Null Raymond Loewy
Storyboard Image 
Skylab, Nasa Projects, ca. 1970
Original in…
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Raymond Loewy Storyboard Image Skylab, Nasa Projects, ca. 1970 Original ink drawing, 355x435 mm, Loewy label on mount recto, annotations, verso

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Raymond Loewy Storyboard Image Skylab, Nasa Projects, ca. 1970 Original ink drawing, 355x435 mm, Loewy label on mount recto, annotations, verso

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MARIA ACHA-KUTSCHER ( Lima, Peru, 1968). Untitled. 2019. Series "Womankind". Pigmented inks on Hahnemühle Photo Rag Baryta paper, 315 gr. With label from Taller Digigráfico de Madrid. Sizes: 41,5 x 30 cm; 62 x 50 cm (frame). As the artist herself explained in an interview in "Elemmental" about this series: "Womankind is an intertextual work, full of quotations from works of art, photography, film, literature and the memory of political struggle. In all the photographic collages of this project, women occupy a central place, not as objects of contemplation, but as protagonists of their own history. It is therefore crucial that the images are plausible, in order to construct a large archive of fictional documents". By combining archival images and collage, Acha-Kutscher claims an autonomous place for women, a place that was stolen from them. María Acha-Kutscher is a Peruvian feminist visual artist based in Spain. She is co-director with Tomás Ruiz-Rivas of the experimental project Antimuseo. She studied at the Faculty of Fine Arts of the Pontificia Universidad Católica del Perú. After finishing her studies in 1991 she moved to Mexico City, where she worked as an art director in advertising agencies. This experience as a designer has been crucial for the realisation of her artistic-militant work. In 2001 she moved to Madrid and became involved in the alternative contemporary art scene through her partner Tomás Ruiz-Rivas. Her work vindicates and makes feminism visible. Since 2010, Acha-Kutscher has focused on three long-term projects: Womankind, Indignadas and Herstorymuseum. Womankind consists of several series of digital photographic collages, created from archival images, from the internet, magazines, books and photographs taken by the artist. Among her most recognised series is Indignadas, which belongs to the project for the recovery of women's historical memory, Mujeres Trabajando para Mujeres" (Women Working for Women). Her latest project is Herstorymuseum, an imaginary museum that, through its collection and a curatorial programme, develops a rhizomatic and non-hierarchical narrative of women creators of the 20th century. Its collections are made up of images based on a visual language close to the pictogram, in which only two spots of colour are used. The exhibitions are held in public spaces, art centres, galleries and also on its website. The exhibitions establish relationships between different women artists and works, thus developing a different narrative from the official art history.16 Herstorymuseum is a member of the International Association of Women's Museums (IAWM). Acha-Kutscher has shown her work at Museo Nacional Centro de Arte Reina Sofía (MNCARS), Centro de Arte Dos de Mayo (CA2M), Centro Gallego de Arte Contemporáneo (CGAC), La Virreina Centre de la Imatge, The Fed Galleries @ KCAD (USA), M.A.C.L.A. (USA), Haifa Museum of Art (USA), Haifa Museum of Art (USA) and the Museum of Contemporary Art (USA).), Haifa Museum of Art (Israel), International Museum of Woman-IMOW, Galería - Centro Cultural de la Universidad de Lima (Peru), Centro Cultural Inca Garcilaso (Peru), Centro de la Imagen (Mexico), Foto Museo Cuatro Caminos (Mexico) Fototeca Nuevo León (Mexico), among others. In Spain at CentroCentro, Museo de la Universidad de Alicante-MUA, Centro de Arte Contemporáneo Caja de Burgos, Museo de Arte Moderno y Contemporáneo de Santander and Cantabria-MAS, among others. He has also participated in contemporary art fairs such as Zona Marco (Mexico City). And in Madrid in the fairs ARCO, Estampa, Madrid Photo, ArteSantander, Munich Contemplo, in his country of origin Peru in the fairs Art Lima and Lima Photo.

SEBASTIAO SALGADO (Aimorés, Brazil, 1944). From the series "Brazil", 1980-1983. Gelatin silver print. Photographer's credit in the margin. Signed, dated and annotated in pencil; artist's stamp (on verso). Provenance: Coolidge private collection, New York. Measurements: 34.5 x 52 cm (image); 51 x 61 cm (paper). Sebastião Salgado's photographs taken in Brazil between 1980 and 1983, especially those that focus on the feet of rural workers, are powerful testimonies to the human connection to the land, labor, and daily struggles. Through his lens, Salgado has succeeded in capturing the dignity and humanity of his subjects, creating images that resonate deeply with the viewer and continue to have a lasting impact. Sebastião Salgado is a Brazilian socio-documentary photographer and photojournalist. He has traveled to over 100 countries for his photographic projects. Most of these have appeared in numerous publications and books. Traveling exhibitions of his work have been shown around the world. Gallery owner Hal Gould considers Salgado the greatest photographer of the early 21st century. He has received numerous international awards, including the 1998 Prince of Asturias Award for the Arts3 and the W. Eugene Smith Award for Humanitarian Photography. Eugene Smith Award for Humanitarian Photography4 in 1982. He came to the field of photography relatively late, having previously trained and worked as an economist. In his career as a photographer he started working for the Paris-based Gamma agency and then joined Magnum Photos in 1979. In 1994 he left Magnum to form his own agency Amazonas Images in Paris to represent his work. Salgado belongs to the tradition of socio-documentary photography: his work highlights the documentation of the work of people in less developed countries or in poverty. In 2001 he was nominated special representative of Unicef for his work. He works on his own long-term projects, some of which have been published in books such as "Otras Américas" or "Éxodos". Among his best known photographs are those taken in the gold mines of Serra Pelada in Brazil. He usually photographs in black and white with Leica. In 1989 he received the Hasselblad Foundation International Award. In June 2007, after receiving the Prince of Asturias Award for the Arts, there was a large anthological exhibition of his work at the PHotoEspaña international festival in Madrid, where he won the Audience Award. While Sebastião Salgado's fame grew in the world of photography, being part of the Magnum agency, his wife Lélia Wanick worked as editor of his works to publish them in books and exhibitions. In the 1990s they both decided to return to Minas Gerais, Brazil, to receive from Sebastião's family a totally devastated, eroded and dry field. In 1998 they formed the Terra Institute and with Lélia as president of the project, they began to reforest the land. With more than 4 million seeds of native species raised by them, they completely reforested the Bulcao Farm with its original flora, giving life to an emblematic and hopeful project for the whole world. Published books: GOLD (2020), Genesis (2013), Exodus (2000), The Gold Mine of Serra Pelada (1999), Terra (1997), Trabalhadores (1996), The Hand of Man (1993), Sahel: l'Homme en Détresse, Prisma Presse and Centre National de la Photographie, for Médecins sans frontières, France (1986), Other Americas (1986), Les Hmongs, Médecins sans frontières, Chêne/Hachette, Paris (1982).

Space-Coins.com (3) Limited Edition Medallions (Attested as Embedded with Flown Material) Attractive set of three limited edition medallions released by Space-Coins.com, which attests that each medallion contains flown material from various NASA missions, including: Bronze-tone medallion with material from Apollo missions 11 through 17, 2.75″ in diameter, 112 gm, numbered 495/500, with the center containing “Material Flown Aboard the Apollo Mission Named in Each Section,” which are identified by attractive raised mission insignia designs, and the domed reverse bears a lunar map and mission landing sites. Bronze-tone medallion with material from missions related to NASA programs Mercury, Gemini, Apollo, Skylab, Space Shuttle, ISS, and the Commercial Crew Program, 2.75″ in diameter, 87 gm, numbered 495/1000, with the center containing “Material Flown on a Mission of the Program Named in Each Section,” which are identified by attractive raised program insignia designs, the domed reverse bearing raised space images and NASA, and the edge marked “NASA - 60th Anniversary - Human Spaceflight Milestones.” Gold-tone medallion with material carried aboard all six of the Space Shuttle Orbiters, 2.5″ in diameter, 74 gm, numbered 495/981, with the center containing “Material Flown Aboard the Space Shuttle Named in Each Section,” which are identified by attractive raised spacecraft designs, the reverse featuring an embossed Space Shuttle lifting into space, with blue border encircled with text: “The Space Shuttle Program, 30 Years of Space Exploration.” Each medal is accompanied by its certificate of authenticity.