Null COTTON 250 Coursifiée
1966/1968

Engine: TELSTAR 2-stroke 250 cm3 engine. 3…

Description

COTTON 250 Coursifiée 1966/1968 Engine: TELSTAR 2-stroke 250 cm3 engine. 35 hp, AMAL Ø 38 carburetor. Gearbox: 6-speed, chain transmission. Mileage: No odometer. Registration document: None. Condition: 1996 British champion complete racing motorcycle, Classic Racing Motorcycle Club.

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COTTON 250 Coursifiée 1966/1968 Engine: TELSTAR 2-stroke 250 cm3 engine. 35 hp, AMAL Ø 38 carburetor. Gearbox: 6-speed, chain transmission. Mileage: No odometer. Registration document: None. Condition: 1996 British champion complete racing motorcycle, Classic Racing Motorcycle Club.

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Estim. 20 - 40 EUR

Set of 9 studies on Balzac: Alain, Reading Balzac. Laboratoires Martinet, 1935. Cazauran, "Sur Catherine de Médicis" by Honoré de Balzac. Collection de l'ENS de jeunes filles, 1976. Ponceau, Paysages et destins balzaciens. Paris, Myrte, 1950. Métadier, Balzac homme politique. L'Harmattan, 2006. Vouga, Balzac malgré lui. José Corti, 1957. Giraudoux, Le film de la duchesse de Langeais d'après la nouvelle de Balzac. Grasset, 1942, illustrations by Laglenne. Ki Wist, Les manuscrits de premier jet de Honoré de Balzac. Henriquez, 1964. 2 volumes in common cover. Lot of 12 studies on Balzac: Le Breton, Balzac l'homme et l'oeuvre. Boivin, sd. Faguet, "En lisant les beaux vieux livres". Extract from his 1911 book. Favre, Balzac et le temps présent. Flammarion, 1888. Demi-basane. Faguet, Dix neuvième siècle, études littéraires. Société française d'imprimerie et de librairie, 1900. Half-percaline. Neefs, Balzac, l'éternelle genèse. Manuscrits modernes, 2015. Brunetière, Etudes critiques sur l'histoire de la littérature française. Hachette, sd, seventh series. Dédéyan, Le faustisme romantique de Balzac. Revue des lettres modernes, n°39, Autumn 1958. Pommier, Créations en littérature. Hachette, 1955. Copy with dispatch to the writer André Maurois. Myrdal, Balzac und der Realismus Essays. Bucherei Oberbaum, 1978. Janis Glasgow, Une esthétique de comparaison - Balzac et George Sand. Nizet, 1978. Wedmore, Balzac. London, Walter Scott, 1890. Claudia Schmölders, über Balzac. Diogènes, 1977. Set of 9 studies on Balzac: Barny, Etudes textuelles 3. Volume 63, 1993, 5 texts on Balzac. Pommier, Créations en littératures. Hachette, 1955. Evans, Louis Lambert et la philosophie de Balzac. José Corti, 1951. Chardon, Expliquez-moi Balzac (2 Balzac). Foucher, 1962. Voivenel, Autour des femmes et l'amour. Raoul Lion, 1950. Copy enriched with a letter to Dr. Moynier. Ingrid Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie humaine. Romanistischer Verlag, 1995. Garnand, The influence of Walter Scott on the works of Balzac. NY, Octagon books, 1971. Weigand, Stendhal und Balzac, essays. Leipzig, Im Inselverlag, 1911. [autographs by Bardèche] Set of 15 studies on Balzac: Balzac et l'Italie. Paris, Des Cendres, 2003. Lucey, Les ratés de la famille - Balzac et les formes sociales de la sexualité. Paris, Fayard, 2008. Guise, Balzac. Nancy, Presses universitaires, 1994. Adamson, The genesis of Le Cousin Pons. Oxford university press, 1966. Swahn, Balzac et le merveilleux - étude du roman balzacien 1822-1832. Lund University press, 1991. Surville, Balzac, sa vie et ses oeuvres. Paris, librairie nouvelle, 1858. Bérard, La genèse d'un roman de Balzac - Illusions perdues 1837 - du manuscrit à l'édition. Paris, Colin, 1961. Affron, Patterns of failure in La Comédie humaine. Yale university press, 1966. Prendergast, Balzac - Fiction and Melodrama. Edward Arnold, 1978. Vanoncini, Figures de la Modernité. Paris, Corti, 1984.

Starting price 2600 USD

John, JonstonNaeukeurige Beschryving van de Natuur des Vier-voetige Dieren, Vissen en Bloedlooze Water-Dieren, Vogelen, Kronkel-Dieren, Slangen en Draken. 6 parts in 1 vol. With 250 copper plates and 3 engraved allegorical title pages. Amsterdam, J. J. Schipper, 1660. 5 vols, 194 p., 3 vols, 179 p., 56 p., 181 p., 1 leaf, 3 vols, 152 p., 39 p. Fol. Blind embossed pgt. d. Zt. with RTitel u. fragment. R-plate, 2 cotton clasps (these defective, V-joint cracked, spine cover detached (but binding tight), bumped and stained). Zoologie John, Jonston Naeukeurige Beschryving van de Natuur des Vier-voetige Dieren, Vissen en Bloedlooze Water-Dieren, Vogelen, Kronkel-Dieren, Slangen en Draken. 6 parts in 1 vol. With 250 copper plates and 3 engraved allegorical title pages. Amsterdam, J. J. Schipper, 1660. 5 vols, 194 p., 3 vols, 179 p., 56 p., 181 p., 1 leaf, 3 vols, 152 p., 39 p. Fol. Blind embossed pgt. d. Zt. with RTitel u. fragment. R-plate, 2 cotton clasps (these defective, V-joint cracked, spine cover detached (but binding tight), bumped and stained). Nissen ZBI, 2136 (with faulty collation of the plates). - Cf. Nissen IVB, 461 (for the Latin edition). - Zimmer 341 - First Dutch edition. - Important work of natural history, the plates show quadrupeds, fish, crustaceans, birds, insects as well as snakes and dragons. - The endpapers renewed, title page renewed using the original engraved title. Title page renewed, 1 leaf with erased ownership note, some leaves detached from binding, lower inner edge with moisture stain (mostly very inconspicuous). Only slightly browned. Overall a very well-preserved and clean copy, the plates with pronounced ridge effect and strong contrast. Zoology - 6 parts in 1 vol. With 250 cooper plates a. 3 engraved allegorical title pages. Cont. vellum binding with title a. label on spine, 2 closing ribbons (these defective, front joint burst, spine cover loosened (binding however firm), bumped and soiled). - First Dutch edition. - Important work on natural history, the plates show quadrupeds, fish, crustaceans, birds, insects as well as snakes and dragons. - The endpapers renewed, title-page renewed with use of the original engraved title, 1 leaf with erased ownership-note, a few pages loosened from the binding, lower inner edge with moisture stain (mostly very inconspicuous). Only a little browned. Overall very well preserved and clean copy, the filigree plates with pronounced burr effect. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 240 USD

Les Français. Les peintres témoins de leur temps. Musée Galliera. With 2 signed original etchings by Jean Cazou and 56 signed prints after drawings by Grau-Sala, Weisbuch, Bezombes, Brayer, Toffoli Paris, 1966. Folio. Loose quires in OChemise in OS slipcase. (Slipcase rubbed, slightly soiled and somewhat scuffed). Cazou, Jean et al. Les Français. Les peintres témoins de leur temps. Musée Galliera. With 2 signed original etchings by Jean Cazou and 56 signed prints after drawings by Grau-Sala, Weisbuch, Bezombes, Brayer, Toffoli Paris, 1966. folio. Loose quires in OChemise in OS slipcase. (Slipcase rubbed, slightly soiled and somewhat scuffed). One of 150 copies. - Lavish bibliophilic press print on the occasion of their XVth exhibition at the Musée Galliera, 1966 - Among the 56 painters or sculptors: Yves Brayer, Aristide Caillaud, Carzou, Jean Commère, Marcel Gili, Grau-Sala, Moretti, etc. The original texts are by Barjavel, Jean Dutourd, Robert Escarpit, René Etiemble, René Fallet, Albert Memmi, Vercors, etc. - Includes: extra folder with the exhibition poster. Well preserved. With 2 signed original etchings by Jean Cazou and 56 signed prints after drawings by Grau-Sala, Weisbuch, and others. One of 150 copies. - Lavish bibliophile press print on the occasion of their XV exhibition at the Musée Galliera, 1966. - Among the 56 painters or sculptors: Yves Brayer, Aristide Caillaud, Carzou, Jean Commère, Marcel Gili, Grau-Sala, Moretti, etc. The original texts are by Barjavel, Jean Dutourd, Robert Escarpit, René Etiemble, René Fallet, Albert Memmi, Vercors, etc. - Included: extra folder with the exhibition poster. Well preserved.

Estim. 400 - 600 EUR

John Huston (2) Documents Signed for A Farewell to Arms DS, eleven pages, 8.5 x 11, December 20, 1956. Agreement between John Huston and The Selznick Company for employment "as a director, in directing and...otherwise assisting in the production and creation of our motion picture entitled 'A Farewell to Arms,'" for the sum of $250,000. Signed at the conclusion in ink by John Huston, and countersigned by a Selznick representative. Includes a second DS, three pages, April 16, 1957, in which they mutually agree to terminate the contract, also signed at the conclusion in ink by Huston, as well as a carbon copy of a legal letter pertaining to the employment agreement and the payment of Huston's expenses. All are stapled together into a brown paper folder. In fine condition. For many years, David O. Selznick had wanted to film an adaptation of Ernest Hemingway's novel A Farewell to Arms, but Warner Bros. owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Bros. bought the remake rights to A Star is Born, to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to Star in exchange for the rights to Farewell, and Warner Bros. agreed. It was to be Selznick's first film in four years. On October 25, 1956, Selznick contacted director John Huston and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed. Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project.

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