Money box as a donkey with saddle
, probably Georg Heyde Dresden, c. 1900, unmar…

Description

Money box as a donkey with saddle , probably Georg Heyde Dresden, c. 1900, unmarked, cast pewter with coloured cold painting and discreet gold decoration, naturalistic design, the saddle as lid with coin slot and clasp, without lock, good, old restored condition with beautiful age patina, h 9.5 cm.

1312

Money box as a donkey with saddle

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Estim. 800 - 1 200 EUR

VAN BREE Philippe - Jacques Antwerp 1786 - Saint - Josse - ten - Noode 1876 Family scene in New Holland near a lake. A man drops chestnuts which his wife gathers, while their little one lies in a wicker basket hanging from the saddle of a donkey. A small cooking fire in the hollow of a tree. Oil on panel (Small hole in the upper left corner; two small holes in the middle of each side). Signed lower right P. VAN BREE H. 49.5 - L. 68 cm

Estim. 250 - 375 EUR

Stephan Rauh, Auf dem Johannisfriedhof in Dresden Sensitive depiction of several old, partly weathered gravestones, watercolour on paper, signed "St. Rauh" in the lower right corner and dated "15. April 1857", signed again in the lower left corner, inscribed on the reverse "Alte Grabsteine auf dem Johannisfriedhof zu Dresden/Stefan Rauh (1822-1860), furthermore collection stamp of Johann Georg von Sachsen (1869-1938), remains of old mounting on the reverse, slightly browned, stapled under passepartout, sheet dimensions approx. 17.2 x 24.7 cm. Artist information: German landscape painter and watercolourist (1822 Nuremberg to c. 1860 probably Dresden), studied at the academy in Dresden from 1840, artistic influence by the pupil of Ludwig Richter Ernst Hasse, study trips took him to Tyrol, Bavaria, northern Bohemia and through Saxony, recorded in Dresden until 1858, source: Thieme-Becker.

Estim. 120 - 180 EUR

Hanns Herzing, "Verklärung" View from a rocky hilltop with flowering meadows to a high mountain lake under a cloudy sky, the partial veil of clouds in subtle pink around the mountain peaks indicate a morning setting and this is probably also how the ambiguous title "Verklärung" is to be understood - firstly, the painterly transfiguration of the idyllic mountain world, which was the motif at the centre of Herzing's work, Secondly, the literal clearing of the veil of clouds around the mountains as the morning progresses, oil on canvas, signed "Hanns Herzing" lower right, titled "Verklärung" on the label on the reverse, probably by the artist, as well as dated and numbered "1941/36", upper right on the stretcher with further illegible annotations, including measurements, retouches, craquelure and pressure marks from the stretcher, waxed, unframed, folded, dimensions approx. 75.5 x 100 cm. Artist info: German portrait and landscape painter. Portrait and landscape painter (1890 Dresden - 1971 Dresden), studied at the Kunstgewerbeschule and from 1911 at the Dresden Academy under Gotthard Kuehl and Carl Bantzer, master student of Eugen Bracht, from 1925 annual stay in Switzerland, executed two colossal paintings in the waiting room of Dresden's main railway station in 1924-25, represented in the Dresden State Art Collections, member of the art association "Schaffender Künstler", active in Dresden, later in Dresden-Niederpoyritz, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Dresden Academy, Dressler and Wikipedia.

Estim. 400 - 1 200 EUR

Silver bowl with rowing scene - 800 silver, oval shape with curved rim and rocaille feet, in the mirror relief scene with depiction of two rowing boats on a river, in the background city towers (probably Dresden), stamped: crescent/crown, 800, MZ for Richard Garten, 1860-1905 Dresden, HxLxW: 3.3x16.2x10.8cm, weight approx. 115 g

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