Description
GRAND TOUR Set of pencil drawings made in Italy around 1840. Some enhanced with white chalk, mainly on tracing paper; mounted on sheet. They depict landscapes or architecture: - Galo halfway between Civitas Vecchia and Rome, 17.5 x 24.2 cm - Italian city, 17 x 44.5 cm - Via Appia porte Saint Sébastien in Rome, 22 x 35 cm, corners missing - Gracostasis, view of the city, 20.5 x 41 cm, three tears - Porta del grapolo, dated March 42, 20 x 35 cm - Rome taken from the Carthusian monks, dated 1842. 14 x 43.3 cm, accidents. - Porte Nomentano, 19.5 x 35 cm, two tears - Church of the Quatrosanti, dated March 2, 1842. 16.5 x 35 cm - Campo Vaccino, 18.5 x 34.8 cm - Courtyard of the Convent of the Sassionostes, Rome 1842, 12.5 x 19.9 cm, two missing pieces - Edge of the Tiber, April 3, 1842. 20.5 x 35 cm - Convent of Saint Bonaventure on Mount Palatine, Rome, Maris 1842. 25 x 35 cm - Saint John Lateran Gate, Rome 1842, 17.3 x 40.8 cm - Palm trees, 16.5 x 34.5 cm
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GRAND TOUR Set of pencil drawings made in Italy around 1840. Some enhanced with white chalk, mainly on tracing paper; mounted on sheet. They depict landscapes or architecture: - Galo halfway between Civitas Vecchia and Rome, 17.5 x 24.2 cm - Italian city, 17 x 44.5 cm - Via Appia porte Saint Sébastien in Rome, 22 x 35 cm, corners missing - Gracostasis, view of the city, 20.5 x 41 cm, three tears - Porta del grapolo, dated March 42, 20 x 35 cm - Rome taken from the Carthusian monks, dated 1842. 14 x 43.3 cm, accidents. - Porte Nomentano, 19.5 x 35 cm, two tears - Church of the Quatrosanti, dated March 2, 1842. 16.5 x 35 cm - Campo Vaccino, 18.5 x 34.8 cm - Courtyard of the Convent of the Sassionostes, Rome 1842, 12.5 x 19.9 cm, two missing pieces - Edge of the Tiber, April 3, 1842. 20.5 x 35 cm - Convent of Saint Bonaventure on Mount Palatine, Rome, Maris 1842. 25 x 35 cm - Saint John Lateran Gate, Rome 1842, 17.3 x 40.8 cm - Palm trees, 16.5 x 34.5 cm
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