Null Sam SZAFRAN (1934-2019)
Lilette with Gaudi chair, 2007
Lithograph on Japan …

Description

Sam SZAFRAN (1934-2019) Lilette with Gaudi chair, 2007 Lithograph on Japan paper. Signed and numbered on 120. 100 x 78 cm (Restoration) Bibliography : J. Clair & C. Colleu-Dumond, Arborescences, Chaumont-sur-Loire, Centre d'Arts et de Nature, unpaginated, reproduced.

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Sam SZAFRAN (1934-2019) Lilette with Gaudi chair, 2007 Lithograph on Japan paper. Signed and numbered on 120. 100 x 78 cm (Restoration) Bibliography : J. Clair & C. Colleu-Dumond, Arborescences, Chaumont-sur-Loire, Centre d'Arts et de Nature, unpaginated, reproduced.

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Estim. 1 000 - 1 200 EUR

Sam SZAFRAN (1934-2019) Lilette à la chaise de Gaudi, 2007 Lithographie sur papier Japon. Signée et numérotée sur 120. 100 x 78 cm (légères restaurations, bon état de présentation) Bibliographie : J. Clair C. Colleu-Dumond, Arborescences, Chaumont-sur-Loire, Centre d'Arts et de Nature, non paginé, reproduit.

Estim. 800 - 1 200 EUR

Vasilije JORDAN École croate (1934-2019) Huile sur toile: Jeune fille regardant le grand bi. Signée: Jordan. Dim.: 70 x 70 cm.

Estim. 150 - 200 EUR

Romano ZANOTTI (1934-2019) "Untitled", 2000 Watercolor on Arches paper, signed, titled. 58 x 76 cm

Estim. 800 - 1 200 EUR

Sam Szafran (1934-2019) L'Escalier 2011 Lithograph on paper signed lower right and annotated EA lower left Printer Atelier Idem, Paris 29 x 21 cm We would like to thank Madame Lilette Szafran, the artist's widow, for confirming the authenticity of this work This print was produced for the publication of the book "Itinéraire d'un marchand de couleurs à Montparnasse" by Edouard Adam, published by Editions du Chêne, with a preface by Pierre Soulages. French painter. His work reflects his figurative and poetic approach to reality. He misuses perspective to challenge the eye. "Samy, the street urchin, was familiar with Les Halles before it was destroyed, when it was still home to the brutal fauna of vendors, thieves and prostitutes. Gradually, slowly, he developed a refined, erudite painting sensibility. The dabbler, unaware of the teaching of his practice, would become one of the greatest painters of his time." (Jean Clair, Sam Szafran, Un gamin des Halles, ed. Flammarion)

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