Null César DALY.
Historical Motifs of Architecture and Sculpture for the composi…
Description

César DALY. Historical Motifs of Architecture and Sculpture for the composition and exterior decoration of public and private buildings. 1st series: Choice of Fragments borrowed from French Monuments from the beginning of the Renaissance to the end of Louis XVI. Doors, sculpted panels, windows, frames, dormer windows, oeil-de-boeuf, niches, cornices, mascarons, balusters, various cushioning, vases, fountains, basins, ornate keys, etc., ornamental sculpture in marble, stone, wood, lead, bronze, etc. 2nd series: Interior decorations borrowed from French buildings from the beginning of the Renaissance to the end of Louis XVI (16th, 17th and 18th centuries). Sets of salons, dining rooms, bedrooms, boudoirs, etc. Stairs, fireplaces, doors, ceilings, overmantels, panels, wainscoting, glass frames, etc. Paris, Morel, 1869-1880, 4 volumes in-folio bound in half-chagrin for the 1st series and in sheets under lace-up portfolios for the 2nd series. First series complete with its 198 plates, some foxing and stains. Second series: volume 1 with 92 plates out of 105, including chromolithographs - volume 2 complete with its 95 plates.

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César DALY. Historical Motifs of Architecture and Sculpture for the composition and exterior decoration of public and private buildings. 1st series: Choice of Fragments borrowed from French Monuments from the beginning of the Renaissance to the end of Louis XVI. Doors, sculpted panels, windows, frames, dormer windows, oeil-de-boeuf, niches, cornices, mascarons, balusters, various cushioning, vases, fountains, basins, ornate keys, etc., ornamental sculpture in marble, stone, wood, lead, bronze, etc. 2nd series: Interior decorations borrowed from French buildings from the beginning of the Renaissance to the end of Louis XVI (16th, 17th and 18th centuries). Sets of salons, dining rooms, bedrooms, boudoirs, etc. Stairs, fireplaces, doors, ceilings, overmantels, panels, wainscoting, glass frames, etc. Paris, Morel, 1869-1880, 4 volumes in-folio bound in half-chagrin for the 1st series and in sheets under lace-up portfolios for the 2nd series. First series complete with its 198 plates, some foxing and stains. Second series: volume 1 with 92 plates out of 105, including chromolithographs - volume 2 complete with its 95 plates.

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