Description
Jean-Claude Servais. Original work in gouache and felt-tip pen, exclusively in aid of the "Une tente une vie" operation, on cardboard. Signed. Wood frame with Plexiglas glass included: 155 x 125 cm Born in Liège on September 22, 1956, Jean-Claude Servais studied graphic arts at the Institut Saint-Luc de Liège from 1974 to 1976. In 1975, under the pseudonym of Jicé, he saw his first plates published in the "Carte Blanche" section of the Spirou newspaper, before delivering three episodes of the "Ronny Jackson" time-travel series, scripted by Terence and Jean-Marie Brouyère, and two "Uncle Paul" stories. In 1977, he turned to the weekly magazine Tintin, where he signed a series of authentic stories based on scripts by Bom and Yves Duval. In 1980, purifying his graphic style, he tackled a cycle of short stories on the theme of magic and sorcery, which were later included in the album "La Tchalette" in 1982. Still in Tintin, he drew "Isabelle" in 1983. In 1989, with Walloon bard and singer Julos Beaucarne, he undertook a dreamlike endeavor entitled "L'Appel de Madame La Baronne". Servais then decided to fly solo, on his own wings, and honed his talent as a complete author in a few albums with no extensions: "Iriacynthe" for Jonas, "L'Almanach" and "La Petite Reine" for Casterman. In 1992, he tackled the two parts of "Lova", the story of a little girl raised by wolves, for the prestigious "Aire Libre" collection. He returned in 1998 with "Fanchon". At the same time, he created a fascinating series of almost completely authentic stories, inspired by historical events, for his "La Mémoire des arbres" series in the "Repérages Dupuis" collection. They evoke human dramas set in the Gaume and Belgian Ardennes, a wild and sumptuous region he loves more than anything else, and which has earned him his nickname "the man of the woods"! The ORIG-AMI is a cardboard shelter measuring 117 x 235 x 150 cm. It's insulating, structurally protective, folds like an accordion, can be carried like a backpack and is recyclable. The homeless shelter was designed on the principle of origami, a Japanese paper-folding technique.
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Jean-Claude Servais. Original work in gouache and felt-tip pen, exclusively in aid of the "Une tente une vie" operation, on cardboard. Signed. Wood frame with Plexiglas glass included: 155 x 125 cm Born in Liège on September 22, 1956, Jean-Claude Servais studied graphic arts at the Institut Saint-Luc de Liège from 1974 to 1976. In 1975, under the pseudonym of Jicé, he saw his first plates published in the "Carte Blanche" section of the Spirou newspaper, before delivering three episodes of the "Ronny Jackson" time-travel series, scripted by Terence and Jean-Marie Brouyère, and two "Uncle Paul" stories. In 1977, he turned to the weekly magazine Tintin, where he signed a series of authentic stories based on scripts by Bom and Yves Duval. In 1980, purifying his graphic style, he tackled a cycle of short stories on the theme of magic and sorcery, which were later included in the album "La Tchalette" in 1982. Still in Tintin, he drew "Isabelle" in 1983. In 1989, with Walloon bard and singer Julos Beaucarne, he undertook a dreamlike endeavor entitled "L'Appel de Madame La Baronne". Servais then decided to fly solo, on his own wings, and honed his talent as a complete author in a few albums with no extensions: "Iriacynthe" for Jonas, "L'Almanach" and "La Petite Reine" for Casterman. In 1992, he tackled the two parts of "Lova", the story of a little girl raised by wolves, for the prestigious "Aire Libre" collection. He returned in 1998 with "Fanchon". At the same time, he created a fascinating series of almost completely authentic stories, inspired by historical events, for his "La Mémoire des arbres" series in the "Repérages Dupuis" collection. They evoke human dramas set in the Gaume and Belgian Ardennes, a wild and sumptuous region he loves more than anything else, and which has earned him his nickname "the man of the woods"! The ORIG-AMI is a cardboard shelter measuring 117 x 235 x 150 cm. It's insulating, structurally protective, folds like an accordion, can be carried like a backpack and is recyclable. The homeless shelter was designed on the principle of origami, a Japanese paper-folding technique.
