Null Fox hunting" painting

Description

Fox hunting" painting

361

Fox hunting" painting

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Estim. 120 - 180 EUR

Silk embroidered hunting scene 19th century, fine polychrome, partly semi-plastic needle painting, depicting a forest clearing with a capital stag, in the background striding hunter with hunting dog and some birds in the branches, framed in Art Nouveau gilt stucco moulding behind glass and passepartout with shield-like cut-out, dealer's label Herman Richter Praha on the reverse, good condition for its age, folded dimensions 36.5 x 30.5 cm.

Estim. 1 500 - 2 250 EUR

"Diana's Return from the Hunt" after Rubens The goddess of the hunt Diana, depicted in a red robe next to her companions, shows the satyr Pan and her companions their hunting spoils, while Pan presents various fruits, Diana presents hares and birds, glazed painting, Copy after the Dresden painting by Peter Paul Rubens (1577-1640), created around 1615, Rubens created the motif several times with slight variations, the motif can be found in the Dresden "Old Masters" Gallery and in the Serbian National Museum in Belgrade, oil on canvas, around 1910, unsigned, on the reverse of the canvas stamped copy note "Copie nach No. 979 der Königl. Gemälde Galerie zu Dresden", small loss to the canvas, in need of cleaning and some restoration, originally framed in approx. 14 cm wide oak moulding, rebate dimensions approx. 117 x 148 cm.

Estim. 120 - 180 EUR

Christian Kröner, Roaring Stag An imposing roaring stag stands on a babbling brook at the edge of an autumnal mixed deciduous forest in a hilly landscape, its breath forming a cloud of mist in the cold air, In the background, a leaping deer crosses a meadow, another stag has already approached the deer and is attentively scrutinising the competitor from a distance, hunting painting executed in part with very fine brushstrokes, oil on wood, signed lower right "Ch. Kröner" and inscribed "D[...]" and dated "1901", illegible annotations on the frame verso, horizontal narrow tear in the support, this has already been restored in the left area of the painting, superficial soiling in the depths of the paint layer, framed, rebated dimensions approx. 18 x 26 cm. Artist information: actually Johann Christian Kröner, German hunting and landscape painter and engraver. Hunting and landscape painter and graphic artist (1838 Rinteln/Weser to 1911 Düsseldorf), apprenticed as a parlour painter, went to Munich to the Brannenburg artists' colony, where he became acquainted with Louis Hugo Becker, Wilhelm Busch, Carl Irmer and Julius Rollman, moved to Düsseldorf in 1863, joined the Malkasten artists' association there, travelled to Westphalia, Thuringia and Upper Bavaria on study trips, and trained as an autodidact, became known as a hunting painter, also gave private lessons, his pupils included Magda Helmcke (later his wife), Edmund Osthaus, Franz Gehrts and Anton Henker, received a gold medal at the Great Berlin Art Exhibition, appointed royal professor in 1893, represented at numerous world exhibitions, member of the Berlin Academy from 1885, source: Thieme-Becker and Internet.

Estim. 1 000 - 1 500 EUR

MÜLLER (Louis). Tableau des guerres de Frédéric le Grand, ou plans figurés de vingt-six batailles rangées ou combats essentiels, donnés dans les trois guerres de Silésie ; avec une Explication précise de chaque bataille. A work that can be used to understand the Military part of the Life of Frederick II. Potzdam, et se trouve à Strasbourg chez J.G. Treuttel, à Paris, chez Durand neveu, 1788. In-4 blond calf, smooth ornate spine, title page in red marble, triple gilt fillet framing the covers with gilt fleurons in spandrels, gilt edges, roulette on the covers (period binding). 92 pp. printed on beautiful thick laid paper and a large folding engraved plate depicting 26 battle plans and a table of the war. Ex-libris manucrit from the library of the Château de L'Isle-de-Noé, signed by the Comte de Noé, most probably Louis-Pantaléon de Noé (1728-1816), owner of a plantation and slaves in Saint-Domingue (he is said to have freed Toussaint-Louverture, with whom he maintained regular relations). A rare and fine copy with an interesting provenance.

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