Description
Sallustius, Crispus Gaius. Salustio con alcune altre belle cose, volgareggiato per Agostino Ortica de la Porta genouese. Venice, Zorzi di Rusconi, April 28, 1518. 156 nn. Folio - Attached: Equicola, Mario. Libro di natura d'amore. Title with wide woodcut border and leaf 77 verso with woodcut depiction of the ideal proportions of the body. Venice, Pietro di Nicolini da Sabbio, 1536. 223 num. Plates 16 x 10 cm. Parchment binding (18th century) with 2 spine labels. I. First Italian edition, translated by Agostino Ortica della Porta. - Schweiger III, 898 - Adams S 172 - Biblioteca Degli Volgarizzatori, 323 - II. fourth edition, the first edition was also published in Venice in 1525 by Lorenzo Lorio da Portes. - CNCE 18190 - Bongi, I, pp. 453 - 454 - The treatise, dedicated to Isabella d'Este, whose teacher Equicola was for many years, combines the philosophical thinking of Marsilio Ficino with stylistically innovative echoes. I.: Lower corner stained at the beginning, other leaves slightly dampstained. - Re II: Title old mounted, a few contemporary marginalia, the first leaves in the wide white margin with ink stain, the last leaves with small ink splash in the margin. VAT: *
271
Sallustius, Crispus Gaius. Salustio con alcune altre belle cose, volgareggiato per Agostino Ortica de la Porta genouese. Venice, Zorzi di Rusconi, April 28, 1518. 156 nn. Folio - Attached: Equicola, Mario. Libro di natura d'amore. Title with wide woodcut border and leaf 77 verso with woodcut depiction of the ideal proportions of the body. Venice, Pietro di Nicolini da Sabbio, 1536. 223 num. Plates 16 x 10 cm. Parchment binding (18th century) with 2 spine labels. I. First Italian edition, translated by Agostino Ortica della Porta. - Schweiger III, 898 - Adams S 172 - Biblioteca Degli Volgarizzatori, 323 - II. fourth edition, the first edition was also published in Venice in 1525 by Lorenzo Lorio da Portes. - CNCE 18190 - Bongi, I, pp. 453 - 454 - The treatise, dedicated to Isabella d'Este, whose teacher Equicola was for many years, combines the philosophical thinking of Marsilio Ficino with stylistically innovative echoes. I.: Lower corner stained at the beginning, other leaves slightly dampstained. - Re II: Title old mounted, a few contemporary marginalia, the first leaves in the wide white margin with ink stain, the last leaves with small ink splash in the margin. VAT: *
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