Null Meteorite Gibeon
Great Nama Land/Namibia, fallen 1836, partly polished and …

Description

Meteorite Gibeon Great Nama Land/Namibia, fallen 1836, partly polished and etched specimen, the Widmanstätten structures clearly visible, l 9 cm, g approx. 341 g.

408

Meteorite Gibeon Great Nama Land/Namibia, fallen 1836, partly polished and etched specimen, the Widmanstätten structures clearly visible, l 9 cm, g approx. 341 g.

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Denez, born 2000 - Collectif Eon Avel Ker Ys, 2024 Oil on woodcut, signed lower right 72 x 47.5 cm --- EON AVEL Collective - Denez and Breuuenn, born in 2000 Originally from Plovan and Plogonnec, Denez and Breuuenn created the Eon Avel collective in 2021, sharing their interest in the region and its culture. Moved by the work by the work of Seiz Breur and the music of Emglev, they dream of works imbued with Brittany, not to mimic it or to please, but of a present-day Brittany, deeply lived, in response to the redundancy and lack of renewal in so-called "Breton" products. Eon Avel is a quest for this damaged heritage, whose forms and meanings they are trying to grasp. For them, the spirituality that once comforted their ancestors has not been passed on, and through art they find a way to approach it. Denez and Breuuenn work with images, using a variety of techniques: wood, linoleum and metal engraving metal, painting, sculpture and lettering. They tackle themes of reverie, introspection, nature, the Breton imagination and the stories of the ancients, which they try to modernize and in which they find themselves. in which they find themselves. Their creations perpetuate the taste for motif and symbolism of ancient embroiderers and cabinet-makers, the forms of sacred architecture, the country's thousand-year-old history and content with the force of the elements. The mystique of the landscapes in which they live out their adventures also infuses their work, as does the spiritual atmosphere emanating from the many places and shrines. Following on from the collective work of the Seiz Breur, they dream of a general, original and profound artistic renewal that would be part of both an artistic quest for beauty and a search for oneself as a baker. as Breton men and women. For them, the Ar Seiz Avel event represents the concrete expression of what this could all be about, and enables them to share their distinctive universe with a wider public.

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Denez, born in 2000 - Collectif Eon Avel Mamm gozh ar vretoned, 2024 Oil on woodcut, signed lower right. 54.5 x 49.5 cm --- EON AVEL Collective - Denez and Breuuenn, born in 2000 Originally from Plovan and Plogonnec, Denez and Breuuenn created the Eon Avel collective in 2021, sharing their interest in the region and its culture. Moved by the work by the work of Seiz Breur and the music of Emglev, they dream of works imbued with Brittany, not to mimic it or to please, but of a present-day Brittany, deeply lived, in response to the redundancy and lack of renewal in so-called "Breton" products. Eon Avel is a quest for this damaged heritage, whose forms and meanings they are trying to grasp. For them, the spirituality that once comforted their ancestors has not been passed on, and through art they find a way to approach it. Denez and Breuuenn work with images, using a variety of techniques: wood, linoleum and metal engraving metal, painting, sculpture and lettering. They tackle themes of reverie, introspection, nature, the Breton imagination and the stories of the ancients, which they try to modernize and in which they find themselves. in which they find themselves. Their creations perpetuate the taste for motif and symbolism of ancient embroiderers and cabinet-makers, the forms of sacred architecture, the country's thousand-year-old history and content with the force of the elements. The mystique of the landscapes in which they live their adventures also infuses their work, as does the spiritual atmosphere emanating from the many places and shrines. Following on from the collective work of the Seiz Breur, they dream of a general, original and profound artistic renewal that would be part of both an artistic quest for beauty and a search for oneself as a baker. as Breton men and women. For them, the Ar Seiz Avel event represents the concrete expression of what this could all be about, and enables them to share their distinctive universe with a wider public.

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