Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual preparation …
Description

Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual preparation of a ray, prepared to resemble a mummified, humanoid sea creature, mounted on a black wooden base. Height: approx. 50 cm. These dried and prepared specimens from the ray family (Rajiformes), also known as Jenny Hanivers, are supposed to represent supposed sea creatures, but have in fact been transformed by human hands into grotesque devil figures, angels or dragons. Originally, Antwerp sailors probably made these figures to earn extra money by selling them. The name is probably derived from the French jeune d'Anvers (girl from Antwerp), which was then personalized by British sailors to Jenny Haniver. The earliest known depiction of a Jenny Haniver can be found in the 1558 edition of Conrad Gessner's Historia Animalium, but it can probably also be traced back to the early Middle Ages. Some ufologists also identify her as an extraterrestrial being. An almost identical example can be found in the Collezione Alesandro Orsi, Villa Ca'Mera near Varese in Italy, illustrated in: Listri, Massimo, Cabinet of Curiosities, Das Buch der Wunderkammern, Taschen 2020, page 349. An unusual chimera or mermaid. Anvers/Belge dated 1869, a cartilaginous preparation, the mummified, mutilated carcass of a ray that was modified to resemble a monstrous, vaguely humanoid creature, mounted on ebonized wooden base. Height c. 50 cm.

753 

Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual preparation of a ray, prepared to resemble a mummified, humanoid sea creature, mounted on a black wooden base. Height: approx. 50 cm. These dried and prepared specimens from the ray family (Rajiformes), also known as Jenny Hanivers, are supposed to represent supposed sea creatures, but have in fact been transformed by human hands into grotesque devil figures, angels or dragons. Originally, Antwerp sailors probably made these figures to earn extra money by selling them. The name is probably derived from the French jeune d'Anvers (girl from Antwerp), which was then personalized by British sailors to Jenny Haniver. The earliest known depiction of a Jenny Haniver can be found in the 1558 edition of Conrad Gessner's Historia Animalium, but it can probably also be traced back to the early Middle Ages. Some ufologists also identify her as an extraterrestrial being. An almost identical example can be found in the Collezione Alesandro Orsi, Villa Ca'Mera near Varese in Italy, illustrated in: Listri, Massimo, Cabinet of Curiosities, Das Buch der Wunderkammern, Taschen 2020, page 349. An unusual chimera or mermaid. Anvers/Belge dated 1869, a cartilaginous preparation, the mummified, mutilated carcass of a ray that was modified to resemble a monstrous, vaguely humanoid creature, mounted on ebonized wooden base. Height c. 50 cm.

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Adrien De Braekeleer, attr, Two genre scenes including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. including a view of a Dutch interior, with three elderly men at a table, served by a young maid, furthermore an idyllic backyard scene with people teasing each other and gentlemen having a snack at an improvised table, poetic, finely glazed genre painting, oil on panel, each signed lower left partly indistinctly "A. De Braekeleer" and each probably dated "1852", each with brand stamp "L.C. Gerardts - Anvers [Engl.: Antwerp]" on the reverse of the painting plate and once with old freight label "von Bremen nach Leipzig", old retouches, somewhat in need of cleaning, framed as counterparts in stucco frames of the period which have been subsequently rebronzed (rest.bed.), rebate dimensions approx. 33 x 26 cm. Artist info: actually Ferdinand Norbertus Adrianus De Braekeleer, also Adriaan or Adriaen, Belgian genre painter (1818 Antwerp to 1904 Antwerp-Borgerhout), initially trained and worked as a merchant, later turning to painting and pupil of his uncle Ferdinand de Braekeleer the Elder (1792-1883), influenced by the history painting of Hendrik Baron Leys (1815-1869), who, as the brother-in-law of his teacher Ferdinand de Braekeleer the Elder, worked in his studio for a time, organised various exhibitions in Antwerp, Nijmegen, Rotterdam, The Hague and Ghent, active in Antwerp, source: Thieme-Becker, Bénézit, Müller-Singer, Wurzbach, Müller-Klunzinger, Boetticher, Seubert as well as French. and Dutch Wikipedia.