Null HEINRICH EMIL ADAMETZ 1884 Heiligenhaus - 1912 Berlin 'RODING IN WINTER' (1…

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HEINRICH EMIL ADAMETZ 1884 Heiligenhaus - 1912 Berlin 'RODING IN WINTER' (1949) Oil on canvas. 70 x 97 cm (f. 80 x 105.5 cm). Signed and dated 'H.E. Adametz Berlin (19)49' lower right. Verso: On the stretcher inscribed 'H. E. Adametz Wilmersdorf, Offenbacher Str. 6 IV'. Part damaged and rest. Frame. HEINRICH EMIL ADAMETZ 1884 Heiligenhaus - 1912 Berlin 'STUBBENRODEN IM WINTER' (1949) Oil on canvas. 70 x 97 cm (R. 80 x 105.5 cm). Signed and dated 'H.E. Adametz Berlin (19)49' lower right. Verso: inscribed on the stretcher 'H. E. Adametz Wilmersdorf, Offenbacher Str. 6 IV'. Partly dam. and rest. Frame.

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HEINRICH EMIL ADAMETZ 1884 Heiligenhaus - 1912 Berlin 'RODING IN WINTER' (1949) Oil on canvas. 70 x 97 cm (f. 80 x 105.5 cm). Signed and dated 'H.E. Adametz Berlin (19)49' lower right. Verso: On the stretcher inscribed 'H. E. Adametz Wilmersdorf, Offenbacher Str. 6 IV'. Part damaged and rest. Frame. HEINRICH EMIL ADAMETZ 1884 Heiligenhaus - 1912 Berlin 'STUBBENRODEN IM WINTER' (1949) Oil on canvas. 70 x 97 cm (R. 80 x 105.5 cm). Signed and dated 'H.E. Adametz Berlin (19)49' lower right. Verso: inscribed on the stretcher 'H. E. Adametz Wilmersdorf, Offenbacher Str. 6 IV'. Partly dam. and rest. Frame.

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Estim. 350 - 525 EUR

Max Liebermann, "Kind im Wiegenkorb" View into a sparsely furnished room, onto a toddler sleeping in a basket, see catalogue raisonné Schiefler 13, sheet laid out with a loose and confident stroke, Vernis mou and drypoint on wove paper rolled with China paper, 1890, signed "M Liebermann" in pencil below the image on the right, slightly stained and the China paper evenly browned, attractively framed under fabric passepartout and behind glass, dimensions approx. 17 x 12 cm. Artist information: German-JewishJewish painter, graphic artist and illustrator (1847 Berlin - 1935 Berlin), initially studied chemistry at the Friedrich Wilhelm University in Berlin at his father's request from 1866, at the same time a painting pupil of Carl Constantin Heinrich Steffeck from 1866-68, exmatriculated in 1868, studied at the Weimar Academy under Paul Thumann and Ferdinand Wilhelm Pauwels from 1868-72, travelled to Düsseldorf with Theodor Hagen in 1871, influenced by Mihály Munkácsy, then studied in Amsterdam and Scheveningen, 1873-78 studio in Montmartre in Paris and stays in Barbizon, 1875 travelled to Zandvoort and Haarlem in Holland, 1876 to Amsterdam, 1878 trip to Italy with a stay in Venice, where he met Franz von Lenbach, then worked in Munich, from 1879 regular stays in Dachauer Moos, Rosenheim and the Inn Valley, 1880 in Dongen in Brabant and another stay in Amsterdam, subsequently created his famous painting "Old Man's House in Amsterdam" in light painting, which established his artistic success and showed Liebermann's "sunspots" for the first time, 1884 return to Berlin, 1884 marriage to Martha Marckwald and honeymoon via Brunswick and Wiesbaden to Scheveningen, Laren, Delden, Haarlem and Amsterdam, 1885 member of the Berlin Artists' Association, from 1886 he participated in the Berlin Academy exhibitions, 1889 appointment to the jury of the Paris World Exhibition, here medal of honour and admission to the Société des Beaux-Arts, 1892 member of the artists' group "Vereinigung der XI", 1892 founding member of the "Freie Künstlervereinigung", 1896 stay in Paris and honoured as Knight of the Legion of Honour, 1897 personal exhibition at the Academy of Arts and honoured with the Great Golden Medal and the title of professor, 1898 admission to the Academy of Arts, 1898 founding member and later president until 1911, then honorary president of the Berlin Secession, 1909 construction of the country residence on Wannsee, 1912 honoured with the House Order of Orange, member of the Senate of the Academy of Arts, honorary doctorate from Berlin University and appointed honorary member of the art academies in Munich, Weimar, Dresden, Vienna, Brussels, Milan and Stockholm, 1914 resigned from the Berlin Secession and founded the "Freie Sezession", contributed to the magazine "Kriegszeitung" during the First World War. Contributed to Paul Cassirer's magazine "Kriegszeit - Künstlerflugblätter" during the First World War, first illustrations from 1916, honoured with the Order of the Red Eagle III Class by Kaiser Wilhelm II in 1917, 1920-33 President and Honorary President of the Academy of Arts, 1927 honorary citizenship of Berlin, honoured with the "Eagle Shield of the German Reich" by Paul von Hindenburg, 1933 resigned from all offices, source: Thieme-Becker, Vollmer, Dressler, Wikipedia and Internet.

Estim. 80 - 120 EUR

Emil Orlik, Reclining female nude reclining nude woman, work created with a few skilful strokes, etching with plate tone on paper, early 20th cent, signed "Orlik" in pencil below the depiction on the right, stamp in red "Orlik" and inscribed "weibl. Akt" in the lower left corner of the sheet, somewhat light-stained and slightly stained outside the depiction, stapled under passepartout, depiction dimensions approx. 9.3 x 24.5 cm. Artist information: GermanJewish painter, graphic artist, photographer and applied artist (1870 Prague to 1932 Berlin), studied from 1891 at the Munich Academy under Wilhelm von Lindenschmit the Younger and Johann Leonhard Raab as well as at the public school of Heinrich Knirr, 1898 stay in England, 1900-01 study of Japanese colour woodcuts in Japan, 1903-04 in Vienna, 1905-32 professor at the Unterrichtsanstalt des Kunstgewerbemuseums resp. Berlin's Vereinigte Staatsschulen, travelled extensively to Egypt, Nubia, China, Korea, Japan and Siberia in 1911, travelled to North America in 1924, temporary contributor to the Munich magazine "Jugend", member of the Berlin Academy of Arts, member of the Vienna and Munich Secession, of the Verein Berliner Künstler, the Deutscher Künstlerbund Weimar and the Deutscher Werkbund, honorary member of the Verein für Originalradierung Berlin, active in Berlin-Charlottenburg, source: Thieme-Becker, Vollmer, Dressler, matricula of the Munich Academy and Wikipedia.

Estim. 1 200 - 1 800 EUR

Emil Strecker, "Junge spielt mit Kind" stille Winkel am Haus mit sitzendem Jungen in Holzpantinen, mit einem Kleinkind Triangel spielen, poetic, glazed, partially slightly impasto genre painting, oil on canvas, signed, inscribed and dated lower left "E. Strecker Df. [Düsseldorf] 1877", various old labels verso, some with biographical annotations such as "Van Emil Strecker, 54 x 66 cm." and "Emil Strecker, Junge spielt mit Kind ...", professionally cleaned, closed losses, somewhat restored and relined, framed in beautiful oak moulding with gold inlay and brass frame label "Emil Strecker", rebate dimensions approx. 66 x 54.5 cm. Artist information: actually Emil Ludwig Strecker, erroneously Strecher, German-Austrian genreAustrian genre, architecture and landscape painter and sculptor (1841 Dresden to 1924 or 1925 Dürnstein), studied at the Dresden Academy from 1855-66, initially sculpting under Ernst Julius Hähnel from 1859, at the same time studying painting under Ludwig Richter, honoured with the Saxon State Prize and a trip to Rome in 1866 for his sculptural work, 1867-69 in Italy, where he mainly worked as a painter, 1870-76 studied at the Düsseldorf Academy under Julius Roeting, Hermann Wislicenus and Wilhelm Sohn, 1875-81 member of the Düsseldorf artists' association "Malkasten", 1883 moved to Vienna, where he trained under Heinrich von Angeli and worked as a freelance artist, from 1884 member of the Vienna Künstlerhaus [official: Genossenschaft bildender Künstler Wiens], from 1900 member of the Hagenbund, finally active in Dürnstein, 1919 founder of the Wachauer Künstlerbund and its honorary president, honorary citizen of Dürnstein, 1904 honoured with the small Golden State Medal, attended exhibitions in Dresden, Düsseldorf, Berlin, Hanover, Vienna and Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Dresden and Düsseldorf academies, ÖBL, Boetticher, Müller-Singer, Seubert, Dressler, Bruckmann "Lexikon der Düsseldorfer Malerschule", Fuchs and Wikipedia.

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Emil WOLFF (1802-1879) Statue in white marble of a young girl playing a tambourine with a lamb. Signed, located and dated Romae 1837. (Minor accidents and chips, notably to the sheep's ears and the tambourine). Height: 134 cm On an oval wooden base painted in imitation of green marble. Berlin-born sculptor Emil Wolff was Schadow's nephew. He made his career in Rome, where he directed the Académie de Saint-Luc, and then in England.

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