Null Henri MOREZ (1922-2017)
Hello, the firemen, come quickly my wife has fire i…

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Henri MOREZ (1922-2017) Hello, the firemen, come quickly my wife has fire in the ... Black ink, signed lower right 50 x 32.5 cm

49

Henri MOREZ (1922-2017) Hello, the firemen, come quickly my wife has fire in the ... Black ink, signed lower right 50 x 32.5 cm

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Estim. 200 - 300 EUR

MASSENET (Jules). Autograph musical manuscript signed, entitled "Plus vite! 1886. 55 bars to 13 systems of 3 staves, occupying 3 pp. 1/2 in-folio on the recto of 4 Lard-Esnault ruled ff. mounted on tabs in an in-folio volume, midnight blue half-chagrin with corners, smooth spine with gilt title throughout, gilt fillet on leather edge on boards; binding rubbed (period binding). MELODIE POUR VOIE ET ACCOMPAGNEMENT DE PIANO SUR UN POEME D'HELENE VACARESCO, beginning in G major and ending in G minor. Manuscript dated Étretat, September 25, 1886, with two autograph notes, one stating, "... Je suis souffrant et triste" (on the first page), the other, "... moi, souffrant. 1st fire of autumn. Juliette [Massenet's daughter] in the salon" (on the last sheet). AUTOGRAPHIC SENTENCE SIGNED BY THE COMPOSER (on one endpaper): "À Madame Henri Heugel, j'offre respectueusement ces quelques mesures manuscrites... Paris 1892". Rose Maud Creed was the wife of music publisher Henri Heugel. ATTACHED: DESCHANEL (Paul). Autograph letter signed. S.l., "March 11". - HALEVY (Ludovic). Autograph letter signed to Edmond About. S.l., "Tuesday, February 12" [1884]. - POINCARE (Raymond). Autograph letter signed. [Paris], "Tuesday" [1895, according to postmark].

Estim. 250 - 300 EUR

Judith GAUTIER (1850-1917). 2 L. A. S. (the 1st "Judith"); 4pages in-8 each (a corner cut on the 1st). [ca. 1866-1867], to his friend the architect Charles Robelin, whom Judith (young wife of Catulle Mendès) invited to join them at Barbizon: "If you don't come, you'll die, for eight days this forest has prevented me from writing to you. First I had a donkey that kept me very busy, he came to get me every morning, took me into the woods and threw me into every ditch he came across, I fell with perfect grace to get back up quickly but the donkey pretended to be sick to soften us up"... She wanted to try riding horses, but the encounter with a mare, "oh women!", provoked "gambols and gigotades", and a few terrors for Judith: "First I was afraid of painters, but painters are very gentle animals. Then vipers! then wolves! then wild boars! But now I've only seen deer, rabbits and squirrels"...[1890], thanking you for a fine article on his book La Conquête du Paradis... "The little quarrels you threaten me with worry me a little, because they make me think that perhaps you think I've written lightly, when on the contrary I studied this complicated story for nearly seven years before unravelling it. I could have supported every historical detail with supporting documents"... She does not believe that La Bourdonnais received the million: "But the English have proof that he received the promise in writing. [...] I can see that you are very familiar with this great French adventure which has interested me so passionately, and I am a little saddened to think that perhaps you are unfamiliar with Dupleix"...

Estim. 150 - 200 EUR

Émile GOUDEAU (1849-1906). Autograph poem signed, Les Fous, and 3 L.A.S., [late 1895], to Steinlen; 4pages small in-fol. (31 x 10 cm), and 3 pages in-8, one envelope. Long poem published in Gil Blas, December 15, 1895, with cover designed by Steinlen."Le Vertige noir les invite A gambiller sur le chemin: Les Fous vont vite, vite, vite!Sait-on-on qui sera fou demain?"... At the end, Goudeau specifies that this poem is taken from his forthcoming collection, Chansons de Paris et d'Ailleurs... The letters concern the dispatch of this poem, which Goudeau must have recopied for Steinlen. Then he congratulates Steinlen on his drawing: "It's perfect, extra-perfect. Les Fous couldn't have found a better interpreter. And what beautiful madness!"... Attached is a l.s. from Henri-Joseph to Steinlen about a publication of Le Gardénia in homage to Goudeau (Oct. 6, 1920). + juillet 23100 n°215))

Estim. 1 000 - 1 500 EUR

CHOPIN (Henri). Poésie sonore internationale. Paris: Jean-Michel Place, [1979]. - In-4, 277 x 198: 309 pp, (1 f.), printed cover. Paperback, in publisher's red cloth slipcase. Very rare first edition, printed in an edition of only 60 copies on Phoenix paper from the Ruysscher paper mills. In this handsome work, artist and poet Henri Chopin (1922-2008) presents the history and evolution of sound poetry around the world, with numerous biographies of poets and composers. It is divided into 4 books: Tâtonnements avant 1950. - The Reality of sound or electronic poetry. - 1960 à 1969. - 1970. and poetry-music encounters in electro-acoustics. The study concludes with a bibliography and discography. The edition includes numerous photographic portraits reproduced in black in the text. A precious copy, one of the first 20 to include : - a collage and montage signed by Franco-Swiss painter Arthur AESCHBACHER (1923-2020), - a collage signed by André BELLEGUIE, - a typewriter poem signed by Henri CHOPIN, - an underside of a poster signed and dated 1980 by painter, poet and composer François DUFRÊNE (1930-1982), - a print signed by painter, poet and musician Brion GYSIN (1916-1986), - a magnetic collage signed and dated 30.10.79 by poet and publisher Bernard HEIDSIECK (1928-2014), - a score signed and dated October 79 by composer Pierre MARIETAN (b. 1935), - and a single-line drawing signed and dated October 14, 1979 by cartoonist, novelist and poet Michel SEUPHOR (1901-1999). NOMINATED EXEMPLAIRE, NUMBER I, SPECIAL PRINTED FOR ROBERT ALTMANN, enriched with this justification in the author's hand: Exemplaire tiré // pour Mr Robert Altman (sic) // un grand ami et soutien // de la première heure // pour cette activité // nouvelle // Hommage à vous // H. Chopin 14.1.81 Robert Altmann (1915-2017) was a banker, publisher and collector, father of the famous Lettrist artist Roberto Altmann. With his Brunidor publishing house, he published Isou's first lithograph, the start of a long series. He also published works by Henri Chopin, notably his print Le Sourire, which appeared in Portfolio VII, "Three Artists Six Images" in 1973. A very well preserved copy, complete with the two audio cassettes and a modern print of Seuphor's 1930 photograph "Russolo au Russolophone", signed on verso by the poet-photographer. Provenance: Robert Altmann.

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