Null 181. Gervais-Maximilien-Eugène DURAND
Writing table with desk of rectangula…
Description

181. Gervais-Maximilien-Eugène DURAND Writing table with desk of rectangular form decorated with Japanese lacquer panels hira maki-e and taka maki-e with gold and silver decoration of aquatic plants and landscapes on a black background. It opens with two secret drawers opening by a hidden push-button and a desk. The gilded bronze feet in caryatid are joined by a spacer decorated with interlacing. Ornamentation in chased and gilded bronze. Stamped G. DURAND. Louis XVI style, end of the XIXth century, after the model the model made by Adam Weisweiler for Marie-Antoinette. Antoinette. 75 x 82 x 46 cm. The model which was used by Gervais Durand is the famous made by Adam Weisweiler in 1784 and delivered by the merchant merchant Dominique Daguerre to the Garde-Meuble of the Crown. This table is now kept in the Louvre Museum du Louvre (inv. OA 5509), was once destined for the inner cabinet of of Marie-Antoinette in the Château de Saint-Cloud. Sold during the revolutionary sales, it was acquired by the Empress by Empress Eugenie in 1865, then transferred to the Louvre in 1870. This iconic piece of furniture of the decorative arts, combines precious precious Japanese lacquer, finely chiseled and gilded bronze ornaments gilded bronze ornaments, which were expressly modeled by François Rémond. The structure of the piece of furniture is very characteristic of the innovative taste of the of the time, introduces the spacer with interlacing, of English English inspiration. Mrs Patricia Lemonnier, in her reference book on the work of reference work on the work of Weisweiler, lists eleven different different forms of spacer. The very characteristic design of the spacer of this writing table is used by Weisweiler only on two on two tables. Proof of its success, many cabinetmakers in the 19th century made slavish copies of this illustrious table, among others Beurdeley Beurdeley, Dasson, Fourdinois, Gouverneur, Lexcellent, Millet, Zwiener. Beurdeley presented a writing table on his stand at the Chicago Exposition of 1893, another one by Lexcellent was was shown at the 1900 World's Fair in Paris. Among the many collectors, let us quote in particular Cornelius II Vanderbilt who acquired one of these tables for the tables for the Petit Salon of his New York home at the corner of Fifth Avenue and 57th Street. Let us also mention the Empress of Russia who, in 1901, bought a writing table from Millet, now in the Hermitage Museum. in the Hermitage Museum. It is the World Fair of 1889 which consecrated the career of of Gervais Durand with the obtaining of a silver medal. In 1902, he joined forces with his son Frédéric-Louis, who succeeded him who succeeded him around 1920 and in turn became associated with his son Pierre, until the closure of the company around 1933. A table of this model, stamped DURAND was sold at Drouot (Beaussant Lefèvre, 18/06/2010, lot 226). Bibliography : - LEDOUX-LEBARD, Denise, Les ébénistes du XIXe siècle 1795-1889, Editions de l'Amateur, Paris, 1984. - LEMONNIER, Patricia, Weisweiler, editions Monelle Hayot, Paris, 1983. - PAYNE, Christopher, Paris, La Quintessence du Meuble au XIXe siècle, éditions Monelle Hayot, Paris, 2018, page 214. - ZEISLER, Wilfried, The French art and luxury object in Russia (1881-1917), éditions Mare & Martin, Paris, 2014.

181 

181. Gervais-Maximilien-Eugène DURAND Writing table with desk of rectangular form decorated with Japanese lacquer panels hira maki-e and taka maki-e with gold and silver decoration of aquatic plants and landscapes on a black background. It opens with two secret drawers opening by a hidden push-button and a desk. The gilded bronze feet in caryatid are joined by a spacer decorated with interlacing. Ornamentation in chased and gilded bronze. Stamped G. DURAND. Louis XVI style, end of the XIXth century, after the model the model made by Adam Weisweiler for Marie-Antoinette. Antoinette. 75 x 82 x 46 cm. The model which was used by Gervais Durand is the famous made by Adam Weisweiler in 1784 and delivered by the merchant merchant Dominique Daguerre to the Garde-Meuble of the Crown. This table is now kept in the Louvre Museum du Louvre (inv. OA 5509), was once destined for the inner cabinet of of Marie-Antoinette in the Château de Saint-Cloud. Sold during the revolutionary sales, it was acquired by the Empress by Empress Eugenie in 1865, then transferred to the Louvre in 1870. This iconic piece of furniture of the decorative arts, combines precious precious Japanese lacquer, finely chiseled and gilded bronze ornaments gilded bronze ornaments, which were expressly modeled by François Rémond. The structure of the piece of furniture is very characteristic of the innovative taste of the of the time, introduces the spacer with interlacing, of English English inspiration. Mrs Patricia Lemonnier, in her reference book on the work of reference work on the work of Weisweiler, lists eleven different different forms of spacer. The very characteristic design of the spacer of this writing table is used by Weisweiler only on two on two tables. Proof of its success, many cabinetmakers in the 19th century made slavish copies of this illustrious table, among others Beurdeley Beurdeley, Dasson, Fourdinois, Gouverneur, Lexcellent, Millet, Zwiener. Beurdeley presented a writing table on his stand at the Chicago Exposition of 1893, another one by Lexcellent was was shown at the 1900 World's Fair in Paris. Among the many collectors, let us quote in particular Cornelius II Vanderbilt who acquired one of these tables for the tables for the Petit Salon of his New York home at the corner of Fifth Avenue and 57th Street. Let us also mention the Empress of Russia who, in 1901, bought a writing table from Millet, now in the Hermitage Museum. in the Hermitage Museum. It is the World Fair of 1889 which consecrated the career of of Gervais Durand with the obtaining of a silver medal. In 1902, he joined forces with his son Frédéric-Louis, who succeeded him who succeeded him around 1920 and in turn became associated with his son Pierre, until the closure of the company around 1933. A table of this model, stamped DURAND was sold at Drouot (Beaussant Lefèvre, 18/06/2010, lot 226). Bibliography : - LEDOUX-LEBARD, Denise, Les ébénistes du XIXe siècle 1795-1889, Editions de l'Amateur, Paris, 1984. - LEMONNIER, Patricia, Weisweiler, editions Monelle Hayot, Paris, 1983. - PAYNE, Christopher, Paris, La Quintessence du Meuble au XIXe siècle, éditions Monelle Hayot, Paris, 2018, page 214. - ZEISLER, Wilfried, The French art and luxury object in Russia (1881-1917), éditions Mare & Martin, Paris, 2014.

Auction is over for this lot. See the results