A Bwa Flute, "mpiru"
Notch flute, "mpiru"
Bwa, Burkina Faso
Mit Sockel / with ba…
Description

A Bwa Flute, "mpiru" Notch flute, "mpiru" Bwa, Burkina Faso Mit Sockel / with base Wood. H 21,5 cm. Provenance: Jean David, Basel. Acquired in situ before 1991. Aerophones occur in many variations throughout Africa, whereby the regionally homogeneous forms allow clear geographical classifications. These popular instruments are played in very different ways depending on the occasion. Individually or in groups, e.g. as a signaling instrument, as a means of communication, for entertainment or ritually as accompanying instruments at initiations, weddings, births and funerals. The design of the African kerb flutes usually only allows two to three notes to be played at different intervals. Accompanied by other flutes, this creates complex monotonous melodies that are close in sound to the local languages. As a result, the nuanced tone sequences can be understood like spoken words according to common literature. Flutes are generally the personal property of men. They receive their first flute on the occasion of initiation, although they can also be purchased from carvers, made by the men themselves or received as a gift (e.g. when women are betrothed to men). The most common are notched flutes carved from wood with a cross hole, two or three finger holes and air vents. Less common are those made of ivory, bone or metal, as well as specimens that are supplemented with other materials such as leather. The almost invariably abstract forms often depict anthropo-zoomorphic hybrid creatures that combine female and male attributes. Worn as jewelry on hanging holes, the instruments are also status symbols and external signs of the owner's rank and affiliation. What is particularly attractive to collectors about these objects, which have been used for many years, is not only their good state of preservation but also the visible signs of wear and tear and the ideally dark brown to black, sometimes encrusted patina. Further reading: Brown, E. (1999). Turn up the Volume. Los Angeles: UCLA Fowler Museum of Cultural History. CHF 100 / 200 Condition: The condition (wear, eventual cracks, tear, other imperfections and the effects of aging etc. if applicable) of this lot is as visible on the multiple photos we have uploaded for your documentation. Please feel free to contact Hammer Auktionen for all questions you might have regarding this lot ([email protected]). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Hammer Auctions shall have no responsibility for any error or omission. In the rare event that the item did not conform to the lot description in the sale, Hammer Auktionen is here to help. Buyers may return the item for a full refund provided you notify Hammer Auktionen within 5 days of receiving the item. -------------------------------------------- The condition (possible wear, signs of use, cracks, possible other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

15 

A Bwa Flute, "mpiru" Notch flute, "mpiru" Bwa, Burkina Faso Mit Sockel / with base Wood. H 21,5 cm. Provenance: Jean David, Basel. Acquired in situ before 1991. Aerophones occur in many variations throughout Africa, whereby the regionally homogeneous forms allow clear geographical classifications. These popular instruments are played in very different ways depending on the occasion. Individually or in groups, e.g. as a signaling instrument, as a means of communication, for entertainment or ritually as accompanying instruments at initiations, weddings, births and funerals. The design of the African kerb flutes usually only allows two to three notes to be played at different intervals. Accompanied by other flutes, this creates complex monotonous melodies that are close in sound to the local languages. As a result, the nuanced tone sequences can be understood like spoken words according to common literature. Flutes are generally the personal property of men. They receive their first flute on the occasion of initiation, although they can also be purchased from carvers, made by the men themselves or received as a gift (e.g. when women are betrothed to men). The most common are notched flutes carved from wood with a cross hole, two or three finger holes and air vents. Less common are those made of ivory, bone or metal, as well as specimens that are supplemented with other materials such as leather. The almost invariably abstract forms often depict anthropo-zoomorphic hybrid creatures that combine female and male attributes. Worn as jewelry on hanging holes, the instruments are also status symbols and external signs of the owner's rank and affiliation. What is particularly attractive to collectors about these objects, which have been used for many years, is not only their good state of preservation but also the visible signs of wear and tear and the ideally dark brown to black, sometimes encrusted patina. Further reading: Brown, E. (1999). Turn up the Volume. Los Angeles: UCLA Fowler Museum of Cultural History. CHF 100 / 200 Condition: The condition (wear, eventual cracks, tear, other imperfections and the effects of aging etc. if applicable) of this lot is as visible on the multiple photos we have uploaded for your documentation. Please feel free to contact Hammer Auktionen for all questions you might have regarding this lot ([email protected]). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Hammer Auctions shall have no responsibility for any error or omission. In the rare event that the item did not conform to the lot description in the sale, Hammer Auktionen is here to help. Buyers may return the item for a full refund provided you notify Hammer Auktionen within 5 days of receiving the item. -------------------------------------------- The condition (possible wear, signs of use, cracks, possible other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

Auction is over for this lot. See the results

You may also like

A Senufo zoomorphic Mask Senufo, Burkina Faso Ohne Sockel / without base Holz, Raphia. H 136 cm. Provenienz: - Marcel Roux (1909-1993), Paris. - Erben Marcel Roux, Westschweiz. Die Senufo sind eine etwa 3 Millionen Menschen zählende Volksgruppe im Dreiländereck Côte d’Ivoire, Mali und Burkina-Faso. Vorwiegend in Dörfern ansässig, bildet die Landwirtschaft, früher im stärkeren Mass ergänzt durch die Jagd, die wirtschaftliche Grundlage der Ethnie. Das ausgeprägte Maskenwesen der Senufo ist eng mit verschiedenen Männerbünden verbunden, insbesondere mit dem Poro-Bund, der zentralen sozialen Institution der Senufo-Gesellschaft. Der hierarchisch aufgebaute Geheimbund ist verantwortlich für die Erziehung und Initiation der Jungen und Männer. Zudem spielt er eine entscheidende Rolle in allen spirituellen und religiösen Aspekten des Lebens und hält schliesslich die soziale Ordnung innerhalb der Gemeinschaft aufrecht. Das Maskenwesen der Senufo zeichnet sich durch eine grosse Vielfalt an Formen und Typen aus. Aufgrund der unvollständigen mündlichen Überlieferungen und der Schweigepflicht der Initiierten ist die genaue Zuordnung atypischer Exemplare, wie des vorliegenden, schwierig. Weiterführende Literatur: Förster, Till (1988). Die Kunst der Senufo. Zürich: Museum Rietberg. ----------------------------------------------------- Marcel Roux (1909 – 1993) Marcel Roux ist bekannt für seine bedeutenden Beiträge zur Architektur des frühen 20. Jahrhunderts in Frankreich, insbesondere im Bereich des sozialen Wohnungsbaus und der Modernisierung städtischer Strukturen. Roux studierte an der École des Beaux-Arts in Paris und arbeitete später eng mit renommierten Architekten wie Le Corbusier zusammen. Er war stark von der Moderne und den Prinzipien des Funktionalismus beeinflusst, was sich in seinen klaren, rationalen Entwürfen widerspiegelt. Seine Arbeit umfasste sowohl öffentliche als auch private Projekte, wobei er grossen Wert auf die Verbesserung der Lebensqualität durch architektonische Lösungen legte. Sein Interesse für Form und Gestaltung und die damit verbundene Leidenschaft für Kunst im Allgemeinen führten zu einer bemerkenswerten Sammlung afrikanischer Figuren und Masken sowie zahlreichen Freundschaften mit bekannten Sammlern und Kunsthändlern wie beispielsweise Charles Ratton. CHF 1 000 / 2 000 Gewicht in Gramm: 5200 Zustand: Unterkiefer nach Bruch mit Kabel fixiert. An der gleichen Stelle Reste von Leim. Ausbruch am oberen Maskenrand restauriert. (Siehe Fotos). -------------------------------- Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.