Null Nordbaden.
Rheno Superiori ab una parte Adiacentium Descriptio. Copper engr…
Description

Nordbaden. Rheno Superiori ab una parte Adiacentium Descriptio. Copper engraved map with figural cartouche, by N. Person, 1694. From: Novae Archiepiscopatus Moguntini Tabulae. Plgr. 39.2 x 54.5 cm. - Partly slightly browned at margins, minimal foxing, one tear in white margin.

2807 

Nordbaden. Rheno Superiori ab una parte Adiacentium Descriptio. Copper engraved map with figural cartouche, by N. Person, 1694. From: Novae Archiepiscopatus Moguntini Tabulae. Plgr. 39.2 x 54.5 cm. - Partly slightly browned at margins, minimal foxing, one tear in white margin.

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OPERA - KASCHMANN Giuseppe (1850 - 1925) - Lot of four autograph letters signed Lot of four autograph letters signed by the Austrian-Italian baritone. His first public performance occurred in Zagreb during 1869. Six years later he made his Italian operatic debut at Turin (in Gaetano Donizetti's La favorita). He reached the peak of his success as a singer in the 1880s and 1890s, building an international reputation (as Giuseppe Kaschmann) and performing at such important venues as the Bayreuth Festspielhaus in Germany (in 1892 and 1894) and the Metropolitan Opera in New York City (in 1883 and 1896), as well as continuing to appear at La Scala. All letters are addressed to the Italian marquise Angiolina Toscanelli Altoviti Avila (1859–d.) and relate to musical affairs, such as scheduled concerts organised by the Marquise in Florence. One envelope with autograph address is included. A. “Venezia 31 Marzo 1899”. “….Reduce dall’Egitto dopo la mia brillante stagione teatrale e memore della nostra conversazione tenuta a Firenze nell’Hotel Savoy, ho l’onore di mettermi a Sua disposizione per quanto Ella intendesse realizzare del piano di cui mi aveva fatto parola in quella circostanza…”. 1 p. ½ in-8. B. “Milano 14 ott 1899”. “…Se si fosse trattato di un corso di esecuzioni d’oratori od altro, credo che si sarebbe potuto realizzare l’idea della mia venuta a Firenze. Ma per un concerto non mi sembra siavi convenienza d’ambo le parti. Retribuirmi per una sola sera non varrebbe la pena ed assorbirebbe gran parte dell’introito, mentre d’altra parte io non potrei venire fino a Firenze a scopo puramente filantropico…”. 2 pp. In-8. C. “Milano 8 Marzo 1901”. “…Con piacere canterei la Cantata Biblica di Massenet…”. 1 p. ½ in-8. D. “Milano 8 Aprile 1901” “…Le date del Maggio da Lei indicatemi sono tuttora libere per me e quindi è possibile di combinare quei giorni…”. 2 pp. In-8. - ...