Null ARISTIDE COLOTTE (1885-1955)
Les Poissons, circa 1926
Obovoid vase with wid…

Description

ARISTIDE COLOTTE (1885-1955) Les Poissons, circa 1926 Obovoid vase with wide annular neck. Blown-molded white glass proof. The title decoration is acid-etched in reserves and enhanced with gold; the geometric motifs are wheel-cut. Signed and located COLOTTE Nancy towards the base. H.18cm Bibliography: Mireille Mazet - A. Colotte, sculpteur sur verre, sur cristal - Les Éditions de l'Amateur, Paris, 1994. Identical model with black patina reproduced on page 143 (ill. 34).

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ARISTIDE COLOTTE (1885-1955) Les Poissons, circa 1926 Obovoid vase with wide annular neck. Blown-molded white glass proof. The title decoration is acid-etched in reserves and enhanced with gold; the geometric motifs are wheel-cut. Signed and located COLOTTE Nancy towards the base. H.18cm Bibliography: Mireille Mazet - A. Colotte, sculpteur sur verre, sur cristal - Les Éditions de l'Amateur, Paris, 1994. Identical model with black patina reproduced on page 143 (ill. 34).

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Estim. 6 000 - 8 000 EUR

Michel-Aristide COLOTTE (Baccarat, 1885 - Paris, 1959) Rare truncated cone-shaped VASE in crystal sculpted with lightning bolts on a "glacé" background and frosted sides. It stands on an octagonal base signed Colotte NANCY and engraved "Médaillé au Salon des Artistes Français". Art Deco, late 1920s or 1930s. Height: 18 cm. Width: 25.5 cm (Chipped back of one ear). Provenance: private collection, Quintin country. In 1929, Colotte received a bronze medal for a vase presented at the Salon des Artistes Français as part of a series of twelve objects, in recognition of his technical and artistic prowess. Our vase bears the glorious mention "Médaillé au Salon des Artistes Français", as do at least two other known pieces. As the artist only took part in the 1929 Salon, we can assume that the lightning vase was one of the twelve exhibited. Aristide Colotte's work is remarkable for the innovative technique of crystal sculpture it employs. The subject of a patent registered in 1929, it consists, in the artist's own words, of "Cutting the glass by hand with a disk, then isolating the piece of glass and releasing it at the slightest pressure". The crystal block is then roughened in four incisions by means of a wheel mounted on a fixed lathe or on a cable, before the material is removed with a chisel and the corners carved. The result is a broken-glass appearance that, unlike acid etching or wheel engraving, allows the light to be defracted and iridescence to emerge. Wonderful, poetic brutality! This technique is the fruit of Colotte's experience in the crystal workshops of Baccarat (where he still buys rough-cut pieces), and in Châtellerault and Nancy for metal engraving. His skill in these techniques earned him the prestigious title of Meilleur Ouvrier de France in each discipline. (Source: Mireille MAZET, A. Colotte, sculpteur sur verre, sur cristal, Les Editions de l'Amateur, Paris, 1994).

Estim. 300 - 400 EUR

ARISTIDE DE RANIERI (1865-c.1929)

Estim. 40 - 50 EUR

Jérôme MASSIER (1850-1926) - VALLAURIS Flower-decorated ball vase H. 14 cm Also included: Two fish-shaped dishes and three rectangular dishes in polychrome enameled ceramics decorated with birds, still life (scratches) and part of a Poitou Sarreguemine service.

Estim. 2 000 - 4 000 EUR

ARISTIDE COLOTTE (1885-1959) Tête de Christ couronné d’épines, vers 1932 Sculpture en cristal transparent taillé à la roue et au burin Signée « A. Colotte » et « Nancy » Pièce unique Hauteur : 36 cm Crystal Signed “A. Colotte“ and “Nancy“ Unique piece Height: 14 1/8 in. Provenance Collection particulière, Monaco

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