Null FLANDERS - 16° EEUW oil painting on panel with a text by Horace in Flemish …
Description

FLANDERS - 16° EEUW oil painting on panel with a text by Horace in Flemish at the top and with a highly animated homespun tableau at the bottom, dated 1582 - 41 x 50 reviewed by Jean Pierre De Bruyn : "Iconographically, it refers to Horace's famous aphorism, taken from the line from the Satires I 1s ultra citraque nequit consistere rectum". Freely translated, "There is measure in things, after all there are limits, beyond which the right ceases." That is immediately the title that fits the painting as the Latin text with Horace's name at the top indicates. Particularly fascinating work that, art-historically anyway, fits perfectly into the 16th century. In the wake also of what Bruegel sometimes brought to his oeuvre. || 16th Cent. Flemish oil on panel with a scripture in Flemish from Horace and with a house work scenes with several figures - dated 1582 Iconographically it refers to the famous saying of Horace, coming from the line from the Satires I 1r all there are limits, beyond which the right ends." That is immediately the title that fits the painting, as indicated by the Latin text with the name of Horace at the top. Particularly fascinating work that fits perfectly in art historically in any case in the 16th century. Also in the wake of what Bruegel sometimes brought into his oeuvre.

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FLANDERS - 16° EEUW oil painting on panel with a text by Horace in Flemish at the top and with a highly animated homespun tableau at the bottom, dated 1582 - 41 x 50 reviewed by Jean Pierre De Bruyn : "Iconographically, it refers to Horace's famous aphorism, taken from the line from the Satires I 1s ultra citraque nequit consistere rectum". Freely translated, "There is measure in things, after all there are limits, beyond which the right ceases." That is immediately the title that fits the painting as the Latin text with Horace's name at the top indicates. Particularly fascinating work that, art-historically anyway, fits perfectly into the 16th century. In the wake also of what Bruegel sometimes brought to his oeuvre. || 16th Cent. Flemish oil on panel with a scripture in Flemish from Horace and with a house work scenes with several figures - dated 1582 Iconographically it refers to the famous saying of Horace, coming from the line from the Satires I 1r all there are limits, beyond which the right ends." That is immediately the title that fits the painting, as indicated by the Latin text with the name of Horace at the top. Particularly fascinating work that fits perfectly in art historically in any case in the 16th century. Also in the wake of what Bruegel sometimes brought into his oeuvre.

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