Null Antique tin box Valentine's crystallized Pineapple 1895, AA. Vantine & Co, …

Description

Antique tin box Valentine's crystallized Pineapple 1895, AA. Vantine & Co, Broadway, New York, dimensions approx. 14.5 x 8 x 3.5xm, rare collector's item Internal no. A0170300033

1453

Antique tin box Valentine's crystallized Pineapple 1895, AA. Vantine & Co, Broadway, New York, dimensions approx. 14.5 x 8 x 3.5xm, rare collector's item Internal no. A0170300033

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Estim. 150 - 200 EUR

[MUSSET, Alfred de] Gamiani ou Deux nuits d'excès. By Alcide, baron de M***. Lunéville Kteisvit [i.e. Bruxelles, J. Gay ou A. Brancart; or Paris, H. Doucé (impr. E. Lhoest) c. 1883] In-12; 10 h.-t. (slight russeting, some soiling on margins, slight light wetness on plates probably due to coloring, tear restored without loss to one plate). Contemporary brown half-chagrin with corners, marbled paper boards set with gilt fillets, gilt spine ribbed with gilt fleurons, gilt t. (slight wear to headpieces, nerves and corners). 10 plates, including 2 fronts, printed on chine and finely enhanced with watercolors. The name of the imaginary publisher combines the Greek "ctéis", a word used by ancient authors to designate a woman's sex, and French. Title adorned with a vignette depicting a faun and a nymph, often used by Gay and Doucé. Ex. on "VG" watermarked laid paper. Ref. Pia 564 (does not mention the plates and dates the ed. "apparently [...] between 1895 and 1900, i.e. after the period of activity of Gay et Doucé"). - Perceau 16-23. - Dutel 345, 345bis. Prov. Philip, in Japanese characters (stamp). Joint, another ed. of the same work: Bruxelles, s.n., 1896 [i.e. c. 1940]. In-16 (slight browning to false title). Br. in pink embossed paper covers (spine slightly faded). Ref. Dutel 1651 (2 vols.)

Estim. 3 400 - 5 000 EUR

Scriptores astronomici veteres,

Estim. 2 500 - 3 000 EUR

JOAQUÍN PALLARÉS ALLUSTANTE (Zaragoza, 1853 - 1935). "Interior scene". Oil on canvas. Presents restorations in the frame. Signed in the lower right corner. Measurements: 28 x 36.5 cm; 68 x 74 cm (frame). This genre of paintings, called "de casacones", was one of the most demanded by the public during the XIX century. They were genre scenes set in the seventeenth and eighteenth centuries, and their name comes from the jackets worn by the male protagonists. Joaquín Pallarés began his training at the School of Fine Arts in Zaragoza, where he was a disciple of Antonio José Palao Marco. He continued his studies at the Escuela Especial de Pintura in Madrid, under the tutelage of Vicente Palmaroli and Pablo Gonzalvo. He furthered his training in Paris, where he remained until his move to Rome in 1881. On his return, in 1886, he was appointed professor of Ancient Drawing at the School of Fine Arts in Zaragoza, as well as curator of the Museum of Antiquities. In 1897 he left these positions to move again to Paris, hired by Adolphe Goupil, one of the most prominent art dealers of the time. In 1906 he returned to Spain, settling first in Barcelona and finally, during his last years, in Zaragoza. Pallarés Allustante regularly attended the National Exhibitions of Fine Arts in Madrid, winning third medals in 1895 and 1900. He acquired a great reputation as a painter of precious canvases of fortunyana heritage, and even King Alfonso XII came to acquire, in 1881, a work entitled "A Roman shepherd". He is represented in the Prado Museum and in the Museum of Modern Art in Madrid, as well as in important foreign galleries. It presents restorations in the frame.

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