Null A Malinké Power Object
Power object
Malinké, Guinea and Mali
Ohne Sockel / …
Description

A Malinké Power Object Power object Malinké, Guinea and Mali Ohne Sockel / without base Horn, leather. H 42 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 100 / 200 Condition: The condition (wear, eventual cracks, tear, other imperfections and the effects of aging etc. if applicable) of this lot is as visible on the multiple photos we have uploaded for your documentation. Please feel free to contact Hammer Auktionen for all questions you might have regarding this lot ([email protected]). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Hammer Auctions shall have no responsibility for any error or omission. In the rare event that the item did not conform to the lot description in the sale, Hammer Auktionen is here to help. Buyers may return the item for a full refund provided you notify Hammer Auktionen within 5 days of receiving the item. -------------------------------------------- The condition (possible wear, signs of use, cracks, possible other impairments and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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A Malinké Power Object Power object Malinké, Guinea and Mali Ohne Sockel / without base Horn, leather. H 42 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 100 / 200 Condition: The condition (wear, eventual cracks, tear, other imperfections and the effects of aging etc. if applicable) of this lot is as visible on the multiple photos we have uploaded for your documentation. Please feel free to contact Hammer Auktionen for all questions you might have regarding this lot ([email protected]). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Hammer Auctions shall have no responsibility for any error or omission. In the rare event that the item did not conform to the lot description in the sale, Hammer Auktionen is here to help. Buyers may return the item for a full refund provided you notify Hammer Auktionen within 5 days of receiving the item. -------------------------------------------- The condition (possible wear, signs of use, cracks, possible other impairments and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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Set of 6 books on Chad and Sudan: 1. REIBELL (General Emile): Le commandant Lamy d'après sa correspondance et ses souvenirs de campagne (1858-1900). Algeria - Tunisia - Tonkin - Sahara - Congo - Madagascar - Sudan. With a heliogravure portrait and eleven maps accompanying the text. Second edition. Paris, Hachette et Cie, 1903. One volume. 15.5 by 24 cm. (6)-XVII-(1)-576-(3) pages + 11 folding maps h.t. Modern full cloth, basane title-piece on spine, inside front cover (soiled). False title stained. Otherwise a good copy. Portrait missing. 2. BARATIER (Colonel Albert-Ernest-Augustin): A travers l'Afrique. Crowned work by the Académie française. Illustrated after drawings by Gaston de Burggraff, photographs, maps and sketches by the author. Paris, Arthème Fayard & Cie, s.d. [ca 1910]. One volume. 18 by 27 cm. 1 portrait-206-(1) pages. Contemporary red half cloth with corners. Wear to edges, endpaper trimmed to remove old ownership. Two leaves slightly damaged at corner tip, small stain on one page-lower margin of 2 ff. slightly damaged (lower corner tip) but not missing, small blue ink stain on p. 179, very small wetness in upper margin of last 20 leaves. In-text illustrations, including 21 full-page illustrations and 6 maps. First edition. Numa Broc, Les explorateurs français. Afrique, p. 15. In June 1895, the author took part in the "Congo-Nil" expedition, commanded by Captain Marchand, with whom he had befriended. 3. LENFANT (Commandant Eugène): La grande route du Tchad. Mission de la Société de géographie. Preface by M. Le Myre de Vilers. Introduction by Maurice Albert. Paris, Hachette et Cie, 1905. One volume. 16 by 25 cm. 1 portrait-(6)-XIV-(2)-287-(1) pp. + 1 folding map h.t. in color. Contemporary red half-basane with corners, 5-rib spine, gilt head. Small tear on one nerve, otherwise very good condition. In-text illustrations, including 27 plates and a map. N. Broc, Dict. illustré des explorateurs français du XIXe siècle. Afrique, pp. 199-201. "In 1902, Lenfant was entrusted with a new mission [...]. The aim of the expedition was to find an easier, faster and more economical route to Chad than the Ubangi and Congo routes". (N. Broc). Richly illustrated with reproductions of photographs. 4. CASATI (Gaetano): Ten years in Equatoria. The return of Emin Pacha and the Stanley expedition. Translated with the author's permission by Louis de Hessem and enriched with 170 engravings and 4 maps. Paris, Firmin-Didot et Cie, 1892. One volume. 17.5 by 27 cm. 1 portrait-XI-(1)-498 pp. + 4 maps h.t. (3 on double page) + 66 plates. Contemporary red half-chagrin with corners, 5-rib spine, gilt head. Worn edges, otherwise very good condition. In-text illustrations. First edition in French. Italian explorer whose work, "a mine of information of the highest value, corroborates, explains or invalidates on various points the famous works of Stanley and Mounteney Jephson". (A. de Claparède, Le Globe, revue genevoise de géographie 1902, vol. 41). 5. KLOBB (Colonel Jean-François-Arsène): Dernier cahier de route. French Sudan. Official report by Governor Bergès on the end of the Klobb mission. Preface by Jules Lemaitre. Paris, Ernest Flammarion, s.d. [1905]. One volume. 10.5 by 17.5 cm. (4)-VIII-292-(1) pages. Contemporary red bradel percaline. References in blue pencil and pen on title page, otherwise very good condition. First edition. Paule Brasseur, Bio-bibliographie générale du Mali, n° 3305. Lieutenant-Colonel Klobb stayed in Timbuktu, then was sent in search of the Voulet-Chanoine expedition, famous for the cruelty of the massacres it perpetrated. Voulet and Chanoine, joined by Klobb, opened fire and Klobb was killed. 6. PÉROZ (Etienne): Au Soudan français. Souvenirs de guerre et de mission. Paris, Calmann Lévy, 1889. One volume. 13 by 21 cm. (6)-467 pp. + 3 maps on 1 folding f. h.t. Contemporary half-chagrin, 5-rib spine nicely decorated, ex. de prix de la Ville de Paris. Scattered brown spots, endpaper missing. First edition. Paule Brasseur, Bibliog. générale du Mali 3191. "Account of the mission led by Captain Péroz in 1886-87, which led to the treaty signed with Samori at Bissandougou. Historical reminder of the 3 previous campaigns, particularly when Péroz commanded Niagassola." (P. Brasseur).

CANDIDA HÖFER (Germany, 1944). "Deutsche Oper am Rhein Düsseldorf," 2012. Photograph, c-print, copy 97/100. Signed and numbered on the back. Measurements: 30 x 45.5 cm; 48 x 63 cm (frame). "Deutsch Oper am Rhein Düsseldorf" is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consists of a selection of photographs taken in public places throughout the country. Characteristic of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on cultural spaces free of human presence. The self-imposed thematic constraints evident in her project are both cultural and formal in nature. The baroque, modern and contemporary interiors that Höfer captures through her lens offer a "formal portrait of the social itself," as it has been defined in Europe since the Enlightenment. Candida Höfer began her career in 1968 working as a portrait photographer for various newspapers and, from 1970, as an assistant to Werner Bokelberg. Later, between 1973 and 1982, she attended the Kunstakademie Düsseldorf, first studying film with Ole John, and later photography with Bernd Becher. Together with Thomas Ruff, Höfe was Becher's first student to use color photography, showing her work in slide form. She began making her famous interiors of public buildings in 1979, still during her student period. Eventually fame would come to him thanks to his series of photographs focusing on the lives of immigrant workers in Germany. Höfer's work is part of the tradition of German photographers directly inherited from the conceptual aesthetics and the teachings of Bernd and Hilla Becher from the Kunstakademie in Düsseldorf, who readapted the original project of the New Objectivity to adopt a unique way of facing the world. Following the working method initiated by their teachers, their photographs show an almost ethnographic interest in the multiplicity of forms of representation of contemporary culture, relating in a very particular way to the scenarios where society moves and knowledge develops. Höfer's are interiors of buildings, preferably for public use such as museums, churches, theaters or opera houses, archives and libraries, which are photographed when they have ceased all activity and are empty. Specializing in large formats, her photographs are taken from a classic frontal angle, or they seek a sharp diagonal that organizes the composition. The artist tends to photograph her scenes from a high viewpoint, so that the wall in the background is centered in relation to the final image. She held her first solo exhibition in 1975 at the Konrad Fischer Gallery in Düsseldorf. Since then, Höfer's work has been exhibited in leading museums around the world, such as the Kunsthalle in Basel, Hamburg and Bern, the Louvre in Paris, the Portikus in Frankfurt am Main, the MoMA in New York, the Power Plant in Toronto, the Kunsthaus in Bregenz, the Ludwig Museum in Cologne or, in our country, at the Museum of Contemporary Art in Vigo. Likewise, in 2002 he participated in Documenta 11, and in 2003 he represented Germany at the Venice Biennale, together with Martin Kippenberger. On the other hand, between 1997 and 2000 she combined her artistic practice with teaching, which she did at the Hochschule für Gestaltung in Karlsruhe. She is currently represented at the Guggenheim Museum in New York, the Hamburger Banhof in Berlin, the Kunsthalle in Nuremberg, the Museum of Modern and Contemporary Art in Trento, the Museum of Contemporary Photography at Columbia College in Chicago, the Fundación Telefónica in Madrid and the Philadelphia Museum of Art, among other public and private collections.

Ullán, José-MiguelAnular. Mit fünf Original-Radierungen, davon vier signiert und eine als Umschlag, sowie zahlr. graphischen Arbeiten von Antoni Tàpies. Paris, Éditions R.L.D., 1981. 4°. Leporello, lose in ill. OUmschlag. In OPp.-Chemise und OPp.-Schuber. Tàpies, Antoni Ullán, José-Miguel Anular. Mit fünf Original-Radierungen, davon vier signiert und eine als Umschlag, sowie zahlr. graphischen Arbeiten von Antoni Tàpies. Paris, Éditions R.L.D., 1981. 4°. Leporello, lose in ill. OUmschlag. In OPp.-Chemise und OPp.-Schuber. Galfetti, 823-827. - Eines von 35 nummerierten Exemplaren (GA 150), hier jedoch ohne die im Druckvermerk angekündigte Suite. Von Ullán signiert. Alle Seiten des Buches sind illustriert, wobei sich die Typographie mit den Illustrationen vermischt, einige Seiten mit Ausschnitten, einige Blätter absichtlich zerrissen oder verbrannt. Tàpies maß dem Buch als Medium eine besondere Bedeutung bei und erachtete es als eigenständige Kunstform. In Anular verwandelt die aufwändige Herstellungsprozess das Buch in ein wahrhaftiges, bibliophiles Kunstobjekt. Gedruckt auf Vélin Richard de Bas und auf Arches für den Einband. Druck der Radierungen im Atelier Morsang, Paris. - Einige Bll. mit leichtem Abklatsch der Graphiken. Sehr gutes Exemplar mit unikatärem Charakter. With five original etchings, four of them signed and one on wrappers, and numerous graphic works by Antoni Tàpies. Leporello, loose in ill. orig wrappers. In orig. paper chemise and slipcase. - One of 35 numbered copies (total ed. 150), but here without the suite announced in the imprint. Signed by Ullán. All pages of the book illustrated, with typography intermingled with the illustrations, some pages with cut-outs, some leaves deliberately torn or burnt. Tàpies attached special importance to the book and considered it an art form in its own right. In Anular, the elaborate production process transforms the book into a true, bibliophile art object. Printed on Vélin Richard de Bas and on Arches for the wrappers. Etchings printed in the Atelier Morsang, Paris. - Some fol. with slight rubbing off of the engravings. Very good copy with unique character. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.