Joos van Cleve (1485 Cleves - 1540 in Antwerp) Circumference
Madonna with the In…
Description

Joos van Cleve (1485 Cleves - 1540 in Antwerp) Circumference Madonna with the Infant St. John, the Lamb of God and two angels This charming, private devotional painting is an important testimony to the artistic exchange between Italian and Flemish painters during the Renaissance. The depiction, characterized by intimate affection between mother and child, is composed in a northern Alpine landscape with oak trees. The original compositional idea comes from the famous Corsini Madonna by the Florentine painter Andrea del Sarto (1486 - 1530), painted in 1513/14, which has only survived in a series of copies or workshop replicas. Other versions by Flemish painters bear witness to the success of the Corsini Madonna north of the Alps just a few years after its creation. The present painting deviates so far from the Italian source that it can clearly be assigned to the Flemish-Dutch art world - probably the circle of Joos van Cleve and his son Cornelis (1520 - 1567/70), who was working at the same time. The artist interpreted the Andrea del Sarto painting very freely, adopting Cornelis van Cleve's canopy stretched on oak branches, changing the position of the child and the depiction of Mary, who was given soft facial features and a warm, fur-lined dress. He added the standing boy John with the inscription "ECCE AGNUS DEI", the reclining Lamb of God with the staff of the cross and the lute in the hand of the angel on the right. Oil/oak panel. Two old 19th century collection seals verso; 35.5 cm x 30 cm. Frame. Among the comparable works are three paintings with the same composition sold at auction in recent years: Veilinghuis Loeckx, Ghent, 24.11.2015, lot 351; Artcurial, Paris, 13.11.2018, lot 10; Sotheby's, New York, 22.10.2021, lot 124. General reference: M. J. Friedländer: "Nachträgliches zu Cornelis van Cleve" in: Oud Holland, 60, 1943, pp. 7-14, fig. 1. Provenance: from the important collection of the Frankfurt banking family von Bethmann, which grew over generations. Circle of Joos van Cleve (1485 - 1540). Oil on oak panel. Two 19th C. collector's seals.

1647 

Joos van Cleve (1485 Cleves - 1540 in Antwerp) Circumference

Auction is over for this lot. See the results

You may also like

C. VERMEULEN (*1644) after WERFF (*1659), Portrait of Anne of Cleves (1515-1557), Copper engraving Cornelis Vermeulen (around 1644 Antwerp - around 1708 ibid.) after Adriaen van der Werff (1659 Rotterdam - 1722 ibid.): Portrait of Anne of Cleves (1515-1557), , Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Adr.n vander Werff pinx. / Vermeulen sculps.". At the lower part inscribed in the printing plate: "Anne de Cleves [...]". Date: Description: Portrait en face of Henry VIII's fourth wife. Probably after the painting by Hans Holbein the Younger. Person: Anna von Kleve (1515 Düsseldorf - 1557 London) She was the fourth wife of the English King Henry VIII and was thus Queen of England from 6 January 1540 to 9 July 1540. Henry VIII planned another marriage for political reasons after the death of his third wife Jane Seymour. He chose Anne of Cleves because he liked her portrait painted by Hans Holbein, and signed the marriage contract without having met her personally. After their first meeting, he apparently felt disappointed in his expectations and had the marriage, concluded on 6 January 1540 in Greenwich, declared invalid six months later. Keywords: Queen, Henry VIII, , Portrait, Queen, Landscape, 18th century, Rococo, Portraits, United Kingdom, Size: Paper: 35,1 cm x 21,5 cm (13,8 x 8,5 in), Plate: 31,5 cm x 18,4 cm (12,4 x 7,2 in), Depiction: 29,4 cm x 17,0 cm (11,6 x 6,7 in) Condition: Very good condition. Some staining to lower margin.