Null «Tiepolo, dessins», Pierre Debray-Ritzen, Ed. Scrépel Mayer, 1988

"DÉLIVRA…

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«Tiepolo, dessins», Pierre Debray-Ritzen, Ed. Scrépel Mayer, 1988 "DÉLIVRANCE AU 25 RUE LE PELETIER, 75009 PARIS - AUNCUN ENVOI POSSIBLE - Voir Sociétés de Transport dans les Conditions de Vente ou tout autre transporteur de votre choix ou procuration à un tiers"

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«Tiepolo, dessins», Pierre Debray-Ritzen, Ed. Scrépel Mayer, 1988 "DÉLIVRANCE AU 25 RUE LE PELETIER, 75009 PARIS - AUNCUN ENVOI POSSIBLE - Voir Sociétés de Transport dans les Conditions de Vente ou tout autre transporteur de votre choix ou procuration à un tiers"

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Estim. 80 - 120 EUR

Set. Set of 9 works (9 volumes): - VEUILLOT (Louis), Les Odeurs de Paris. Third edition. Paris, Palmé, 1867. In-12 green half-chagrin, spine ribbed, gilt title (period binding). Some foxing. - CLARETIE (Jules), La Vie à Paris 1880. First year. Fourth edition. Paris, Havard, sd (c. 1880). In-12 green half-chagrin, ornate spine, gilt title (period binding). Bookplate of the Grand Cercle. - Guide de l'étranger dans Paris et ses environs. Illustrated with 130 woodcuts after drawings by A. de Bar, H. Clerget, Deroy, G. DORÉ, Lancelot, Marie, Thérond, Thiollet, etc., etc., 9th edition. Paris, Grand Hôtel du Louvre, 1877. In-12 publisher's brick boards (worn). Int. spine split, brown spots. - MARTIN (Alexis), Les Etapes d'un touriste en France. Walks and excursions around Paris. Région du Nord. With 150 engravings, 2 panoramic views and 6 colored maps. Paris, Hennuyer, 1894. Fort in-12 modern beige cloth boards, black title page on spine. - MARTIN (Alexis), Les Etapes d'un touriste en France. Walks and excursions around Paris. Eastern region. With 57 engravings and 2 maps. Paris, Hennuyer, 1898. Fort in-12, red percaline boards. Qqs foxing. - MARTIN (Alexis), Les Etapes d'un touriste en France. All around Paris. Walks and excursions in the Seine department. Illustrated with 20 hors texte engravings, 2 panoramic views and 5 colored maps and plans. Paris, Hennuyer, 1890. In-12 paperback, printed cover. - JOANNE (Adolphe), Les Environs de Paris illustrés. 3rd edition. Paris, Hachette, 1878. In-12 hardback, without general map. Covers worn, else a good copy. - JOANNE (Adolphe), De Paris à Lyonillustrés. 3rd edition containing a map and two plans and 100 vignettes [...] . Paris, Hachette, 1866. In-12 ed. boards, spine unstained, covers dulled. - AUDIAT (Pierre), Paris pendant la guerre (juin 1940-août 1944). Paris, Hachette, sd. In-12 paperback, printed illustrated cover. E.A.S. from the author to the writer Yves Gandon.

Estim. 12 000 - 15 000 EUR

FORD BECKMAN (Columbus, 1952-Tulsa, 2014). "Black wall painting," 1990-1991. Acrylic, enamel, wax and industrial varnish on canvas. Exhibitions: 2009 (March 26-May 17), "Private Life. Representations of contemporary tragedy and banality", MUBAG, Alicante. Bibliography: "La vida Privada. Representations of contemporary tragedy and banality", Ed. MUBAG, Alicante 2009, p. 83. Measurements: 200 x 205 cm. The first thing that comes to mind when contemplating this painting is Malevich's "Black square on white". Malevich believed that art should not imitate the real world, but create its own reality. The black square has been read in an infinite number of ways in the course of art history: as an idea of infinity, as nothingness or emptiness in the Eastern sense, as pure energy, or as the impossibility of representation. Ford Beckman takes up the reflection on the nature of art and the limits of representation, but introduces a particular twist. In "Black wall painting", technical experimentation is evident in the unusual combination of materials (acrylic, enamel, wax and industrial varnish), resulting in a work that, although in dialogue with the Suprematist tradition and its derivatives (hard-edge painting, geometric abstraction), does not seek to conceal the brushstroke or hide the human trace, but on the contrary emphasizes the importance of the support and gives the drips and imperfections an aesthetic patina. Having initially trained in the field of advertising and fashion, Ford Beckman developed a pictorial work free from pre-established precepts of what contemporary artistic practice is supposed to be. This allowed him to explore abstraction with complete freedom, but also to delve into the exploration of an unconventional figuration. Ford Beckman was a successful fashion designer in New York in the 1980s before devoting himself entirely to the fine arts in the 1990s, especially painting. In the late 1980s, Beckman moved into a Manhattan studio and held his first solo exhibition in New York in 1988. In 1992, Beckman opened his first solo show in Europe at the Hans Mayer Gallery in Düsseldorf. Ford Beckman's works were acquired in Europe by collector Giuseppe Panza and the Essl Collection, among others. Beckman was a friend of Cy Twombly. His was a blazing career. Beckman moved to Tulsa, Oklahoma, where he died at the age of 62. Solo exhibitions (selection): 1990: Tony Shafrazi Gallery, New York; 1992: Hans Mayer Gallery, Düsseldorf; 1996: Kestnergesellschaft, Hannover.

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