Null Holy family with boy John
Depiction of Mary as "Maria lactans" with bared b…

Description

Holy family with boy John Depiction of Mary as "Maria lactans" with bared breast, nursing the infant Jesus on her right arm, to her right in the background the youthful John the Baptist and left behind her Joseph, low pastose, religious genre painting with partial gilding, probably 18th century, unsigned, according to previous owner probably Cusco school Peru, wax-doubled, restored, somewhat in need of restoration, in a magnificent, approx. 20 cm wide, carved and openwork gilded frame with backed mirror glass (in need of restoration), folding dimensions approx. 57.5 x 47 cm.

4208

Holy family with boy John Depiction of Mary as "Maria lactans" with bared breast, nursing the infant Jesus on her right arm, to her right in the background the youthful John the Baptist and left behind her Joseph, low pastose, religious genre painting with partial gilding, probably 18th century, unsigned, according to previous owner probably Cusco school Peru, wax-doubled, restored, somewhat in need of restoration, in a magnificent, approx. 20 cm wide, carved and openwork gilded frame with backed mirror glass (in need of restoration), folding dimensions approx. 57.5 x 47 cm.

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Estim. 2 500 - 3 000 EUR

Neapolitan school; XVIII century. "Holy family". Oil on canvas. It has frame of the eighteenth century. Measurements: 57 x 47,5 cm; 64 x 56 cm (frame). In this work the artist has made the representation of the Holy Family, following the modes of the time. Through the use of a pyramidal composition in which all the characters are inscribed, the author gives greater prominence to the figure of the Child. He is placed in the center of the composition next to his mother on whom he leans in a natural and everyday way. In the background, the figure of Saint Joseph observes the scene. In the most common sense of the expression, the Holy Family includes the closest relatives of the Child Jesus, that is, mother and grandmother or mother and nurturing father. In both cases, whether it is St. Anne or St. Joseph who appears, it is a group of three figures. From the artistic point of view, the arrangement of this terrestrial Trinity poses the same problems and suggests the same solutions as the heavenly Trinity. However, the difficulties are fewer. It is no longer a question of a single God in three persons whose essential unity must be expressed at the same time as diversity. The three personages are united by a blood bond, certainly, but they do not constitute an indivisible block. Moreover, the three are represented in human form, while the dove of the Holy Spirit introduces into the divine Trinity a zoomorphic element that is difficult to amalgamate with two anthropomorphic figures. On the other hand, this iconography was traditionally, until the Counter-Reformation, a representation of the Virgin and Child to which the figure of St. Joseph was added in the foreground. It was not until the reforms of Trent when St. Joseph began to take center stage as protector and guide of the Infant Jesus.

Estim. 200 - 300 EUR

Holy family, oil on slate, 18th century Heilige familie, olie op leisteen, 18e eeuw 14.5 x 9 cm

Estim. 300 - 500 EUR

L. TOSELLI (19th century) Rectangular polychrome-glazed earthenware plate depicting "Le Repos de la Sainte Famille (le miracle des dattes)" after Simon Vouet, signed lower right. 47.5 x 32.5 cm In a carved walnut architectural frame, 64.5 x 45 cm

Estim. 2 000 - 3 000 EUR

ÉCOLE FLAMANDE, VERS 1600 SUIVEUR DE HANS MEMLING

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