an inkwell with three sculptural struts modelled out, bonnet-like lid, probably first represented at the German National Art Exhibition in Düsseldorf in 1902 for the collective stand of the clay industrialists of the Unterwesterwald district, good, undamaged condition, h 9 cm. Source: Thomas Föhl, Antje Neumann, Henry van de Velde, Raumkunst und Kunsthandwerk, vol. III, Klassik Stiftung Weimar, p. 162, there with illustration.

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Westerwald Inkwell Henry van de Velde Designed in 1902, maker Merkelbach & Wick Grenzhausen, model number 2058, light beige stoneware body with polychrome running glaze over red-brown engobe, vessel used as an inkwell with three sculptural struts modelled out, bonnet-like lid, probably first represented at the German National Art Exhibition in Düsseldorf in 1902 for the collective stand of the clay industrialists of the Unterwesterwald district, good, undamaged condition, h 9 cm. Source: Thomas Föhl, Antje Neumann, Henry van de Velde, Raumkunst und Kunsthandwerk, vol. III, Klassik Stiftung Weimar, p. 162, there with illustration.

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Estim. 1 000 - 1 500 EUR

Attributed to Willem van de Velde the Younger, Dutch 1633-1707- A Galleon at sea; black chalk on paper, bears initials 'WVVJ' (lower left), and indistinct collector's monogram (lower right), 67.4 x 50.4 cm. (unframed). Note: Willem van de Velde the Younger was one of the preeminent maritime artists of the 17th century, along with his father, Willem van de Velde the Elder (1610/11-1693). After his training with Simon de Vlieger (1601-1653) in Weesp, Van de Velde the Younger spent much of his early career in Amsterdam, before leaving his homeland to move to Britain with his father in 1672/73, where he enjoyed the patronage of King Charles II. The striking, dramatic shipping and battle scenes for which Van de Velde became known feature carefully and accurately rendered vessels, undoubtedly informed by his many detailed sketches and studies of ships like the example presented here. The ship depicted in the present drawing is a Dutch vessel, and resembles Van de Velde's studies of the 'Vrede' and of a Dutch frigate, both in the collection of the Royal Museums in Greenwich [PAG6171 and PAH1718]. While the origin of the vessel indicates that the sketch was executed while Van de Velde still lived in the Dutch Republic, the monogram in the lower left corner of the present drawing is executed in the style the artist used after moving to Britain in 1672, and could have been added later, possibly by the artist himself. The Van de Veldes are thought to have occasionally added their signatures and monograms to earlier sketches, perhaps signing and selling earlier drawings to earn ready cash. Although the present work is unusually large for a work on paper by Van de Velde, it is not without precedent, with the British Museum holding a large drawing of the Royal Yacht Mary, measuring 48 x 86.5 cm., in their collection [1874,0808.97]. We are grateful to Dr Remmelt Daalder for his advice on this item.

Estim. 200 - 300 EUR

Bram VAN VELDE (1895-1981).

Estim. 1 620 - 1 800 EUR

Willem van de Velde

Estim. 9 000 - 18 000 EUR

George Minné, 1866 Gent-1941 Sint-Martens- Latem, large bronze sculpture, mother with child, the mother walking through ankle-deep water and raising the child protectively in front of her body, depiction of motherhood, dark patina, rectangular plinth, signed and dated on the side 1929, height approx. 77cm; Minné studied at the Ghent Academy and maintained an acquaintance with the designer Henry van de Velde

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