Null CHINESE BLUE AND WHITE PORCELAIN PLATE WITH A FIGURAL SCENE
marked on the b…
Description

CHINESE BLUE AND WHITE PORCELAIN PLATE WITH A FIGURAL SCENE marked on the bottom, probably 19th c. H: 3.3 cm, D: 16.5 cm

192 

CHINESE BLUE AND WHITE PORCELAIN PLATE WITH A FIGURAL SCENE marked on the bottom, probably 19th c. H: 3.3 cm, D: 16.5 cm

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Barrucand, VictorLe chariot de terre cuite. D'après la pièce du théatre indien attribuée au roi Soudraka. With 20 powerfully colored pochoir plates and an extra suite of plates by Leon Carré. Paris, H. Piazza 1921. 114 p., 2 vols. 2 w. Bll. Cl. folio. Softcover in OS slipcase. Carré, Leon Barrucand, Victor Le chariot de terre cuite. D'après la pièce du théatre indien attribuée au roi Soudraka. With 20 powerfully colored pochoir plates and an extra suite of plates by Leon Carré. Paris, H. Piazza 1921. 114 p., 2 vols. 2 w. Bll. Cl. folio. Softcover in OS slipcase. Monod 1034 - Carteret IV, 60: "Belle publication cotée". - Splendid luxury edition on Japan with decorative pochoir plates by Léon Carré. One of 135 Roman numbered copies of the special edition on "Japon imperial", with the extra suite of illustrations in black and white. Lavish and generous Art Déco print from the press of G. Kadar, Paris. The pochoirs powerfully colored using gold and silver pencil and strong tonality. Text printed in blue-green and black, each on a beige-yellow background, splendid intertitles, borders, vignettes, initials and panel borders in gold gilt by Léon Carré. Minimally loose, but binding tight. Slipcase somewhat rubbed. A good copy. With 20 powerfully colored pochoir plates and an extra suite of the plates. Folio. OBrochure. Gorgeous deluxe edition on Japan with decorative pochoir plates by Léon Carré. One of 135 Roman numbered copies of the deluxe edition on "Japon imperial", with the extrasuite of illustrations in black and white. Lavish and generous Art Déco printing from the press of G. Kadar, Paris. The pochoirs powerfully colored using gold and silver pencil, and strong tonality. Text printed in blue-green and black, each on a beige-yellow background, splendid intertitles, marginal borders, vignettes, initials and panel borders in gold money by Léon Carré. Minimally loosened, but binding tight. Slipcase somewhat rubbed. Good copy.

Donny, DésiréWanderer on the riverbank in the moonlight. Circa 1850. watercolor, heightened with oil paint in white, on blue wove paper. 12.9 x 18.5 cm. Signed. Mounted in spots under passepartout and framed under glass. - The oil paint with craquelure in places. Paper somewhat wavy due to mounting. Overall in very good condition. Atmospheric and finely worked out scene, which gains its charm through the adept combination of watercolor and oil paint. Belgium Donny, Désiré Wanderer on the riverbank in the moonlight. Circa 1850. watercolor, heightened with oil paint in white, on blue wove paper. 12.9 x 18.5 cm. Signed. Mounted in spots under passepartout and framed under glass. - The oil paint with craquelure in places. Paper somewhat wavy due to mounting. Overall in very good condition. Atmospheric and finely worked out scene, which gains its charm through the adept combination of watercolor and oil paint. Désiré Donny was a Flemish artist and representative of Flemish Romanticism. He studied at the academy in Bruges and lived in Brussels. In addition to genre scenes and marine paintings, he created numerous cityscapes, often depicting Brussels. Around 1839 he began to concentrate on scenes by night and moonlight. Watercolor, heightened with white oil paint, on blue wove paper. Signed. Mounted in spots under mat and framed under glass. - The oil paint with craquelée in spots. Paper a bit wavy due to mounting. At all in a very good condition. Atmospheric and finely worked out scene which gets its charm by the adept combination of watercolour and oil paint. - Flemish painter and representative of Flemish Romanticism. Donny was best known for his atmospheric scenes at moonlight.