Null Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual prepara…
Description

Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual preparation of a ray, prepared to resemble a mummified, humanoid sea creature, mounted on a black wooden base. Height: approx. 50 cm. These dried and prepared specimens from the ray family (Rajiformes), also known as Jenny Hanivers, are supposed to represent supposed sea creatures, but have in fact been transformed by human hands into grotesque devil figures, angels or dragons. Originally, Antwerp sailors probably made these figures to earn extra money by selling them. The name is probably derived from the French jeune d'Anvers (girl from Antwerp), which was then personalized by British sailors to Jenny Haniver. The earliest known depiction of a Jenny Haniver can be found in the 1558 edition of Conrad Gessner's Historia Animalium, but it can probably also be traced back to the early Middle Ages. Some ufologists also identify her as an extraterrestrial being. An almost identical example can be found in the Collezione Alesandro Orsi, Villa Ca'Mera near Varese in Italy, illustrated in: Listri, Massimo, Cabinet of Curiosities, Das Buch der Wunderkammern, Taschen 2020, page 349. An unusual chimera or mermaid. Anvers/Belge dated 1869, a cartilaginous preparation, the mummified, mutilated carcass of a ray that was modified to resemble a monstrous, vaguely humanoid creature, mounted on ebonized wooden base. Height c. 50 cm.

753 

Seaman's work of a chimera or mermaid. Antwerp, dated 1869, unusual preparation of a ray, prepared to resemble a mummified, humanoid sea creature, mounted on a black wooden base. Height: approx. 50 cm. These dried and prepared specimens from the ray family (Rajiformes), also known as Jenny Hanivers, are supposed to represent supposed sea creatures, but have in fact been transformed by human hands into grotesque devil figures, angels or dragons. Originally, Antwerp sailors probably made these figures to earn extra money by selling them. The name is probably derived from the French jeune d'Anvers (girl from Antwerp), which was then personalized by British sailors to Jenny Haniver. The earliest known depiction of a Jenny Haniver can be found in the 1558 edition of Conrad Gessner's Historia Animalium, but it can probably also be traced back to the early Middle Ages. Some ufologists also identify her as an extraterrestrial being. An almost identical example can be found in the Collezione Alesandro Orsi, Villa Ca'Mera near Varese in Italy, illustrated in: Listri, Massimo, Cabinet of Curiosities, Das Buch der Wunderkammern, Taschen 2020, page 349. An unusual chimera or mermaid. Anvers/Belge dated 1869, a cartilaginous preparation, the mummified, mutilated carcass of a ray that was modified to resemble a monstrous, vaguely humanoid creature, mounted on ebonized wooden base. Height c. 50 cm.

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Album amicorum of drawings by the Belgian school circa 1830-1850, dedicated to HUNIN Bound in red morocco 1. Hendrik LEYS (1815-1869) Horse and Maquignon; 1833 - Plume signed and dated 2. Antwerp school circa 1830 The canteenmaid and the soldiers - Plumb line 3. Hendrik LEYS (1815-1869) Chaumière; 1833 - Plume signed, dated and dedicated "to my friend HUNIN". 4. Jacob JACOBS (1812-1879) Chaumière; 1833 - Plume signed and dated, dedicated "souvenir à mon ami J. HUNIN". 5. Louis SOMERS (1813-1880) Vue du Baterdeau de la citadelle d'Anvers (view of the Antwerp citadel after the 1832 bombardment) - Plume signed, dated, titled and dedicated "to my friend HUNIN". 6. Joseph DENIS (1808-1883) Habitation de Chassé - Lead pencil signed, titled and dedicated "to my friend L. HUNIN". 7. Antwerp school circa 1830 The Beggars - Lead pencil 8. Nicaise de KEYSER (1813-1887) Saint; study - Lead pencil monogrammed DK 9. Antwerp school circa 1830, attributed to Nicaise de KEYSER Portrait of a woman with a hat - Graphite 10. Barend Cornelis KOEKKOEK (1803-1863) Landscape with trees - Cardboard on grey paper signed 11. Louis Antoine CAROLUS (1814-1865) Campement près du château - Charcoal signed 12. Piet van der OUDERAA (1841-1915) Three portraits - Graphite drawing 13. Nicaise de KEYSER (1813-1887) Femme au décolleté - Plume monogrammé DK 14. Alois Pierre Paul HUNIN (1808-1855) Portrait de femme au bonnet; 1833 - Plume signed And at the end of the album : 15. Portrait of a man - graphite 16. Alois Pierre Paul HUNIN (1808-1855) Maternity - graphite signed 17. Antwerp school Portrait of a dead prince (Leopold I?) - Lead pencil 18. 19th century school Rump of a horse - Pencil 19. 19th century Oval portrait of a man - Graphite 20. 19th century Portrait of a bearded man (HUNIN?) - Pencil drawing 21. Antoine GOYERS (1829-1869) Portrait of a painter on his deathbed - Graphite annotated "by his pupil A. GOYERS, 18 Ferrier (18)55". 22. On the back of the preceding drawing: Portrait d'artiste - Charcoal and chalk highlights on brown paper And on loose leaves : 23. Portrait of a man - Graphite 24. Portrait of a princess - Graphite 25. Woman with necklace - Graphite 22.5 x 28 cm album