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Description

A published red-figured Attic pelike with the depiction of Penelope, circa 450 B.C.. Masterly elaborated pelike in the red-figured style. The front depicts a woman with a servant. The lady sits on a stool, she wears a chiton and a himation with a black hem. She has her hair pulled back with a broad fillet. The right leg is crossed over her left one, and she rests her lowered head on the right arm. She seems to be lost in her thoughts. The depiction corresponds to that of Penelope's, wife of Odysseus, from the 5th century B.C. Similar representations can be seen in a marble sculpture from Persepolis and the Attic Skyphos from Chiusi, which gave the Penelope Painter his name. The servant faces her mistress. She wears a long, pleated chiton and a sakkos over her hair. Her arms are stretched out and handing a fillet to the lady. A wreath floating above the scene. The back depicts a young man with a fillet and a staff. On the neck between the handles egg-dart motive. Height 20 cm. Except for some minor wear intact. Published in: J. Oleson and D. Buitron, "Coins and Vases of Arthur Stone Dewing", Cambridge 1971, number 22. The painting style referring to the Sabouroff Painter or one of his successors - the Munich Painter 2363 or the Trophy Painter. Provenance: American private collection Arthur Stone Dewing (1880 - 1971), Boston, USA. By decent to his daughter Mary Morain (died 1999) and his son-in-law Lloyd (died 2010). Auctioned with Christie's New York on 9 June 2011, lot 91. Exhibited in the Boston Museum of Fine Arts from 1961 to 2002. On loan also in the Fogg Museum Cambridge from 11 March to 15 April 1971, as well as in 2002. Condition: I -

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A published red-figured Attic pelike with the depiction of Penelope, circa 450 B.C.. Masterly elaborated pelike in the red-figured style. The front depicts a woman with a servant. The lady sits on a stool, she wears a chiton and a himation with a black hem. She has her hair pulled back with a broad fillet. The right leg is crossed over her left one, and she rests her lowered head on the right arm. She seems to be lost in her thoughts. The depiction corresponds to that of Penelope's, wife of Odysseus, from the 5th century B.C. Similar representations can be seen in a marble sculpture from Persepolis and the Attic Skyphos from Chiusi, which gave the Penelope Painter his name. The servant faces her mistress. She wears a long, pleated chiton and a sakkos over her hair. Her arms are stretched out and handing a fillet to the lady. A wreath floating above the scene. The back depicts a young man with a fillet and a staff. On the neck between the handles egg-dart motive. Height 20 cm. Except for some minor wear intact. Published in: J. Oleson and D. Buitron, "Coins and Vases of Arthur Stone Dewing", Cambridge 1971, number 22. The painting style referring to the Sabouroff Painter or one of his successors - the Munich Painter 2363 or the Trophy Painter. Provenance: American private collection Arthur Stone Dewing (1880 - 1971), Boston, USA. By decent to his daughter Mary Morain (died 1999) and his son-in-law Lloyd (died 2010). Auctioned with Christie's New York on 9 June 2011, lot 91. Exhibited in the Boston Museum of Fine Arts from 1961 to 2002. On loan also in the Fogg Museum Cambridge from 11 March to 15 April 1971, as well as in 2002. Condition: I -

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For sale on Tuesday 14 May : 10:00 (CEST)
grasbrunn, Germany
Hermann Historica
+(49)89.54.72.64.90

Exhibition of lots
vendredi 03 mai - 11:00/17:00, Grasbrunn-Munich
samedi 04 mai - 11:00/17:00, Grasbrunn-Munich
lundi 06 mai - 11:00/17:00, Grasbrunn-Munich
samedi 11 mai - 11:00/17:00, Grasbrunn-Munich
lundi 13 mai - 11:00/17:00, Grasbrunn-Munich
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